Editor’s note: I think there’s more blame to go around than South Street…just sayin’.
Miley Cyrus is naked on the cover of Rolling Stone, but you shouldn’t waste your energy focusing on that image because the content of the accompanying profile is far more interesting.
Rolling Stone‘s Josh Eels spent a significant amount of time with the polarizing pop star as she got “Rolling Stone” tattooed on the bottom of her feet, went out for sushi, and jumped out of a plane. But, really, the most compelling portions of the feature focus on Miley’s transition from Hannah Montana to the young woman who twerked all over MTV and America back in August.
She talks about her performance and how it’s helped her bond with another polarizing musician, Kanye West.
Editor’s note: And the choir says, AMEN to that! A truly revolting performance! I liked Kelly Clarkson’s description #pitchystripper.
Steve Chmelar was 16-years-old when he invented the concept that would later become the foam finger, formally known as the original “No. 1 finger” – a prop intended to support his high school basketball team in 1971 at the Iowa state championships.
What the 59-year-old Vice President of commercial sales at a construction supply company did not intend for his invention, was for it to be used by Miley Cyrus in such a manner during her controversial Sunday performance at the VMAs. Chmelar, who didn’t see her moves live on Sunday, told FoxSports.com that he watched it after a family member told him about it via Facebook.
Editor’s note: This is priceless and really says something. Miley needs an intervention. You gotta check out the picture!
Well it seems as if we weren’t the only ones completely dumbfounded by Miley Cyrus’ performance at Sunday evening’s Video Music Awards.
The pop star twerked, she gyrated, slapped a butt, and uncomfortably paraded around teddy bears during her risque number alongside Robin Thicke, even using a foam hand as a sexual prop – all while wearing a plastic bikini. Oh, and she sang, too.