‘Servant of Two Masters’ at Muhlenberg‏ College

Allentown, PA – In 18th century Venice, Commedia dell’Arte was king. The classic theatrical style, which features masks, stock characters, and comic improvisation, was beloved by the nobility and working class alike, and trips to see the side-splitting misadventures of the masked characters were a vital part of the Venetian social scene.

Now, for the first time, a Commedia dell’Arte play will appear on the Muhlenberg College mainstage: Carlo Goldoni’s comic masterpiece “Servant of Two Masters,” directed by Muhlenberg theater professor Francine Roussel.

Presented by Muhlenberg’s Department of Theatre & Dance, “Servant of Two Masters” runs Dec. 3–6 in the College’s Baker Theatre. Tickets and information are available at http://www.muhlenberg.edu/theatre and at 484-664-3333.

A longtime teacher and practitioner of Commedia dell’Arte, Roussel says that modern audiences are consistently surprised by how relevant — and how funny — they find “Servant of Two Masters” to be.

 “‘Servant’ is a comedy of all times,” Roussel says. “It doesn’t age, and humans are humans. We can all recognize ourselves in the 18th century stock characters.”

The play follows the misadventures of the scheming servant Arlecchino, who comes up with a plan to sate his legendary appetites: he will serve two masters at the same time, and thus receive twice the money and twice the meals. But serving more than one master could land him in deep trouble, so Arlecchino must hide his double life. Comedy unfolds against a Venetian backdrop of romance and deception.

The Commedia dell’Arte tradition dates back to the 1500s and is a direct precursor of today’s slapstick and sketch comedy. In fact, the word “slapstick” derives from a prop that Commedia actors use to hit each other as loudly (and painlessly) as possible. The modern Harlequin figure, with his familiar patchwork costume, also traces his roots to Commedia; the English name “Harlequin” and Italian “Arlecchino” both derive from the French “Arlequin,” and the character had already been around for more than 150 years by the time he appeared in “Servant of Two Masters,” in 1746.

“The character of Arlecchino is so unique, so endearing, and so energetic,” Roussel says. “Everybody wants to follow him wherever he wants to go.”

The role of Arlecchino will be played by Muhlenberg senior Henry Evans, an actor, dancer, and acrobat who co-founded Muhlenberg’s Circus Workshop in the spring of 2014. Evans will put his acrobat and juggling skills to good use in the production. He says that working on “Servant” has been similar in many ways to his circus performances.

“It’s like a juggling routine,” he says. “It’s this balance of keeping the tradition of Commedia, but at the same time putting our own spin on it, making it contemporary.”

For an undergraduate theater program, Muhlenberg has an unusual degree of connection to the Commedia dell’Arte tradition. Roussel frequently teaches a Commedia class, and a three-month, Commedia-centered program in Arezzo, Italy, is one of the most popular study abroad destinations for Muhlenberg theatre students.

Roussel holds Master of Arts degrees in both modern European and classical French literature from the University of Paris, La Sorbonne. She also earned the Certificat of L’École Internationale de Théâtre Jacques Lecoq, Paris, where she studied mime and mask. Roussel was part of the “Groupe des 50,” which established the Actors Studio in Paris. She has worked extensively in theatre and film in both Europe and the United States over the past several decades.

The production also features scenic and lighting design by Curtis Dretsch, costume design by Liene Dobraja, and fight choreography by Michael G. Chin.

Performances of “Servant of Two Masters” are Dec. 3 – 6: Thursday through Saturday, Dec. 3-5, at 8 p.m.; Sunday, Dec. 6 at 2 p.m. Tickets are $15 for adults and $8 for students. Performances are in the Baker Theatre in the Trexler Pavilion for Theatre and Dance at Muhlenberg College, 2400 Chew St., Allentown.

Founded in 1848, Muhlenberg College is a highly selective, private, four-year residential college located in Allentown, Pa., approximately 90 miles west of New York City. With an undergraduate enrollment of approximately 2,200 students, Muhlenberg College is dedicated to shaping creative, compassionate, collaborative leaders through rigorous academic programs in the arts, sciences, business, education and public health. A member of the Centennial Conference, Muhlenberg competes in 22 varsity sports. Muhlenberg is affiliated with the Evangelical Lutheran Church in America.

Muhlenberg offers Bachelor of Arts degrees in theater and dance. The Princeton Review ranked Muhlenberg’s theater program in the top twelve in the nation for eight years in a row, and Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

Muhlenberg Theatre & Dance 2015-2016 Season‏

ALLENTOWN, PA — Muhlenberg College’s nationally-ranked Theatre & Dance Department announces its 2015-2016 mainstage season. Highlights include works ranging from James Joyce’s “Ulysses” to 18th commedia dell’arte; a biannual festival of student-written plays; and production of the musical theatre classic “Chicago.”

The season features six fully mounted theatrical productions and three mainstage dance concerts, running from September 2015 to April 2016.

“This exciting season features the new and the newly imagined,” says Beth Schachter, chair of the department. “We are presenting world premieres and fresh versions of classics, spanning international topics and American issues through comedic and serious projects.”

The season begins with “New Voices,” Sept. 30 through Oct. 4, a new-play festival featuring the work of current Muhlenberg students. The festival features four world premiere short plays, with Schachter serving as artistic director.

The old razzle dazzle of John Kander and Fred Ebb’s electrifying Jazz Age musical “Chicago” comes to the Muhlenberg stage for the first time ever, Oct. 30 through Nov. 8. Directed by theatre program director Charles Richter, “Chicago” is a scintillating tale of greed, murder, showbiz — and all that jazz.

“Moving Stories,” Nov. 12-14, features original choreography by the department’s upperclass dance majors, in a variety of genres and styles. The concert showcases dance as storytelling, narration in human form, addressing themes as broad ranging as the students’ own diverse backgrounds. Karen Dearborn serves as artistic director.

Carlo Goldoni’s classic 1746 comedy “Servant of Two Masters” finishes the fall schedule, Dec. 3-6, directed by Muhlenberg faculty member Francine Roussel. Presented in the classic tradition of the Italian Renaissance, the play features stock characters of the commedia dell’arte style, wearing traditional-style masks and costumes.

“Master Choreographers,” Feb. 6-8, with artistic direction by Karen Dearborn, features eight works by faculty and guest artists, including a piece by renowned choreographer Karol Armitage, sponsored by the Dexter F. & Dorothy H. Baker Foundation. Also included will be works by Shelley Oliver, Heidi Cruz-Austin, Jeffrey Peterson, and program chair Karen Dearborn.

The “New Visions” Directors’ Festival, Feb. 24-28 will feature three short plays directed by senior Muhlenberg directing students: “Terrible Beautiful Bodies,” by Muhlenberg alumni Ben Nassau and Moriah Benjoseph; “Hello Out There,” by William Saroyan; and “The Exception and the Rule,” by Bertolt Brecht.

“Dance Emerge,” April 21-24, showcases the ideas and talents of our brightest young choreographers. The intimate Dance Studio Theatre is the backdrop for innovative, explorative dance pieces. Jeffrey Peterson serves as artistic director.


The Muhlenberg Circus Workshop now in its third year, will present an evening of contemporary circus in the college’s Studio Theatre, April 21-24. The Workshop’s performances combine the talents of aerialists, acrobats, jugglers, dancers, actors and other skilled artists in an evening of interactive and energetic performances.

A portion of James Joyce’s classic novel “Ulysses” is adapted for the stage in “Ulysses in Nighttown,” April 28 – May 1. Directed by theatre professor James Peck, the play tackles the rich language of Joyce’s esoteric 1922 novel — in particular, Episode 15, the “Circe” episode, taking place in Nighttown, Dublin’s red-light district.

The mainstage performance series is produced by Muhlenberg College’s acclaimed Theatre & Dance Department, The Princeton Review consistently ranks Muhlenberg’s production program in the top 20 in the nation, including a No. 6 ranking in its current college guide. The Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States.

Tickets and information: 484-664-3333 or http://muhlenberg.edu/theatre&dance. Discounts are available for packages of four or more productions.

Founded in 1848, Muhlenberg is a highly selective, private, four-year residential college located in Allentown, Pa., approximately 90 miles west of New York City. With an undergraduate enrollment of approximately 2200 students, Muhlenberg College is dedicated to shaping creative, compassionate, collaborative leaders through rigorous academic programs in the arts, sciences, business, education and public health. A member of the Centennial Conference, Muhlenberg competes in 22 varsity sports. Muhlenberg is affiliated with the Evangelical Lutheran Church in America.