West End Student Theatre Brings ‘Reckless’ To The Stage At Montgomery County Community College West Campus In April

Pottstown, PA —The Montgomery County Community College West End Student Theatre brings Craig Lucas’s comedy/drama Reckless to the stage April 20-22 at the College’s West Campus in Pottstown. 

On December 24, Rachel is informed by her guilt-ridden husband that he has hired a hitman to kill her – Merry Christmas! She scrambles out into the night alone, and finds a wild, wonderful web of people and events which allow her to become the hero of her own (almost sane) story. The production contains adult themes and language. 

Produced by special arrangement with Dramatists’ Play Services, Reckless is directed by Tim Gallagher and assistant director Zach Clark, with stage direction by Jeff Chernesky. It is produced and designed by students in the Theatre Production Workshop and the West End Student Theatre. 

The cast and crew includes Maliah Buxton of Collegeville, Mika Cave of Bechtelsville, Sebastian Coates of Douglassville, William Cox of Red Hill, Tess Devlin of Collegeville, Duncan DeVore of Perkiomenville, Joseph Donley of Pottstown, Phoebe Kancianic of Pottstown, Derek Peterson of Reading, Shaun Reed of Lancaster, Erik Reyes of Pottstown, Toby Troyer, Hailee Tyson of Sanatoga, and Kayla Velasquez of Royersford. 

Performances will be held April 20 – 22 at 7 p.m., and a special daytime performance on April 21 at 12:30 p.m. in the South Hall Community Room at 101 College Drive in Pottstown, Pa. General admission is $10, and $5 for students and seniors. To purchase tickets, please visit www.mc3.edu/theater or call 215-641-6518. 

Proceeds from the production will benefit the Theatre Arts Merit Scholarship fund at the College. 

About Montgomery County Community College 

For more than 50 years, Montgomery County Community College has grown with the community to meet the evolving educational needs of Montgomery County. The College’s comprehensive curriculum includes more than 100 associate degree and certificate programs, as well as customized workforce training and certifications. Students enjoy the flexibility of learning at the College’s thriving campuses in Blue Bell and Pottstown, at the Culinary Arts Institute in Lansdale, and online through a robust Virtual Campus.   

As an Achieving the Dream Leader College, the institution is positioned at the vanguard of national efforts to increase completion, improve learning outcomes, and remove barriers to access for students. The College is also recognized regionally and nationally for its sustainability leadership, work with military veterans, community service and service learning opportunities, and use of classroom technology. For more information, visit http://www.mc3.edu.  

‘Wig Out!’ At Muhlenberg

Allentown, PA — Muhlenberg College takes a stroll down the runway and into drag ball culture, as the Muhlenberg Theatre & Dance Department presents Tarell Alvin McCraney’s “Wig Out!,” March 30 – April 2. Rarely produced since its 2008 premiere, “Wig Out!” offers an outlandish and high-style glimpse into the tight-knit world of Harlem drag balls. Muhlenberg theater professor Troy Dwyer directs.

“I’m not sure we’ve ever seen anything quite like this on our stage,” Dwyer says. “It’s going to be an extremity of design — and a leap-of-faith undertaking for the department. It’s also an opportunity to accommodate our population of truly gifted students of color, who aren’t just actors, but a variety of theater-making artists.”

“Wig Out!” focuses on the intense personal connections of  “houses,” the family units at the heart of drag culture — families that typically include a mother, a father, and a group of “children,” while also upending traditional nuclear family roles in favor of something richer and more complex. At the core of “Wig Out!” is the fictional House of Light, with mother Rey-Rey (Cameron Silliman) and father Lucian (Alan Mendez).

“’Wig Out!’ is a quick Alice in Wonderland trip into this topsy-turvy world that’s nothing like ours but very much like ours,” McCraney says. “One of my professors who saw the original run said, ‘I have no idea what’s going on, but it’s the most fun I’ve ever had.’”

Drag balls trace their roots to Harlem in the 1860s, flourishing during the Harlem Renaissance of the 1920s and ’30s. Today’s drag ball culture took shape in the 1960s, as black drag queens began hosting predominantly black drag events. In 1990, the drag scene achieved mainstream recognition with the release of the documentary film “Paris Is Burning,” along with pop star Madonna’s drag-inspired hit “Vogue.” The balls themselves are extravagant competitions, in which contestants “walk” and are judged on a specific set of criteria, including the “realness” of their drag, their movement and dance abilities, and their fashion choices.

“What I think is so vital about ‘Wig Out!’ is that it not only makes visible sides of queer culture that aren’t typically part of mainstream culture,” Dwyer says. “It shines a more inclusive light than, say ‘RuPaul’s Drag Race,’ which is about the extent of many people’s familiarity with drag culture.”

“Wig Out!” was first produced at the Off-Broadway Vineyard Theatre in New York City, and the same year at the Royal Court Theatre in London. It has been fully produced only once since, in any venue.

Playwright McCraney’s film “Moonlight” received 2017 Academy Awards for Best Picture and Best Adapted Screenplay. The film was written by McCraney and director Barry Jenkins, based on McCraney’s unpublished semi-autobiographical play. McCraney was also recently appointed chair of playwriting at the Yale School of Drama, beginning in July. His plays have been produced by Steppenwolf Theatre, Manhattan Theatre Club, and the Royal Shakespeare Company, among others.

McCraney got together with the Muhlenberg production’s cast and creative team in February, via Skype. He shared some insights, answered questions, and engaged with the actors’ responses to the play.

Dwyer has surrounded himself with an accomplished creative team — which he says has somewhat allayed his concerns as a white director about taking artistic leadership of this project, in which most of the characters are people of color.

“What feels risky to me is making sure my white male privilege doesn’t upstage the heart of the story,” Dwyer says. “I was committed to having the story told, thinking it was probably okay for me to be a creative leader, but not by myself. I’m so fortunate to have some really brilliant, passionate artists of color around me, who are significant creative leaders on the piece.”

The production team includes managing dramaturg Dr. Sharrell Luckett, a Muhlenberg theater professor; accomplished costume designer Andy Jean; and Broadway wig and hair designer Bobbie Zlotnik. Samuel Antonio Reyes, who choreographed last summer’s acclaimed Muhlenberg Summer Music Theatre production of “In the Heights,” and a veteran of the ballroom scene himself, has created the show’s extensive choreography.

The show also features makeup design by Joe Dulude II, who designed make-up for the Tony Award-winning Broadway productions of “Wicked” and “Beautiful: The Carole King Musical.” Dulude is the Baker Artist-in-Residence for the 2016-17 academic year, thanks to a grant from the Dexter F. & Dorothy H. Baker Foundation. He says his own involvement in the drag scene heavily influences his approach to the work.

“My drag is often about playing with the masculine and feminine,” Dulude says. “Since my own experiences in drag and working with other drag queens is so diverse, that’s what I’m bringing to the show: not just one style of drag but a combination of styles.”

Muhlenberg Junior Evan Brooks, who plays Ms. Nina/Wilson, one of the children of the House of Light, says the production is a vital performance opportunity for theater students at Muhlenberg.

“At this moment in our nation’s history, being able to participate in this production is nothing less than a gift,” Brooks says. “I think it’s essential to provide theatrical and educational experiences for under-represented artists, who aren’t acknowledged in the same way as majority-identifying students — and that’s what the production is doing.”

Dwyer says the show’s second act will feature a drag ball performance for which audience members will be invited onstage to serve as the crowd for the ball. The production also will feature a lobby display about the history of drag, coordinated by Luckett, and a uniquely interactive intermission.

“We want the audience to leave with an appreciation for drag culture, in all its spectacular diversity,” Dwyer says. “The mainstream gets an exceptionally narrow version of queer culture, when they get any version at all — and often it comes at the expense of other, more marginalized versions. We want to broaden their horizons a bit.”

“Wig Out!” plays March 30 – April 2. Showtimes are Thursday through Saturday at 8 p.m. and Sunday at 2 p.m. Regular admission tickets are $15. Tickets for youth and LVAIC students and staff are $8. The production is recommended for mature audiences.

Tickets and information are available online at muhlenberg.edu/theatre or by phone at 484-664-3333. Performances are in the Baker Theatre, Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.

Founded in 1848, Muhlenberg College is a highly selective, private, four-year residential college located in Allentown, Pa., approximately 90 miles west of New York City. With an undergraduate enrollment of approximately 2,200 students, Muhlenberg College is dedicated to shaping creative, compassionate, collaborative leaders through rigorous academic programs in the arts, sciences, business, education and public health. A member of the Centennial Conference, Muhlenberg competes in 22 varsity sports. Muhlenberg is affiliated with the Evangelical Lutheran Church in America.

Muhlenberg offers Bachelor of Arts degrees in theater and dance. The Princeton Review ranked Muhlenberg’s theater program in the top twelve in the nation for eight years in a row, and Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

Montgomery County Community College Central Campus Presenting Short Play Festival In April

Blue Bell, PA —Could you confront a person who tried to destroy you? How about leave your life a solar system away to be with someone you love? Six one-act plays explore these questions and more in the Short Play Festival coming to the stage at Montgomery County Community College April 6-9.

Chosen and directed by student artists at Montgomery County Community College, the Short Play Festival offers young, fresh productions by playwrights ranging from Chekhov to Neil LaBute.

Performances will be held April 6-8 at 7 p.m., April 7 at 12:30 p.m., and the finale on April 9 at 2 p.m. in the Science Center Black Box Theatre at 340 DeKalb Pike in Blue Bell.

The student directors are drawn from the Directing: World of the Stage course at the College, and the plays are produced and designed by students in the Theatre Arts Production Workshop and the Drama Club. Two of the plays are directed by theatre faculty member Rob Heller, who also oversees the entire project.

Selected plays include:

·         Dancing with the Devil by Brooke Berman, director by student Dajzane Meadows-Sanderlin of Upper Darby, Pa.

·         I’m Going to Stop Pretending (That I Didn’t Break our Heart) by Neil LaBute, directed by student Alondra Santos-Castillo of Norristown, Pa.

·         The Proposal by Anton Chekhov, directed by student Kevin Sene of Norristown, Pa.

·         Under Lubianka Square by Constance Congdon, directed by student Shelby Poston of Pottstown, Pa.

·         Fledging by Nathan Alan Davis, director by Rob Heller

·         Space by Kelly P. Luck, directed by Rob Heller

Cast members for the six plays include Dee Brown of Philadelphia, Kaeleigh Dequevado of Springfield Township, Luke Fletcher of Ambler, Amber Grier of Philadelphia, Matt Heller of Erdenheim, Kalif Johnson of Lansdale, Alex Kilcullen of King of Prussia, Lauren Ralston of Horsham, Gordon Rose of Fort Washington, Jordayn Ross of Norristown, Bill Smith of Rockledge, Shea Walker of Blue Bell, Jess Weigand of Norristown and Dan Wurtz of Jenkintown.

General admission is $10, and $5 for students and seniors. To purchase tickets, please visit http://www.mc3.edu/theater or call 215-641-6518. Proceeds from the production will benefit the Theatre Arts Merit Scholarship fund at the College.

About Montgomery County Community College
For more than 50 years, Montgomery County Community College has grown with the community to meet the evolving educational needs of Montgomery County. The College’s comprehensive curriculum includes more than 100 associate degree and certificate programs, as well as customized workforce training and certifications. Students enjoy the flexibility of learning at the College’s thriving campuses in Blue Bell and Pottstown, at the Culinary Arts Institute in Lansdale, and online through a robust Virtual Campus.

As an Achieving the Dream Leader College, the institution is positioned at the vanguard of national efforts to increase completion, improve learning outcomes, and remove barriers to access for students. The College is also recognized regionally and nationally for its sustainability leadership, work with military veterans, community service and service learning opportunities, and use of classroom technology. For more information, visit http://www.mc3.edu .

You’re Invited – Free Arts Education Event For The Whole Community!

Three YAA photos

Hello Lehigh Valley Families!

Back by popular demand, the Lehigh Valley Arts Council is proud to present the second annual Young at Art Expo on March 11, 2017. Won’t you join us?

Our goal is to connect families to the arts community in an expo-style event that’s both engaging and educational. Held at Penn State Lehigh Valley from 10:00am to 2:00pm, we invite children of all ages and abilities to enjoy an entertaining and creative day – FREE to Lehigh Valley families!

The day will be jam-packed with hands-on activities and performances from the participating groups, from dance routines and theatre workshops to arts demonstrations and craft projects. Information will be available for classes and camps that are perfect for creative learners.

Come dance, sing, create and play! Enjoy fun with the whole family!

MEET THE INSTRUCTORS AND EXPLORE THE ARTS WITH:

Allegro Dance Studios
The Art Establishment
Ballet Guild of the Lehigh Valley
Banana Factory Arts Center
The Baum School of Art
Community Music School
Girl Scouts of Eastern Pennsylvania
The IceHouse Performing Arts Consortium
Let’s Play Books!
Mayura Academy of Dance
Mikayla’s Voice
Nurture Nature Center
Penn State Lehigh Valley
Pennsylvania Youth Ballet
Puertorrican Culture Preservation
Roey’s Paintbox
School of Rock
The Swain School
TLC Charter Arts

Enjoy FREE face painting provided by Funtastic Faces and Body Art!

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Gertrude Stein’s challenging ‘Listen To Me’ finds Vivid Adaption On Muhlenberg College Stage, Feb. 22-26

Allentown, PA — “Listen to Me” is a bittersweet adventure by Gertrude Stein — a love story and a cerebral frolic, in the face of planetary crisis. Directed by James Peck, Stein’s evocative, rarely produced play will be presented at Muhlenberg College, Feb. 22-26.

Written in 1936, Stein’s play is a piece of experimental staged poetry, in which characters laugh, love, philosophize, and struggle heroically to hold onto hope as their prospects dim.

“It has these themes of environmental catastrophe and looming disaster,” says Peck, a theater professor at Muhlenberg. “It asks some questions about the ways in which romance, love, and art matter in the context of a dire planetary situation.”

Peck has directed Stein before, and has also published articles about her theatrical work. He calls her “one of the most original and important theater thinkers of the 20th century,” and says that he wanted to share the experience of working on her plays with students.

In a few words, according to Peck, “Listen to Me” is arguably, partly, possibly a love story at the end of the world — but he resists the effort to impose a synopsis. The play is unusual in several ways: it has only a couple of clearly defined characters; most of the text isn’t so much dialog as it is poetry; and its scenes unfold with only the suggestion of a linear course of events. But Peck says that audience members who have the idea that the play is difficult or inaccessible will be quite surprised.

“I want people to understand that it’s not just ‘weird,’” Peck says. “It’s very deeply felt, it really starts from feeling — that Stein is deeply concerned about how people treat each other and about fairness in human relationships. I want them to know how moving her plays are and how accessible they are once you start to put them on their feet and figure out ways to put the language into actors’ bodies and create stage pictures around the words.”

To that end, the cast of 15 have been collaborating and experimenting their way through the text, finding the moments and phrases that resonate, and exploring ways in which to communicate that resonance to an audience.

“It’s a cooperative process,” says Xavier Pacheco, who plays Sweet William, one of the show’s two named characters. “The only way to rehearse this play is to work consistently through it all together and see where we end up. It’s a brilliant cast. It feels good to be working with people in a way that we’re all in it together.”

Scenic designer Tim Averill has found a design solution that echoes both the circumstance of the play and the process of its creation. It’s a dock, extending off stage from the top of a sphere — the earth, perhaps — on which words and images will be projected. It suggests the last visible piece of a sinking ship, on which the actors perch apprehensively.

“It’s a desperate place where people are trying to live,” Averill says. “It’s about too many people and too much stuff and too much light.”

The production also features an original score by Doug Ovens, who also collaborated with Peck on last season’s “Ulysses in Nighttown.” Ovens says the score will feature a “virtual chamber ensemble” of prerecorded woodwinds, percussion, and piano, as well as a “celestial soprano” derived for samples from recordings of his vocal pieces.

“My music revisits Modernist styles while striving to amplify ideas of love as well as confusion, conflict, and, hopefully, survival,” Ovens says.

Peck says he hopes all these elements will come together in a theatrical experience that feels, on the one hand, cautionary and anxious, and on the other, hopeful and celebratory — because, in these days, that’s how he feels as an artist and global citizen.

“Can we feel love and existential dread at the same time?” he asks. “I think that’s what Stein wants to know. It’s what I want to know. How do those things fit together? I think we can; I think we have to. And that’s what we’ve set out to do.”

“Listen to Me” plays Feb. 22-26. Showtimes are Wednesday through Saturday at 8 p.m. and Saturday and Sunday at 2 p.m. Regular admission tickets are $15. Tickets for youth and LVAIC students and staff are $8. The production is recommended for mature audiences. 

Tickets and information are available online at muhlenberg.edu/theatre or by phone at 484-664-3333. Performances are in the Studio Theatre, Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.

Muhlenberg Summer Music Theatre Announces Open Audition Dates

Allentown, PA — Muhlenberg Summer Music Theatre will hold open auditions on Feb. 26 and 27. Performers will be cast for the season’s mainstage productions: “Hair,” performing June 14 – July 2, and “My Fair Lady,” performing July 12-30.

The following audition details can also be found online, at muhlenberg.edu/smt.

Preliminary vocal auditions will be held for both “Hair” and “My Fair Lady” on Sunday, Feb. 26, from 12 to 5 p.m. and 7 to 11pm, and Monday, Feb. 27, from 5 to 10 p.m. All auditions will take place at Muhlenberg College, at the Baker Center for the Arts and the Trexler Pavilion for Theatre & Dance.

All auditioners must register in advance and schedule an audition. Auditioners should visit the Summer Music Theatre website, at muhlenberg.edu/smt, and follow the link to the registration form. Auditioners without internet access may call the Theatre & Dance office at 484-664-3087, during regular office hours before Thursday, Feb. 23.

All auditioners should prepare a 32-bar song selection from a Broadway musical written before 1975. Auditioners should bring properly marked sheet music. An accompanist will be provided. Dance will not be a part of the preliminary audition, but will be included in callback auditions. Auditioners should bring two copies of their resumes and headshots.

For “Hair,” performers ages 18-30 are encouraged to audition.  For “My Fair Lady,” the director will be casting actors ages 16 and up, and older auditioners are encouraged to attend. Auditioners may audition for both productions.

All actors participating in Muhlenberg Summer Music Theatre productions are paid a stipend. Out-of-town actors are provided with free housing. We will consider casting Equity members on guest artist contracts.

Auditioners who live too far away from the Allentown area or who are unable to attend auditions may submit a preliminary video audition. The video should consist of one song (see guidelines above). Please send a link to a video hosted on the internet; e.g., YouTube or Vimeo. Do not send attached files via email.

Auditioners who receive a callback must attend in person to be considered for a role. Callbacks will include dance and acting auditions, reading from the script.

Callbacks will be held on Monday, March 13, for “Hair” and Tuesday, March 14, for “My Fair Lady.” Auditioners must attend callbacks in person (not by video submission) unless previous arrangements have been made.

“My Fair Lady” will be directed by Charles Richter, with choreography by Karen Dearborn and musical direction by Ed Bara. Rehearsals are June 20 through July 11, Tuesday through Sunday from 1 to 5 p.m. and 7 to 11 p.m.  Performances are June 12 through July 30, Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m.

“Hair” will be directed by James Peck, with choreography by Samuel Antonio Reyes and musical direction by Ken Butler. Rehearsals are May 23 through June 13, Tuesday through Sunday from 1 to 5 p.m and 7 to 11 p.m. Performances are June 14-July 2, Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m.

Non-performing opportunities are available for technicians and costumers. Carpenters, electricians, props technicians, light board and sound board operators, and stage crew are needed for productions. Costumers, first hand, stitchers, and wardrobe running crew are needed in the costume shop.

The application deadline for technicians, costumers, and administrative personnel is March 9. Applications can be found online at muhlenberg.edu/smt. Completed applications can be sent to smtcompany@muhlenberg.edu.

Lehigh Valley Arts Advocate – February 2017

FEBRUARY 2017

Randall 2 crop

MESSAGE FROM THE EXECUTIVE DIRECTOR

At only 46 cents per citizen, one has to ask “What does the National Endowment for the Arts actually do for the citizens of this country?” Surprisingly, a lot.

The 2016 budget for the National Endowment for the Arts was $148 million dollars. Annually, the NEA awards more than 2,200 grants and cooperative agreements exceeding $130 million, funding the arts in all 50 states and six U.S. jurisdictions, including urban and rural areas, and reaching civilian and military populations.

As determined by the Americans for the Arts in their Arts & Economic Prosperity IV study, the nonprofit arts and culture industry in the United States generates $135.2 billion dollars of activity annually. This activity supports 4.1 million jobs and generates $22.3 billion dollars in revenue to local, state and federal governments.

That’s quite a healthy return on investment at less than four bits.

Economics aside, public funding for the arts validates the important role that the arts play in our lives. Arts are the highest form of expression. They have the power to make our lives better, heal emotional wounds, and spark initiatives, As a citizen, I would gladly support $5 of my tax dollars toward increasing the budget for the NEA. It would go a lot further in bringing people together in this country than spending $30 billion dollars for a wall.

Randall Forte, Executive Director

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Save the Date for Young at Art!

Young at Art Face Painting pic

You won’t want to miss this year’s day of creative fun for the whole family!

SATURDAY, MARCH 11, 2017
10:00am to 2:00pm
Penn State Lehigh Valley
free admission for the community
lvartscouncil.org/young-at-art
The day will be jam-packed with hands-on activities and performances from the participating groups, from dance routines and theatre workshops to arts demonstrations and craft projects. Kids of every age and ability will find a way to sample the arts in all forms, while parents can gather information about classes and summer camps.

Meet Our Exhibiting Artist

Blue Glass

THOMAS AUGUSTA

January / February

“As a painter, I am more interested in how the subject appeals to me. I paint what I think is pleasing or compelling to the eye. My watercolors are more detailed than others, I try to bring in the viewer in with color, composition and detail.”

Thomas is a watercolor painter currently living in Bethlehem, PA, painting plein air and in his “Crow’s Nest Studio” at home. His inviting watercolor landscapes and still lives capture light and color, creating a balanced and interesting setting that tells a story.

Thomas’s exhibit will be on display in our office until the end of February – stop by and see the collection!

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Arts Alive 2017

Arts Alive 2017

Engage Your Mind & Spirit!

Join us in exploring the “intimacy of space” as imagined by a landscape architect, captured in a musical salon, and depicted in the wearable art of a metalsmith. Expand your appreciation for the arts by attending one (or all three) of our Arts Alive offerings!

SPECIAL MEMBER PRICING FOR SERIES TICKET
Enjoy all three 2017 Arts Alive events for the price of $60 (savings of $15)!

How Does Your Garden Show? Saturday, April 29, 2017 | 11 am – 12:30 pm | Garden Design, Inc.
PURCHASE TICKETS
Music of Friends Saturday, June 17, 2017 | 11 am – 12:30 pm | Home of Janet & Malcolm Gross
PURCHASE TICKETS
Wearable Sculpture Sunday, October 15, 2017 | 11 am – 12:30 pm | Studio of Loretta Tryon
PURCHASE TICKETS
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Upcoming Performances

MORAVIAN COLLEGE MUSIC INSTITUTE

February 18 at 7:30pm
Sounds of New Orleans
Foy Hall, Moravian College

February 19 at 2:00pm
Gamelan Gita Semara
Foy Hall, Moravian College

February 26 at 4:00pm
An Afternoon of Jazz
Foy Hall, Moravian College

March 16 at 7:30pm
Expressionism – The Art & the Music
Peter Hall, Moravian College

March 19 at 7:00pm
Moravian College Jazz Fusion Ensemble & Jazz Combo II
Foy Hall, Moravian College

March 24 at 7:30pm
Moravian College BIG Band
Foy Hall, Moravian College

March 26 at 4:00pm
Early Music Ensembles
Peter Hall, Moravian College

March 26 at 7:00pm
Celtic Ensemble – “Heather & Thistle – Music of Scotland”
Peter Hall, Moravian College

March 31 at 7:30pm
Moravian College Dance Company
Foy Hall, Moravian College

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MORAVIAN COLLEGE THEATRE COMPANY

February 23 at 8pm
Boeing-Boeing
Arena Theatre, Moravian College

February 24 at 8pm
Boeing-Boeing
Arena Theatre, Moravian College

February 25 at 8pm
Boeing-Boeing
Arena Theatre, Moravian College

February 26 at 2pm
Boeing-Boeing
Arena Theatre, Moravian College

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PENNSYLVANIA SINFONIA ORCHESTRA

March 5 at 4pm
An Afternoon with Mozart
Christ Lutheran Church, Allentown

Muhlenberg College ‘Master Choreographers’ Dance Concert, Feb. 9-11, Displays Talents Of Acclaimed Choreographers, More Than 70 Dancers

Allentown, PA — The Muhlenberg College dance program will showcase two iconic re-stagings and one original piece from three world-renowned choreographers, as well as four world-premiere works by accomplished returning contributors, in its annual “Master Choreographers” concert, Feb. 9-11.

This year’s “Master Choreographers” features restagings of “Radical Severance,” choreographed by Cristina Perera, and “When We Fly,” choreographed by Orion Duckstein. The concert also features an original balletic piece, “Without Words,” by Trinette Singleton, as well as new works by four Muhlenberg dance faculty: Heidi Cruz-Austin, alumna of the Pennsylvania Ballet; Shelley Oliver, director of Shelley Oliver Tap Dancers; Randall Anthony Smith, répétiteur and assistant to choreographer Donald McKayle; and Jeffrey Peterson, former dancer with Danny Buraczeski’s Jazz dance.

“This concert presents a spectacular evening of dance,” says Karen Dearborn, founding director of Muhlenberg’s dance program, and the concert’s artistic director. “We are thrilled to showcase new work from Trinette Singleton and guest works by Cristina and Orion, as well as our fabulous faculty choreographers.”

Perera’s piece is funded by a Mellon Choreographers on Campus grant. The Andrew W. Mellon Foundation brings established and emerging choreographers to the classrooms, studios, and stages of area colleges. The collaborative program explores the use of dance as an art form and how its creative powers can be infused across a liberal arts curriculum.

Perera has performed as a soloist and principal dancer around the world, with some of the most notable figures in the performing arts. A veteran of the Alvin Ailey Dance School, she has choreographed ballets, concert dance pieces, dance theatre, musicals, film and music videos in Europe, Asia, and North and South America. In 2008 Perera became artistic director of Cirque du Soleil’s “Alegria.” Perera received the 2010 Aesthetics Interaction prize from the Brazilian National Arts Foundation FUNARTE for one of her production “Constructions.”

“You’re going to see the kind of movement and dancing that you do not often see,” says the Lansing State Journal, “What Cristina does is very unique. She has a strong choreographic style.”

Duckstein’s “When We Fly” was originally choreographed in 2006 for Adelphia University, where he is currently a member of the dance faculty. Duckstein danced for the Paul Taylor Company for 11 years, and before that with Taylor 2, the outreach and performance arm of the company. During his tenure he danced pivotal roles in nearly every major Taylor work and served as Taylor’s choreographic assistant for several major works. Duckstein has set his own works in New York and throughout the country.

Trinette Singleton was a principal dancer with the Joffrey Ballet for nearly 20 years. She was thrust into national prominence in 1967, appearing in Robert Joffrey’s multi-media ballet “Astarte.” She was also the first dancer to appear on the cover of the national news magazine “Time.” Currently, Trinette is co-artistic director of Repertory Dance Theatre in Allentown, and she serves on the dance faculty at Muhlenberg and at DeSales University, Center Valley.

The annual “Master Choreographers” concert features premiere dance performances in a diverse selection of styles and genres, ranging from classical ballet to contemporary jazz, pointe, modern dance, and tap accompanied by live jazz music.

Performances of “Master Choreographers” will take place Thursday, Feb. 9, at 8 p.m.; Friday, Feb. 10, at 8 p.m.; and Saturday, Feb. 11, at 2 and 8 p.m. Tickets are $15 for adults and $8 for patrons 17 and under. Performances are in the Empie Theatre, in the Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown. Information and tickets are available at 484-664-3333 or muhlenberg.edu/dance.

Founded in 1848, Muhlenberg College is a highly selective, private, four-year residential college located in Allentown, PA., approximately 90 miles west of New York City. With an undergraduate enrollment of approximately 2,200 students, Muhlenberg College is dedicated to shaping creative, compassionate, collaborative leaders through rigorous academic programs in the arts, sciences, business, education and public health. A member of the Centennial Conference, Muhlenberg competes in 22 varsity sports. Muhlenberg is affiliated with the Evangelical Lutheran Church in America. 

Muhlenberg offers Bachelor of Arts degrees in theater and dance. The Princeton Review has ranked Muhlenberg’s theater program in the top twelve in the nation for eight years in a row, and Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

Choreographer Bios

Heidi Cruz-Austin began her dance training at the age of four at the Dolly Haltzman Dance Academy in Allentown. She went on to study at the School of American Ballet and the Pennsylvania Ballet. Cruz-Austin received an apprenticeship with the Pennsylvania Ballet in 1994 and joined the company as a member of the Corps de Ballet in 1995. She danced numerous featured roles in her tenure there including leads for various choreographers such as George Balanchine, Val Caniparoli, Ben Stevenson, Alvin Ailey, Margo Sappington, Christopher d’Amboise and Matthew Neenan. In addition to dancing with Pennsylvania Ballet, Ms. Cruz-Austin danced with the Philadelphia-based company Ballet X and has performed as a guest artist throughout the United States and Europe. Cruz-Austin currently teaches for the Earl Mosley Institute of the Arts, Muhlenberg College, The University of the Arts, and Temple University. Heidi received a 2008 Fellowship from the New Jersey State Council on the Arts for her choreography and is currently the co-artistic director and resident choreographer of DanceSpora dance company.

Orion Duckstein danced with the Paul Taylor Dance Company for 11 years, and before that with Taylor 2, the outreach and performance arm of the company. During his tenure he danced pivotal roles in nearly every major Taylor work, such as “Company B,” “Esplanade,” “Cloven Kingdom,” and Taylor’s own role in “Aureole.” Near the end of his performing career with the Taylor Company, Mr. Taylor chose Duckstein as his choreographic assistant for several dances. Before dancing for Taylor, Duckstein danced for noted choreographers Sung Soo Ahn, Peter Pucci, Robert Wood, and Margie Gillis. He still performs professionally, most recently joining Take Dance NY with choreographer Takehiro Ueyama for their 2015 New York season and summer tour. Duckstein has set his own choreography on New York-based companies Mazzini Dance Collective and Patricia Kenny Dance Collection and shown his work in many venues in New York and beyond, including the Downtown Dance Festival and the Jacob’s Pillow International Dance Festival. Duckstein has been artist-in-residence at colleges in Texas, California, and New England.

Shelley Oliver is a Canadian-born tap dancer, choreographer and educator. She has appeared internationally with some of the legends of the tap world, including Savion Glover, Gregory Hines, Buster Brown, Jimmy Slide, and Chuck Green. She is a founding member of Manhattan Tap and served as a co-artistic director and choreographer with the company touring concert halls and festivals in Europe, China, the Caribbean, Canada, and the United States.  Oliver was the artistic director of the Shelley Oliver Tap Dancers for 15 years, touring with the David Leonhardt Jazz Group throughout the northeast. Her television appearances include “Tap Dance in America” with Gregory Hines and “Star Search.” A dedicated teacher and educator, Oliver has conducted lecture demonstrations for Lincoln Center, New York City Public Schools and various universities throughout the United States. On faculty at Muhlenberg College, she directs the Muhlenberg Jazz Tap Ensemble, providing community outreach in the Allentown area. Oliver has produced a series of Tap Music for Tap Dancers CDs that have become a standard pedagogical tool in the tap dance world. More recently as a soloist she toured as guest artist with the River City Brass Band in Pittsburgh and with Le Sextet Clic-Clac-Cloc in Geneva, Switzerland. She is the recipient of the 2009 Outstanding Dance Educator Award from the Lehigh Valley Dance Consortium.

Cristina Perera had her dance education in classical ballet at the Municipal Theatre of Rio de Janeiro Brazil and Salle Pleyel in Paris, France. Her modern and contemporary education started in London at the London Contemporary Dance Theatre School and continued in New York at Alvin Ailey Dance School with a full merit scholarship. Perera has performed as a soloist and principal dancer around the world with various companies, as she has worked with some of the most notable figures in the performing arts, including Frederick Ashton, Flemming Flindt, Ulysses Dove, Judith Jamison, Mark Morris, Peter Sellars, Robert Wilson, John Adams, Philip Glass, George Tabori, Marcia Haydee and many others. She has choreographed ballets, concert dance pieces, dance theatre, musicals, film and music videos in many European countries, in Asia, North America and South America. Perera was one of eight choreographers chosen by Ballet Builders in New York to present original works, debuting her piece “Under Time.” In 2008 she became the artistic director of Cirque du Soleil’s “Alegria.” In 2010, Perera received the Asthetics Interaction prize from the Brazilian National Foundation for the Arts, FUNARTE, for one of her productions in Brazil. As a teacher she has taught in the School of Performing Arts Vienna, Austria; dance Festivals such as ImPuls Tanz (Vienna) and Tanz Bozen/Bolzano Danza (Italy); Dance Theatre Bralen (Bratislava, Slovakia); SUNY Purchase; and many other schools in Europe and the United States alike. Perera has given workshops and master classes at the National Theatre in Weimar, Germany; Maxim’s Dance Company (Brno, Czech Republic); the National Theatre of the Czech Republic; and Duncan Dance Conservatory in Prague, Czech Republic, among many others. Currently she is working on her own projects, teaching and choreographing in Europe, the United States and Brazil.

Jeffrey Peterson is an assistant professor of dance at Muhlenberg, teaching studio coursework in jazz, modern, partnering, composition, and Laban Movement Analysis. He holds a Master of Fine Arts degree in dance from New York University’s Tisch School of the Arts, a Bachelor of Fine Arts in dance from the University of Minnesota, Twin Cities, and a certification in Laban Movement Analysis and Bartenieff Fundamentals from Integrated Movement Studies. Early performing highlights include works by Chris Aiken, Zvi Gotheiner, Bill T. Jones, José Limón, Doug Varone, and Johannes Wieland. Peterson began his professional dance career in national tours with JazzDance by Danny Buraczeski. Since then, he has performed in the work of Clare Byrne, Edisa Weeks, and Stephan Koplowitz, and with the Minnesota Opera, among others. His choreographic work, called “poetic precision” by the Minneapolis StarTribune and “moving and heart-racingly joyous” by the St. Paul Pioneer Press, has been commissioned by Dance New Amsterdam, Movement Research at Judson Church, and Rhythmically Speaking. His choreography has been seen in venues in Philadelphia, New York City, Minneapolis, Vancouver, Los Angeles, and around the Lehigh Valley. At Muhlenberg, he has choreographed for the last four “Master Choreographers,” “The Mystery of Edwin Drood” and “Chicago.” Peterson’s ongoing creative and scholarly work includes choreographic projects as well as research on the application of Laban and Bartenieff Studies to dance and life.

Trinette Singleton was a principal dancer with The Joffrey Ballet for nearly 20 years. She was thrust into national prominence in 1967, appearing in the multi-media ballet “Astarte,” created on her by her mentor, Robert Joffrey. Singleton was the first American dancer to appear on the cover of the national news magazine Time. Following her performing years, she was administrative assistant to Robert Joffrey and ballet mistress for the company from 1979 to 1984.  In 1984, Singleton joined the faculty of The Joffrey Ballet School, New York City, teaching until 2004. In 2008, Trinette appeared as a guest artist in the Joffrey Ballet Company’s Tudor Centennial, in Chicago. Since 2000, she has been on the faculty of The Joffrey Texas Workshop, in San Antonio. She is prominently featured in the documentary, “The Joffrey Ballet: Mavericks of American Dance. Singleton serves as a director on the Arpino Foundation; she is also a member of Cecchetti USA and an honorary member of Cecchetti International Classical Ballet.  In 2014, she served as a judge during the Cecchetti International Classical Ballet Competition. Currently, Singleton is co-artistic director of Repertory Dance Theatre in Allentown. She is also on the faculty at Muhlenberg College and DeSales University, Center Valley. She holds her Licentiate, Imperial Society of Teachers of Dance, London, England, and her Doctor of Fine Arts, Honoris Causa, DeSales University.

Randall Anthony Smith is a current dancer with Armitage Gone! Dance (New York City), Amanda Selwyn Dance Theatre (New York City), and the Megan Flynn Dance Company (Philadelphia). He  serves as a répétiteur and assistant to choreographer Donald McKayle, having performed for McKayle’s Etude Ensemble for four years. Smith earned his Master of Fine Arts degree in dance from the University of California, Irvine. He maintains a practice of performing, restaging, and interpreting McKayle’s repertory, creating his own dance works, and teaching dance nationally. In 2012, Smith performed with acclaimed ballerina and choreographer Jodie Gates in “Mein Zimmer.” Other recent performances include works by Bulareyaung Pagarlava, Shen Wei, and zoe|juniper, as well as “WOW” (2014), an experimental opera created by Joe Diebes, Christian Hawkey, and Adam Levin. Smith’s recent credits include a restaging of McKayle’s “The Fight” (from the musical “Golden Boy,” starring Sammy Davis, Jr.) for the American Dance Machine of the 21st Century (2015). Last summer Smith performed in Philip Glass’s opera “Witches of Venice,” commissioned by Opera Saratoga in Saratoga Springs, New York. On May 12, 2016, Smith received a Distinguished Alumni Award at the 46th Annual Lauds and Laurels Awards Ceremony at the University of California, Irvine.

Whose Business Is The Arts?

Throughout 2016, the Lehigh Valley Arts Council has been gathering data for the Americans for the Arts national economic impact study, Arts & Economic Prosperity V. Once every five years the Arts Council participates in this research by collecting information from cultural nonprofits and their audiences in the counties of Carbon, Lehigh and Northampton. Thanks to your participation, we were able to provide nearly 100 organizational surveys and 800 audience surveys from the Lehigh Valley.

Americans for the Arts will analyze the data over the next several months and provide our region with its own detailed report in June 2017. At that time, the Lehigh Valley Arts Council and the Lehigh Valley Partnership will co-host the Whose the Business is the Arts? public forum to release the results to the community and address challenges of mutual concern.

You are invited to serve on the planning committee for creating the agenda for the Whose Business is the Arts? Public Forum. The first meeting is scheduled for Monday, January 23, 2017, from 4:00 to 5:30pm, in the 2nd Floor conference facility in the Butz Corporate Center, 840 Hamilton Street in Allentown.

Please RSVP your intention to attend to rforte@lvartscouncil.org by January 18, 2017. I look forward to working with you.

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About the Lehigh Valley Arts Council

The Lehigh Valley Arts Council is the region’s central voice for the arts, promoting arts awareness and advocating its value while strengthening access to the arts for all citizens in our community. The Arts Council’s mission is to promote the arts; to encourage and support artists and their development; to assist arts organizations; and to facilitate communication and cooperation among artists, arts organizations, and the community. Services include arts research and advocacy, professional development seminars, publications, and cooperative regional marketing initiatives.

RUSH For $15 Tickets For Bach Choir Christmas Concert!

RUSH TICKETS AVAILABLE

Last-Minute Discount!

$15 Adult / $4 Student

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Christmas Concert

Johann Sebastian Bach’s Christmas Oratorio, Parts 4, 5 and 6 presented by The Bach Choir of Bethlehem

Saturday, December 10, 2016
8:00 p.m.
West End of Allentown
First Presbyterian Church of Allentown
3231 Tilghman Street, Allentown PA 18104

(Sunday’s performance is SOLD OUT!)

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Soloists: Ellen McAteer, soprano Laura Atkinson, mezzo-soprano Benjamin Butterfield, tenor David Newman, bass-baritone

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Sing ye heavens, tell the story
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Following up last year’s concert of Parts 1, 2 and 3, this year’s performance of Bach’s Christmas Oratorio offers the final three cantatas. Choir member and writer David Ruhf characterized the work in this way:

“The Christmas Oratorio includes many kinds of joy and devotion, from ecstatic rhapsody to hushed bliss. … no better way to begin December’s festivities than to encounter this radiant music, offered with love and passion in an atmosphere of celebratory and appreciative engagement.”

More info on 2016 Christmas Concerts

The Bach Choir of Bethlehem’s Facebook

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RUSH PRICES: $15 Adult / $4 Student

price of regular General Admission ticket: $37 Adult / $9 Student

Rush Tickets available online only through Lehigh Valley Arts Council Box Office

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PLEASE NOTE:

Rush Tickets are available for General Admission seating.
Convenience fee ($3 or $2.50, depending on price level) is charged at checkout in addition to the price of a standard Rush Ticket (total ticket price + convenience fee = $18 Adults; $6.50 Students)
For additional information, please visit The Bach Choir of Bethlehem’s Website or call: 610-866-4382.

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Rush Ticketing is a service of the Lehigh Valley Arts Council

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Lehigh Valley Arts Advocate – December 2016

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DECEMBER 2016

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MESSAGE FROM THE EXECUTIVE DIRECTOR

Happy Holidays!

This holiday season will shine a little brighter because I will be witnessing it through the eyes of my new grandchild. He teaches me about wonder and renews a sense of hope for the future. What a piece of work is a child. The beauty of the world.

Wishing you peace and joy this holiday season.

Randall Forte, Executive Director

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Joy-to-the-Arts

The most wonderful time of the year…to enjoy the Arts and Culture of the Lehigh Valley! These festive months are full of chances to celebrate, creating memories to last a lifetime. Catch a holiday themed dance or theatre performance, listen to the songs of the season, shop handmade for cherished gifts, or create a holiday craft perfect for giving.

Here’s your guide to get into the spirit of the season with the Arts!

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Save the Date for Young at Art!

You won’t want to miss this year’s day of creative fun for the whole family!

SATURDAY, MARCH 11, 2017
10:00am to 2:00pm
Penn State Lehigh Valley
free admission for the community
The day will be jam-packed with hands-on activities and performances from the participating groups, from dance routines and theatre workshops to arts demonstrations and craft projects. Kids of every age and ability will find a way to sample the arts in all forms, while parents can gather information about classes and summer camps.

Join us as an Exhibitor!

The deadline for early registration is Friday, December 2nd!

Advertising is available for our full-color program!

Our event brings in local families with children of all ages – reach this target audience with an affordable ad, while supporting arts education in our region!

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Kiddos enjoying an interactive performance with Mock Turtle Marionette!

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Upcoming Performances

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BACH & HANDEL CHORALE

December 3 at 12pm
Christmas Concert
St. Mark’s Episcopal Church

December 3 at 3pm
Christmas Concert
St. Mark’s Episcopal Church

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MORAVIAN COLLEGE THEATRE COMPANY

December 1 at 8pm
Everyman on Trial
Arena Theatre, Moravian College

December 2 at 8pm
Everyman on Trial
Arena Theatre, Moravian College

December 3 at 8pm
Everyman on Trial
Arena Theatre, Moravian College

December 4 at 2pm
Everyman on Trial
Arena Theatre, Moravian College

Muhlenberg College ‘New Visions’ Festival Showcases Directorial Talents, Nov. 30 – Dec. 4

Allentown, PA — Two talented Muhlenberg College senior directing students will present their work in Muhlenberg Theatre & Dance’s “New Visions Directors’ Festival: Falling,” Nov. 30 – Dec. 4.

The evening includes 19th century playwright Oscar Wilde’s “Salome,” based on the biblical tale of the beheading of John the Baptist, and 20th century playwright Sam Shepard’s ominous exploration of Cold War anxiety, “Icarus’s Mother.”

“Despite the fact that ‘Salome’ is classical in style and ‘Icarus’ uses American vernacular, the plays complement each other,” says “Icarus’s Mother” director Karina Fox. “They are both about identity and self-acceptance in a judgmental universe.”

Oscar Wilde’s “Salome,” directed by Simon Evans, tells the biblical story of Salome, Princess of Judea, stepdaughter of Herod, the lecherous ruler. Salome’s affections lie with the prophet Iokanaan (John the Baptist), who rejects her sexual advances. To Herod’s delight, Salome finally agrees to dance the infamous Dance of the Seven Veils. When Herod offers her anything she wants in return, Salome makes a startling and gruesome demand.

In a departure from theatrical tradition, all of the characters in this production of “Salome” are performed by female actors.  

“We are creating a sort of parallel universe where men do not exist and female queerness and sexuality can be celebrated,” Evans says. “I want to explore how women can be empowered through their bodies and through their actions.”

Evans says he hopes to create a world the late playwright would have been proud to experience.

“I think the queering of the tale is really true to Wilde’s vision,” he says. “I’m trying to pay tribute to a really brilliant man who had some really awful stuff happen to him.” Oscar Wilde died destitute and humiliated after his imprisonment for homosexuality.

Evans says he hopes to create “beautiful stage pictures while really allowing the bodies onstage to tell the story.” He sees this production as a collaborative effort among himself, the production team, and the show’s 13 actresses.

“I’m really interested in working with my collaborators and finding what feels best for everybody,” he says. “I’m definitely open to new things, and allowing for work to go in directions I never expected.”

Collaboration is a value Evans shares with “Icarus’s Mother” director Karina Fox.

“I love to work directly and collaboratively with actors because the show belongs to all of us,” she says.

In “Icarus’s Mother,” by Sam Shepard, a lazy picnic develops into a surreal nightmare. While a group of young picnickers waits for the fireworks, they start acting bizarrely — sending smoke signals from the barbecue, playing cruel mind games, and play-acting disasters. The group dynamic spins into chaos, and the disastrous fantasies somehow become a fiery reality.

“In this piece, Shepard takes a seemingly perfect world and allows it to devolve into something mysterious, complex, and even terrifying,” Fox says.

Like Evans, Fox draws a lot of inspiration from her playwright.

“I chose this play because of Shepard,” she says. “I think he’s one of our most insightful modern playwrights. He creates really complicated dramatic worlds that explore what it means to be human in new and inventive ways.”

“Shepard is widely produced and well-beloved,” she says. “It’s a great opportunity to work with one of his earlier, less-produced works because I have a chance to really make it my own.”

Fox’s actors have spent the past few months of rehearsal digging deeply into the world of the play, examining group dynamics and trying to figure out what they would do in the face of crisis, she says.

This play was written in 1965, in the shadow of the Cold War. The Cuban Missile Crisis and the Kennedy assassination were recent memory, and anxieties ran high. Fox says the play’s uneasiness comes across as very contemporary in today’s similarly tense environment.

“I’m excited for the audience to experience the raw, human emotions that Shepard has created on the page,” she says. “It’s a fun play, but it’s also full of mystery and suspense. You will laugh as much as you are terrified.”

“New Visions Directors’ Festival: Falling” plays Nov. 30 – Dec. 4. Recommended for mature audiences. Showtimes are Wednesday through Saturday at 8 p.m., with 2 p.m. matinees on Saturday and Sunday. Regular admission tickets are $15. Tickets for youth and LVAIC students and staff are $8.

Tickets and information are available online at muhlenberg.edu/theatre or by phone at 484-664-3333. Performances are in the Studio Theatre in Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 West Chew St., Allentown.

Founded in 1848, Muhlenberg College is a highly selective, private, four-year residential college located in Allentown, PA., approximately 90 miles west of New York City. With an undergraduate enrollment of approximately 2,200 students, Muhlenberg College is dedicated to shaping creative, compassionate, collaborative leaders through rigorous academic programs in the arts, sciences, business, education and public health. A member of the Centennial Conference, Muhlenberg competes in 22 varsity sports. Muhlenberg is affiliated with the Evangelical Lutheran Church in America.

Muhlenberg offers Bachelor of Arts degrees in theater and dance. The Princeton Review ranked Muhlenberg’s theater program in the top twelve in the nation for eight years in a row, and Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

$9.99 RUSH For Contemporary Choreography At The Williams Center

RUSH TICKETS AVAILABLE!
Last Minute Discount…Only $9.99!
Friday, November 18, 2016
8:00 p.m.
Williams Center for the Arts
Lafayette College
317 Hamilton Street
Easton, PA 18042
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From ballet to Breaking, internationally acclaimed choreographers are creating dance’s next wave right here in the Lehigh Valley!

This exceptional showcase offers up-to-the-minute, state-of-the-dance work in Nora Gibson’s 2^57,885,161 -1, an abstract ballet about the beauty and opacity of prime number theory, and in Land Bridge, French-Canadian artist Helen Simoneau’s meditation on traversing dualities, inspired by the endangered caribou. From the perspective of a mature artist in the form, 2016 Guggenheim Fellow Raphael Xavier explores the notion of sustainability in Breaking, a highly physical idiom associated with youth, in Point of Interest.


View an excerpt of Land Bridge on YouTube

 

Click Here to Buy
Last Minute Discount
RUSH Tickets
for ONLY
$9.99!

(price of regular General Admission ticket is $23.00)
Rush Tickets available online only
through Lehigh Valley Arts Council Box Office
Please Note:
** Convenience fee of $2.50 is charged at checkout in addition to the price of a standard Rush Ticket (total ticket price + convenience fee = $12.49).

**For admittance, please present the Rush Ticket print-out sheet to “will call” in the lobby.

For additional information, please visit the Williams Center for the Arts website or call: (610) 330-5009.

Lehigh Valley Arts Council
www.LVArtsCouncil.orgwww.LVArtsBoxOffice.org
 

Rush Ticketing is a service of the Lehigh Valley Arts Council. For more information, visit:
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RUSH For $9.99 Tickets To Aliens, Immigrants And Other Evildoers!

RUSH TICKETS AVAILABLE!
Last Minute Discount…Only $9.99!

Touchstone Theatre presents

Aliens, Immigrants & Other Evildoers
an original show by José Torres-Tama


FRIDAY, NOVEMBER 4, 2016

8:00 p.m.


Touchstone Theatre

321 East Fourth Street
Bethlehem, PA
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Award-winning performance artist José Torres-Tama returns to the Lehigh Valley for his sixth visit since 1998 to present Aliens, a sci-fi Latino Noir Multimedia Solo. The performance, the second in a planned trilogy, satirizes the status of Latino immigrants as aliens and explores the trends in hate crimes against immigrants across the United States.

Torres-Tama deftly shape-shifts into a variety of ‘aliens’ — from a Swamp Shaman to a Nicaraguan woman to a Mexican Methodist Minister — who expose the hypocrisies of a system that vilifies the same people whose labor it readily exploits.

“Torres-Tama is both a versatile writer who can be lyrically evocative as well as bitingly humorous, and an impressive performer.”
The Philadelphia Inquirer

“Torres-Tama treads that dangerously vague turf of performance art gracefully… He takes Latino life on a magical mystery tour with dexterity and daring.”
The Village Voice (New York)

Run time: 80 minutes, talkback with artist follows the show after a brief pause

Click Here to Buy
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(price of regular General Admission ticket is $25.00)
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Please Note:
** Rush Tickets are available for GENERAL ADMISSION seating only.

** Convenience fee of $2.50 is charged at checkout in addition to the price of a standard Rush Ticket (total ticket price + convenience fee = $12.49)

Tickets or more information: www.touchstone.org / 610 867-1689
Follow Touchstone Theatre on Facebook!

Lehigh Valley Arts Council
www.LVArtsCouncil.org | www.LVArtsBoxOffice.org

Rush Ticketing is a service of the Lehigh Valley Arts Council.

MCCC Student Theatre To Present “Slip Shot” – Nov. 10, 11 And 12

slipshot-470-w-textPottstown, PA—Montgomery County Community College (MCCC) West End Student Theatre and Theatre Arts program are proud to present “Slip/Shot,” a drama by Philadelphia playwright Jacqueline Goldfinger. Show dates are Thursday, Friday and Saturday, Nov. 10, 11 and 12 at 7 p.m. with a special afternoon performance Friday, Nov. 11 at 12:30 p.m. All performances will be held in the College’s South Hall Community Room, West Campus, 101 College Drive, Pottstown, PA.

Tickets are $10 for general admission and $5 for students and seniors. To purchase tickets, visit

https://www.mc3.edu/arts/student-performance or call 215-641-6518.

During this mesmerizing drama, a rookie police officer finds even an accident can have paralyzing consequences when his gun goes off in an encounter with a young African-American man. Did his gun slip, or was it shot? A heartbreaking performance about violence, fear, and our need to move forward. This production contains adult themes and language.

“Slip/Shot” earned the Brown Martin Award and the Barrymore Award for Outstanding New Play. Additionally, it was named one of the “Top 10 Productions of 2012” by “Philadelphia Weekly.”

“This is thoughtful and engaging work that encourages us to talk to each other,” says West End Student Theatre Advisor Tim Gallagher.

Directed by Samantha Clarke and stage managed by Morgan Carrasquillo, the cast includes James Rodgers, Maliah Buxton, Hailee Tyson, Erik Reyes, Zach Clark, Jeff Chernesky, and Phoebe Johnson. The production is designed, produced and presented by the students of the Theatre Production Workshop and West End Student Theatre, which includes Derek Peterson, Kayla Velasquez, Toby Taylor, Morgan Carrasquillo, Erika Blue, Maliah Buxton, Quin Newman Zachary Clark, Joe Donley, Tess Devlin, under the guidance of Chris Kleckner.

‘Moving Stories’ At Muhlenberg College, Nov. 10-12

‘Moving Stories’ dance concert showcases innovative work by student choreographers in a nationally acclaimed program

 

Dance performance Nov. 10-12 displays talent of nine young choreographers and faculty member Teresa VanDenend Sorge, with more than 60 dancers

 

Allentown, PA — Muhlenberg College dancers tell their stories through movement, as the Muhlenberg Theatre & Dance Department presents “Moving Stories,” a showcase for dance works created by emerging choreographers, Nov. 10-12 in the College’s Baker Theatre.

 

Artistic Director Megan Flynn says the program represents a diverse and sophisticated approach to dance-making.

 

“Drawing from their liberal arts education, the choreographers have created innovative dances that deeply examine and illuminate the human experience,” Flynn says.
The concert will showcase the work of nine student choreographers as well as guest choreographer and faculty member Teresa VanDenend Sorge. It will feature more than 60 dancers from the department’s dance program, which is among the most highly regarded programs of its kind. The concert features costume and lighting designs by the department’s acclaimed professional staff.

 

The ten original dances include contemporary jazz, tap, modern, and hip-hop infused works that investigate, among other things, memory and nostalgia, the cycle of life, the concept of waiting, and the experience of distrust. Choreographers have drawn inspiration from such sources as their dreams, their interpersonal relationships, and experiences abroad.

 

Choreographer Marissa Finkelstein ’18 worked with her cast throughout the rehearsal process, pulling from the dancers’ own memories to create a personal narrative behind the movement.

 

“Through discussions of our experiences, my cast and I have been working to build a collective memory,” Finkelstein says. “The dancers will fade in and out of this collective memory throughout the piece.”

 

“Moving Stories” runs Nov. 10-12 in the Baker Theatre, Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.

 
Performances are Thursday and Friday, Nov. 10-11, at 8 p.m.; and Saturday, Nov. 12, at 2 and 8 p.m. Tickets are $15 for adults, $8 for patrons 17 and under, and $8 for students, faculty and staff of all LVAIC colleges.  For groups of 15 or more, tickets are $13. Tickets and information are available at 484-664-3333 or http://www.muhlenberg.edu/dance.

‘Pirates Of Penzance’ At Muhlenberg, Oct. 28 – Nov. 6

Muhlenberg’s ‘Pirates of Penzance’

features high seas and high Cs,

Oct. 28 through Nov. 6

Samuel Reyes’ choreography, Charles Richter’s direction

propel Gilbert and Sullivan’s 136-year-old comic opera

out of the past and into the mainstream

Allentown, PA — Fresh direction and choreography will paint a new face on a classic Gilbert and Sullivan comic operetta this fall, as the Muhlenberg College theater and dance department presents “The Pirates of Penzance,” Oct. 28 – Nov. 6.

“Expect a night of great family entertainment,” says theater professor Charles Richter, who directs the production. “It’s a work of comic genius and a real pleasure to direct.”

Music director Ed Bara and choreographer Samuel Antonio Reyes add a modern spin while also highlighting the original conventions of the play. Reyes choreographed Lin-Manuel Miranda’s “In the Heights” for Muhlenberg Summer Music Theatre, this past July. Bara, a member of the music department faculty, also played the lead as a guest artist in the 2014 Muhlenberg production of Kurt Weill’s American opera, “Street Scene.”

“Ed has been a mainstay of the music department for years, and is an expert at coaching students to produce the sort of sound that this show demands,” Richter says. “Sammy is our hip-hop teacher. His choreography is very spunky — really different and interesting.”

Reyes says he loves “Pirates” as much as he loves working with Richter, and that he expects that audiences will be excited by his choreography.

“It’s challenging to perform opera while you’re also moving to very specific stylized movements, gestures, and rhythms,” Reyes says. “This show features such amazing young talent.”

“Pirates” tells the story of an accidental pirate’s apprentice named Frederic and his swashbuckling misadventures on the high seas. Along the way, he encounters the beautiful Mabel, the deceitful Ruth, the powerful Pirate King, and the absurd Major-General Stanley, who patter-sings the famous “I Am the Very Model of a Modern Major-General” towards the end of the first act.

“It’s a right work out,” says Nicky Rosolino, one of the two actors who will play Major-General Stanley, of his big song. “There is nothing quite like standing on top of a barrel and boasting about your range of talents to a crowd of pirates and adopted daughters.”

Jake Parisse, the other Major-General, says, “Charlie makes sure that the comedic rhythm of the character is maintained while encouraging Nicky and me to make very different and unique choices.”

Two sets of principal actors will alternate performances to allow vocal rest between shows — and to showcase the talents of the theater and dance department. The cast performs the show’s demanding score with a 21-piece orchestra — and without benefit of microphones.

“I’d think about coming twice,” Richter says. “The show is different with each cast. I think both of them have some really great comics and some really great singers. There are bright futures here.”

Between the Mainstage season and Summer Music Theatre, this is Muhlenberg’s fifth production of “Pirates.” Members of past productions are invited to return to campus for a reunion reception after the performance on Saturday, Nov. 5.

The last production, in 2005, featured what Richter calls “an all-star cast” of actors who have gone on to high-profile success, including Frankie J. Grande (“Rock of Ages,” “Mamma Mia!” on Broadway), George Psomas (“Fiddler on the Roof,” “South Pacific” on Broadway), and Michael Biren (national tour of “Billy Elliot”), among others.

“The Pirate King was one of my favorite roles at Muhlenberg,” say Psomas, who played the fierce but loveable rogue in Richter’s last production. “Who doesn’t want to sing that incredible music, lead a band of pirates, and carry a sword? The experience taught me so much about playing into the unique style and comedy of Gilbert and Sullivan, and it also taught me that I am capable of growing mutton chops.”

Along with “HMS Pinafore” and “The Mikado,” “The Pirates of Penzance” stands the test of time as one of Gilbert and Sullivan’s most widely produced and well-received operettas, Richter says. Its wry humor, clever lyrics, and catchy tunes make it popular even 136 years after its premiere.

“The play was written by the best comic writer of his time and the best composer of his time,” Richter says. “It’s a parody of 19th century melodramas and 19th century grand opera. All kinds of zany plot devices happen. Modern audiences have the best time with it. It’s opera for people who think operas are ridiculous.”

The production is family friendly, and young audiences are encouraged to attend. Children who attend the matinee performance on Sunday, Nov. 6 dressed as pirates can attend for just $4.

Thursday, Nov. 3 will be an Accessible Performance, with Open Captioning for patrons with hearing loss and Audio Description for patrons who are blind or low-vision. Please reserve tickets in advance for the accessible section of the performance by calling Jess Bien at 484-664-3087 or emailing boxoffice@muhlenberg.edu.

“The Pirates of Penzance” will be performed in the Empie Theatre, in the Baker Center for the Arts. Performances are Friday, Oct. 28, at 8 p.m.; Saturday, Oct. 29, at 2 and 8 p.m.; Sunday, Oct. 30, at 2 p.m.; Nov. 3-5, at 8 p.m.; and Sunday, Nov. 6, at 2 p.m. Regular admission is $22. Youth and student tickets are $8, and groups of 15 or more can purchase discount tickets for $16. Tickets and information are available at muhlenberg.edu/theatre or 484-664-3333.

Founded in 1848, Muhlenberg College is a highly selective, private, four-year residential college located in Allentown, PA., approximately 90 miles west of New York City. With an undergraduate enrollment of approximately 2,200 students, Muhlenberg College is dedicated to shaping creative, compassionate, collaborative leaders through rigorous academic programs in the arts, sciences, business, education and public health. A member of the Centennial Conference, Muhlenberg competes in 22 varsity sports. Muhlenberg is affiliated with the Evangelical Lutheran Church in America.

Muhlenberg offers Bachelor of Arts degrees in theater and dance. The Princeton Review ranked Muhlenberg’s theater program No. 1 in the country in its 2017 edition, and has consistently ranked the program in the top twelve in the nation. The Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

RUSH To Get Tickets To Showtune For $9.99!

RUSH TICKETS AVAILABLE!
Last Minute Discount…Only $9.99!

Act 1 DeSales presents

SHOWTUNE:

Celebrating the Words and Music of Jerry Herman


Saturday, October 22, 2016
8:00 p.m.
Schubert Theatre
2755 Station Avenue
Center Valley, PA 18034
 
 
_
A BIG AND BRASSY SLICE OF MUSICAL THEATRE HEAVEN
Celebrating the remarkable songs of Broadway tunesmith Jerry Herman, Showtune features 40 of Herman’s biggest hits from such shows as Mame, Mack & Mabel, La Cage aux Folles and, of course, Hello, Dolly! Featured songs include “Time Heals Everything,” “We Need a Little Christmas,” and “Before the Parade Passes By.” “A great big bouquet of memorable tunes!”– The Journal News. Ages 6+
Click Here to Buy
Last Minute Discount
RUSH Tickets
for ONLY
$9.99!
(price of a regular ticket is $23.00)
Rush Tickets available online only
through Lehigh Valley Arts Council Box Office


PLEASE NOTE:
** Convenience fee of $2.50 is charged at checkout in addition to the price of a standard Rush Ticket (total ticket price + convenience fee = $12.49)

For additional information, please visit Act 1, DeSales University’s Website or call: 610-282-3192.

Lehigh Valley Arts Council
www.LVArtsCouncil.orgwww.LVArtsBoxOffice.org
 

Rush Ticketing is a service of the Lehigh Valley Arts Council. For more information, visit:
www.lvartscouncil.org/RushTicketing.html

Arts Advocate – October 2016

MESSAGE FROM THE EXECUTIVE DIRECTOR: Despicable Me

Data collection and analysis are essential advocacy tools. It requires a certain amount of ruthlessness however, to collect information from the arts community.

Every five years the Lehigh Valley Arts Council has undertaken research to track the state of the arts in the region and compare the results to national trends. The findings from the 2012 Arts & Economic Prosperity study of the region’s nonprofit arts industry revealed a $208 million industry—one that provides 7,114 full-time jobs and generates $21 million in state and local taxes annually. Very impressive, don’t you think?

Currently, the Arts Council is in the midst of gathering data for the 2017 study. Throughout 2016, I have been urging cultural nonprofits to complete an organizational expenditure survey, as well as assist me in surveying audiences at 16 various performances or events. We now have 40 groups onboard and 500 audience surveys completed. That leaves another 60 groups and 300 audience members to chase down.

The more data we collect will translate into a bigger story about how the region’s nonprofit arts industry boosts our economy. Heads up! I’m coming for you!
Randall Forte, Executive Director

ARTS COUNT: Get fired up for Arts Count at Smooth-On!

“What’s the deal with this place, Smooth-On?”

It’s okay to wonder what Smooth-On, Inc. is and how it relates to our upcoming event, Arts Count! We’ve received a few inquiries about this company and it’s location with a huge warehouse in Macungie (formerly Day-Timers) that doesn’t appear to be a place to host a celebration. However, when you see the work of Smooth-On products, it will all make perfect sense! The entrance alone is sure to wow our guests.

Trust us, you won’t want to miss the Arts Count fun!!

Head over to Smooth-On’s Facebook page and you’ll get a taste of how their products are used for movie props and characters!


ARTS COUNT
Wednesday, October 19, 2016
5:30–7:30 PM
Smooth-On, Inc., 5600 Lower Macungie Road, Macungie, PA

Don’t forget to RSVP at 610-437-5915 by Friday, October 14th!

MEMBERS FREE
NONMEMBERS $10

PURCHASE TICKETS

AUDIO DESCRIPTION TRAINING: Two-Day Workshop Opportunity
INCREASE YOUR JOB SKILLS!
BUILD YOUR RESUME!

Theatre practitioners from all walks of life—actors, students, volunteers, educators—are invited to enroll in the upcoming audio description training session and acquire new performance skills.


Audio Description Training

Two-Day Workshop
NOVEMBER 4 & 5, 2016
9am to 4pm (both days)
Muhlenberg College | Allentown, PA

As an introduction to the training, students of the workshop will enjoy an audio-described performance, Pirates of Penzance, on
Thursday, NOVEMBER 3, 2016
8:00pm
Trexler Pavilion | Muhleberg College | Allentown, PA


MEMBERS $35
NONMEMBERS $50
 
SEPTEMBER/OCTOBER FEATURED ARTIST: Dattatreya Phadke

We are pleased to have our newest Featured Artist’s work displayed through the end of October.

Dattatreya Phadke is a local pathologist by training, but he also has an artistic side that he dedicates much of his free time to producing beautiful, intricately constructed work – ALL IN FABRIC! His work is quite mesmerizing – at first glance it appears to be a painting, but when the viewer steps forward, the thousands of tiny fabric scraps (some brought over directly from India) are visible. His work is truly a must-see!

Come visit our office and view Dattatreya’s work during normal business hours until the end of October. Our parking lot is open for visitors now (it had previously been under construction)!

To view images of Dattatreya Phadke’s work, visit his Exhibiting Artist page!

UPCOMING PERFORMANCES

CHAMBER MUSIC SOCIETY OF BETHLEHEM presents:

Aizuri Quartet
October 14, 2016 at 7:30pm

Foy Hall | Behtlehem

Modigliani String Quartet
November 18, 2016 at 7:30pm
Cathedral Church of the Nativity | Bethlehem


MORAVIAN COLLEGE MUSIC INSTITUTE presents:

“A Boo-Roque Hallowe’en II” – Baroque & Monteverdi Ensembles
October 23, 2016 at 7:00pm
Peter Hall | Behtlehem

Moravian College Celtic Ensemble & Guitar Ensemble
October 30, 2016 at 7:00pm
Peter Hall | Bethlehem

Moravian College Jazz Fusion Ensemble & Jazz Vocal Ensemble
November 4, 2016 at 7:30pm
Foy Concert Hall | Bethlehem

Moravian College Jazz Combo I & Jazz Combo II
November 5, 2016 at 7:30pm
Foy Concert Hall | Bethlehem

Moravian College Flute Troupe – Saxophone Quartet – Woodwind Ensemble
November 6, 2016 at 4:00pm
Peter Hall | Bethlehem

Delta Omicron Musicale
November 6, 2016 at 7:00pm
Peter Hall | Bethlehem

M.I.M.E. – Moravian Improvised Music Ensemble
November 9, 2016 at 9:00pm
Peter Hall | Bethlehem

Moravian College Community Orchestra
November 13, 2016 at 7:00pm
Foy Concert Hall | Bethlehem

Moravian College Salon Ensemble
November 14, 2016 at 7:30pm
Peter Hall | Bethlehem

Moravian College BIG Band
November 18, 2016 at 7:30pm
Foy Concert Hall | Bethlehem

Moravian College Trombone Ensemble & Percussion Ensemble
November 21, 2016 at 7:30pm
Peter Hall | Bethlehem


MORAVIAN COLLEGE THEATRE COMPANY presents:

Murdered to Death


PENNSYLVANIA SINFONIA ORCHESTRA presents:

not-just-Art Auction
October 21, 2016 at 7:00pm
Brookside Country Club | Macungie

Enchantment Times Three
November 19, 2016 at 7:30pm
First Presbyterian Church | Allentown

Lehigh Valley Arts Council
840 Hamilton Street, Suite 201 ◊ Allentown, PA 18101
610.437.5915 ◊ info@LVArtsCouncil.org
www.LVArtsCouncil.org
LVArtsBoxOffice.org

MCCC To Celebrate 30 Years Of Arts Excellence With 2016-17 Lively Arts Season

Blue Bell, PA —Montgomery County Community College will celebrate three decades of bringing world-class entertainment, soul-enriching music, peerless comedy and thought-provoking discussion to the community through its 2016-17 Lively Arts season.

Since 1986, the Lively Art series has connected the community through electrifying musical, dance and theater performances, stimulating workshops and lectures, Young Arts Explorers events and meet-the-artist receptions. This year’s season promises even more with its family series and a new film series. Visit www.mc3.edu/livelyarts or call 215-641-6518 for more information and tickets.

The series continues with a host of musical, theater and comedy performances, including:

·      The Capitol Steps (Oct. 16) – The popular, award-winning group will share its special brand of satirical political humor – just in time for the presidential election – through song parodies and skits that play off recent headlines.

·      Repertorio Español’s Production of “El Quijote” (Oct. 22) – The classic story of the Man of La Mancha is told in Spanish with English captions by experienced and emerging Latino theater artists.

·      The Joey Alexander Trio (Nov. 6) – Child prodigy Joey Alexander, a 13-year-old self-taught Indonesian jazz pianist who released his first album in 2015, has performed for Herbie Hancock and Bill Clinton and at prestigious jazz festivals.

·      Charles Lloyd and Friends featuring Bill Frisell, Reuben Rogers and Eric Harland (Dec. 4) – Venerated Memphis-born jazz musician and composer Charles Lloyd, who has played with such legends as B.B. King and Bobbie “Blue” Bland and has recorded with The Doors and the Beach Boys, brings his mastery of tenor saxophone, flute, piano and more to audiences in a blend of jazz, world music and other genres.

·      Aaron Diehl Quartet featuring Warren Wolf (Feb. 11) – Diehl, a Juilliard grad and Cole Porter jazz fellow who has toured with Wynton Marsalis and the Jazz at Lincoln Center Orchestra, is joined by Berklee-trained multi-instrumentalist and recording artist Warren Wolf for an evening of jazz blended with hip-hop, funk, rock and world music.

·      Cyrille Aimée (Feb. 18) – The jazz vocalist and French native, who has been praised by the Wall Street Journal as “astonishingly creative…with a brilliant sound, fresh ideas [and] impeccable rhythm,” brings a gypsy sensibility to her singing.

·      James “Blood” Ulmer Odyssey Trio (Feb. 25) – Ulmer, a jazz and blues guitarist, singer and recording artist, applies his southern roots in gospel toward a highly individualized sound described as “a cross between Jimi Hendrix, Bob Dylan and Mike Bloomfield.”

·      Monnette Sudler’s Philadelphia Guitar Summit “Chord Nation” (Mar. 4) –Philadelphia-native guitar expert Monnette Sudler will present “Chord Nation,” featuring M’OUD Swing Moroccan Oriental Jazz, Paul Bollenback Portraits of Space and Time Quartet with Orin Evans, Mike Boone and Byron Landham, Gloria Galanta Harp Jazz Ensemble featuring Monnette Sudler and introducing Nasir Dickerson, soloist bringing his African melodies on the African harp-Kora.

·      Sébastien Lépine (Mar. 12) –  Lépine – the award-winning Canadian cellist, chamber musician, conductor and composer who breathes new life into classical music – will join forces with 4 Ailes, a string quartet that has performed all over Quebec and shared the stage with Ingrid St.-Pierre and other accomplished artists.

·      Arturo O’Farrill and the Afro Latin Jazz Orchestra (Apr. 1) – The Grammy-winning pianist, composer and founding artistic director of the Afro Latin Jazz Alliance performs with the Afro Latin Jazz Orchestra, which has preserved the music of his father, the legendary Arturo “Chico” O’Farrill.

·      Hypnotic Brass Ensemble (Apr. 7) – Known as the “bad boys of jazz,” this troupe of seven brothers from the south side of Chicago formed a group as children under their trumpet-playing father, Kelan Phil Cohran, and has played with everyone from Prince to Mick Jones of The Clash.

·      Koresh Dance Company (Apr. 29) – Now in its 25th year, this acclaimed dance company led by Israeli founder Ronen “Roni” Koresh has toured extensively and been praised for its “rich, multicultural blend of intensity and physicality” offering “all the finesse and grace of a ballet with the athleticism of an Olympic sport.”

New this year in honor of the Lively Arts’ 30th anniversary, the College will debut a film series sponsored by Mid-Atlantic Arts Foundation On Screen/In Person. Films include:

·      You Belong to Me (Oct. 18, 3 p.m.), an expose of what it meant to be an African American in the Jim Crow South in the 1950s as seen through the lens of a bizarre sex- and race-related murder.

·      Love thy Nature (Nov. 8, 4 p.m.), a cinematic journey narrated by Liam Neeson about the beauty and intimacy of our relationship with the natural world.

·      Hilleman: A Perilous Quest to Save our World’s Children (Feb. 8, 3 p.m.), which profiles the man who led a revolution in vaccine innovation that saved millions of young lives.

·      Real Boy (Mar. 21, 7 p.m.), a coming-of-age story about a transgender teenager on a journey to find his voice as a musician, a friend, a son and a man.

·      States of Grace (Apr. 13, 3 p.m.), an award-winning portrait of devotion and trust that documents one woman’s fight to restore her life with her partner and teenage daughter after a tragic accident results in a seven-week coma and a dozen surgeries.

In its annual Young Arts Explorers series, the College will engage children through highly entertaining, educational performances, including:

·      Janet’s Planets (Jan. 26), a live performance from Janet Ivey of the popular TV show in which she explores science, technology, engineering, art, math and the wonders of the galaxy through an imaginative, interactive learning adventure

·      Seussical (Jan. 27), a musical presented by TheatreWorks USA that takes audiences into the world of Dr. Seuss through a story of friendship, loyalty, the power of being unique and the importance of fighting for your beliefs

For its new Family Series, the College will engage audiences of all ages with:

·      Seussical (Jan. 28), a musical presented by TheatreWorks USA that takes audiences into the world of Dr. Seuss through a story of friendship, loyalty, the power of being unique and the importance of fighting for your beliefs ·

Okee Dokee Brothers (Mar. 11), the Grammy-winning performers who use family-oriented Americana folk music to inspire kids to go outside, be creative and gain a greater respect for the natural world and their communities

The Lively Arts Series events are held in the Science Center Theater at the College’s Central Campus, 340 DeKalb Pike, Blue Bell.

For more information, visit mc3.edu/livelyarts, email livelyarts@mc3.edu or call the Box Office at 215-641-6518. Follow the College’s “Destination Arts” page on Facebook at www.facebook.com/DestinationArts.