‘Gypsy’ Kicks Off Muhlenberg Summer Music Theatre Season, June 15 – July 3‏

Allentown, PA — Muhlenberg Summer Music Theatre’s 2016 season will feature some familiar faces for fans of last summer’s “Hello, Dolly!” Mia Scarpa and Jarrod Yuskauskas return this summer for “Gypsy,” the beloved musical the New York Times calls “the greatest of all American musicals.” The show runs June 15 through July 3.

“Gypsy” kicks off a summer season that will also feature the 2008 Tony Award-winning Best Musical, “In the Heights,” by Lin-Manuel Miranda, composer of the current Broadway smash “Hamilton,” playing July 13-31. The season also features the world premiere family musical “Growl!” an irreverent adaptation of the story of Goldilocks and the three bears, created by the theatre company Doppelskope. “Growl!” plays June 29 through July 30.

Arguably one of Broadway’s most beloved musicals, “Gypsy” adapts burlesque star Gypsy Rose Lee’s sensational autobiography into a sultry, campy tour-de-force about show business, ambition, and motherhood. The score, with music by Jule Styne and lyrics by Stephen Sondheim, features such classics as “Everything’s Coming Up Roses” and “Together Wherever We Go.”

Mia Scarpa returns to the MSMT stage to play Mama Rose, the most notorious of all stage moms, after an acclaimed run in the title role of last summer’s “Hello, Dolly!” She plays opposite Jarrod Yuskauskas in the role of Herbie. Last summer, The Press Newspapers noted that “the repartee between Scarpa and Yuskauskas is priceless.”

In the starring role of Louise — based on Gypsy Rose Lee herself — recent Muhlenberg graduate Lillian Pritchard takes the stage following a turn as Roxie Hart in this season’s sold-out run of “Chicago” on the Muhlenberg stage.

The production also features MSMT mainstay Neil Hever, returning to the role of Pop that he first played in the 1993 MSMT production of the show.

Also featured in the cast are six young actors from the Lehigh Valley Community: Jenna Seasholtz as Baby June; Anna Edwards as Baby Louise: and ensemble members Elijah Albert-Stein, Aaron Finkle, Robert Pierno, and Robert Stinner.

“Gypsy” also reunites the production team from “Hello, Dolly!” — director Charles Richter, choreographer Karen Dearborn, and musical director Michael Schnack. Richter, the founding artistic director of the Muhlenberg Summer Music Theatre, is in his 36th season with the festival.

Audio Description and Open Captioning will be available at the Sunday, June 19 performance of “Gypsy.” Call 484-664-3087 for tickets in the accessible section of this performance. Open Captioning displays lyrics and dialogue via electronic text display visible to the side of the stage, for the benefit of patrons with hearing loss. Audio Description uses the natural pauses in the play to provide a narrative that translates the visual image into an audible form for patrons who are blind or low-vision. Patrons use headsets to hear the audio description.

“Gypsy” runs June 15 – July 3; “In the Heights” runs July 13-31. Performances are Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m. Both productions are in the Baker Theatre, Trexler Pavilion for Theatre & Dance.

Ticket prices for both “Gypsy” and “In the Heights” are as follows. For the first four performances: $33 regular admission; seniors, $29; students and children, $18. For the remaining 11 performances: $39 regular admission; seniors, $36; students and children, $20. Subscriptions to both shows are available.

“Growl!” runs June 29 through July 30 in the Studio Theatre, Trexler Pavilion for Theatre & Dance. Performances are Wednesday through Friday at 10 a.m. and 1 p.m, and Saturday at 10 a.m. only. All tickets to “Growl!” are $10 for June performances and $12 for July performances.

Tickets and information are available at www.muhlenberg.edu/SMT or 484-664-3333.

Muhlenberg College To Present Free Concert Recital March 14 Featuring ‘Street Scene’ Stars

Allentown, PA — The co-stars of Muhlenberg College’s upcoming production “Street Scene” will perform a free concert recital, “‘Street Scene’ and the Broadway Stage,” on Saturday, March 14, at 2 p.m., in the college’s Baker Center for the Arts.

Guest artist vocalists Ed Bara and Lauren Curnow will perform songs that trace the development of the modern musical from its early days in popular opera. Narrated by “Street Scene” director Charles Richter, the performance will include music from throughout the history of the musical stage, including a selection from “Street Scene.”

Kurt Weill’s 1946 American opera “Street Scene” played an integral role in the historical development of modern musical theater, according to Richter, bridging the gap between classical opera and the vitality of American jazz and blues. The show will be performed on the Muhlenberg mainstage March 26-29.

Bara and Curnow will also conduct a vocal master class on Friday, March. 13, working with five experienced vocal students on techniques of the music theater stage. Observers are welcome. The free event will be held from 7 to 9 p.m. in the Baker Center’s Recital Hall.

Both the concert recital and the master class are presented as part of the Charles A. and Leona K. Gruber Lectureship in the Arts at Muhlenberg.

The production of “Street Scene” and associated events are sponsored by the Kurt Weill Foundation for Music, New York City, and the Dexter F. and Dorothy H. Baker Foundation. Additional funding comes from the Bessie S. Graham Music Fund and the Amaranth Foundation. The show is a joint production of the Department of Theatre & Dance and the Music Department.

“‘Street Scene’ and the Broadway Stage” will be performed Saturday, March 14, at 2 p.m. Vocal Master Class, conducted by Ed Bara and Lauren Curnow, will be held Friday, March 13, at 7 p.m. Both events will be held in the Baker Center for the Arts Recital Hall. Admission to both events is free and no ticket is required.

“Street Scene” will be performed March 26-29. Further information is available at http://www.muhlenberg.edu/theatre 

Muhlenberg Summer Music Theatre Announces Open Audition Dates

Allentown, PA — Muhlenberg Summer Music Theatre will hold open auditions for performers ages 16 and up on Feb. 22 and 23. Performers will be cast for the season’s mainstage productions: the raucous, pupped-filled musical comedy “Avenue Q,” performing June 10-28, and the classic musical “Hello, Dolly!,” performing July 8-26.

The following audition details can also be found online, at muhlenberg.edu/smt.

Vocal auditions will be held Sunday, Feb. 22, from 1 to 5 and 6 to 11 p.m., and Monday, Feb. 23, from 7:30 to 11 p.m. Vocal auditions will be held in the Empie Theatre, Baker Center for the Arts. Appointments are three minutes.

Dance auditions for “Hello, Dolly!” will be held Sunday, Feb. 22, from 4 to 7 p.m. and Monday, Feb. 23 from 6:30 to 8:30 p.m., in the Baker Theatre, Trexler Pavilion for Theatre & Dance. Dance auditions will take about half an hour.

All auditioners must register in advance and schedule an audition. Auditioners should send an email to SMTcompany@muhlenberg.edu before Friday, Feb. 20, indicating available dates and times within the scheduled audition, and providing a mobile phone number where the auditioner can be reached with questions.

Those without access to email should call the Muhlenberg Theatre & Dance office at 484-664-3087, during regular office hours before Thursday, Feb. 19. Voice messages should contain all of the above information.

All “Hello, Dolly!” auditioners will be assigned a time for both a dance audition and a vocal audition. Auditioners must both dance and sing, even if they concentrate in just one area. All performers in “Hello, Dolly!” will sing and dance. “Avenue Q” does not require a preliminary dance audition, although callback auditions may include some movement.

Auditioners who live too far away from the Allentown area or who are unable to attend auditions may submit a preliminary DVD audition. The DVD should consist of a comedic monologue not more than two minutes in length, one song (see guidelines below), and a 90-second dance solo. DVDs must arrive before the audition date listed to be eligible for consideration.

Auditioners who receive a callback must attend in person to be considered for a role. Callbacks will be held March 14-15, and will include acting auditions, reading from the script.

Auditioners for both shows should prepare a memorized vocal selection of 32 bars. An accompanist will be provided for the vocal audition. Auditioners must bring sheet music in the key in which they would like to sing, with the selection indicated and any cuts clearly noted. Please no accompaniment tapes or a cappella auditions.

Auditioners for “Hello, Dolly!” should prepare a song from a musical produced prior to 1980. Auditioners for “Avenue Q” should select a song that shows character, from 1980 through the present.

For dance auditions, auditioners will be taught a short dance sequence, which they will then perform. No preparation is required.

Auditioners should bring two copies of their resumes and headshots.

Non-performing opportunities are available for technicians and costumers. Carpenters, electricians, props technicians, light board and sound board operators, and stage crew are needed for productions. Costumers, first hand, stitchers, and wardrobe running crew are needed in the costume shop.

High school stage management internships are available for those who will be at least 16 years old by the time they begin working for MSMT. Interns work alongside college students and professionals from the College, and guest artists from New York, learning valuable skills that they can take back to their high school programs. Interns receive a $400 stipend for the summer.

The application deadline for technicians, costumers, and administrative personnel is March 9. Applications can be found online at muhlenberg.edu/smt. Completed applications can be sent to boxoffice@muhlenberg.edu.

Behind The Scenes Of Spamalot – July 12, 2014! Arts Alive 2014‏

Go Behind the Scenes of Spamalot

Saturday ◊ July 12, 2014 ◊ 11:00 a.m. – 12:30 p.m

Dorothy H. Baker Theatre, Trexler Pavillion

Muhlenberg College

2400 W. Chew Street

Allentown, PA 18104

Pay close attention to that man behind the curtain!Meet Curtis Dretsch, set designer for Monty Python’s Spamalot, on Saturday, July 12, 2014, from 11:00 a.m. – 12:30 p.m. Join us for the second installment of the Arts Alive! 2014 series, “Behind the Scenes,” as the Lehigh Valley Arts Council once again arranges for arts patrons to take a cultural tour of the arts process.

Spamalot parodies the legend of King Arthur and his band of lunatic knights as they sing and dance their way through a ridiculous divine quest. The show, which won the Tony Award for Best Musical and was seen on Broadway by more than two million people, is providing Dretsch the opportunity to tackle its wacky story and outrageous landscape for the 34th Season of the Muhlenberg Summer Music Theatre.

Dretsch, Director of Design and Technical Theatre for Muhlenberg College, has designed the stage sets, costumes, and lighting for more than 100 theatre and dance productions in his career. He is known for creating lavish colors, spectacular designs, and architectural magic that amazes audiences, and he continues to build precise models of each project. In addition to more than three decades designing for Muhlenberg, he has worked in New York City, Philadelphia, Washington D.C, Baltimore, Dallas, Edinburg and London.

Guests will enjoy a tour backstage and get a glimpse into his design process—from concept to scale model to the completed stage set.

Limited attendance. Tickets: $10 for members; $15 for nonmembers.

RESERVE YOUR SPOT TODAY! 

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The Lehigh Valley Arts Council Presents: Behind The Scenes

ImageProxy (10)Allentown, PA – The second installment of the Arts Alive! 2014 series,“Behind the Scenes” features Curtis Dretsch, stage designer for Muhlenberg Summer Music Theatre’s production of Monty Python’s Spamalot.

Dretsch is the Director of Design and Technical Theatre for Muhlenberg College, and has designed sets, costumes, and lighting for more than 100 theatre and dance productions on local and national stages. He is known for creating lavish colors, spectacular designs, and architectural magic that amazes audiences, and he continues to build precise models of each project. Guests will get a glimpse into his design process—from concept to scale model to the completed stage set.

Written by Monty Python’s comic genius Eric Idle and composer John Du Prez, the 2005 Broadway production of Monty Python’s Spamalot was “lovingly ripped off” from the classic 1975 film, Monty Python and the Holy Grail. The stage musical parodies the legend of King Arthur and his band of lunatic knights as they sing and dance their way through a ridiculous divine quest. The show, which won the Tony Award for Best Musical and was seen on Broadway by more than two million people, is providing Dretsch the opportunity to tackle its wacky story and outrageous landscape for the 34th Season of the Muhlenberg Summer Music Theatre.

“Behind the Scenes” is intended to spark everyone’s creative process by spending time with performers and designers who are willing to share personal insights and experiences.

“Behind the Scenes” will take place July 12, 2014 from 11 a.m. to 12:30 p.m., at the Trexler Pavilion for Theatre & Dance, located on the Muhlenberg College campus at 2400 W. Chew Street, Allentown, Pa.

The Lehigh Valley Arts Council member fee for each session is $10; nonmembers pay $15. Attendance is limited to 25 persons, and reservations are required. Email James Ravelle at operations@lvartscouncil.org, call 610-437-5915 or visit www.LVArtsCouncil.org.

Call: 610-437-5915.
Email: operations@LVArtsCouncil.org 
Web: www.lvartscouncil.org/ArtsAlive.html
Tickets: www.etix.com/ticket/online/performanceSearch.jsp?performance_id=1804136&cobrand=lvartsboxoffice 

Date: Saturday, July 12, 2014 – 11 a.m. to 12:30 p.m.
Location: 
Trexler Pavilion for Theatre & Dance
Muhlenberg College Campus
2400 W. Chew Street, Allentown, Pa.

Muhlenberg Summer Music Theatre Production Of Rock Opera ‘Superstar’ Explores Human Side Of Crucifixion Story

Allentown, PA– James Peck vividly remembers the best rock concert he ever attended: U2 at the Meadowlands in 2011.

“It was one of the most quote-unquote ‘ritualistic’ theater experiences I’ve ever had,” he says. “It had that seize-your-body, wash-over-you aspect of rock-and-roll—that feeling that you’re part of something larger than you. That aspect of ritual.”

That’s the feeling that Peck wants to create as the director of “Jesus Christ Superstar,” opening July 10 at the Muhlenberg Summer Music Theatre.

“‘Superstar’ is a big epic rock musical about one of the greatest stories ever told,” Peck says. “In the way that a really great rock concert makes you feel like you’re part of something big and cosmic, I think a great production of this show should work the crowd into a sort of oceanic sense of being in touch with something in the universe.”

This summer marks not only the Muhlenberg premiere of “Superstar,” but also the return of former Muhlenberg dance professor Charles O. Anderson. Anderson returns from Austin, Texas, where he teaches dance at University of Texas Austin. Ken Butler serves as the musical director.

“Jesus Christ Superstar” runs July 10-28, Wednesday through Sunday on the Empie Stage, MuhlenbergCollege.

“Superstar” dramatizes the last seven days in the life of Jesus, from his entry into Jerusalem through his crucifixion. Set to a rock score by Andrew Lloyd Webber and Tim Rice, the show looks at those seven days through the eyes Judas, the disciple who betrays Jesus and “one of history’s great so-called villains,” Peck says.

“It is unusual for a show to take the vantage point of Judas,” Peck says. “But it’s what makes ‘Superstar’ unique.”

The show features the hit songs “I Don’t Know How to Love Him” and “Superstar.”

What interests Peck most, he says, is the way the play explores the humanity of the characters—real people at the epicenter of one of history’s great moments.

“You get a sense of Jesus as a human,” he says, “of how exhausting it must be to be at the heart of a world movement.”

“Superstar” features a cast of 27, including Muhlenberg alumni Dan Cary ’08 as Jesus, Jessie MacBeth ’13 as Mary Magdalene, and Equity guest artist Kennedy Kanagawa ’08 as Judas. The show also features guest artists from the LehighValley including Ed Bara as Caiaphas, Bill Mutimer as Herod, and Joshua Neth as Pontius Pilate.

“What I love about ‘Jesus Christ Superstar’ is that it takes these iconic figures that we are used to thinking of abstractly, and it humanizes them,” Kanagawa says. “They have emotions and desires and allegiances and secrets. The idea of returning to my alma mater and making these discoveries along with this brilliantly talented creative team is thrilling.”

The show features a spare, earthy design by Tim Averill, who brings his interest in sustainable theater design to the production. Annie Simon’s costume designs draw from 1970s and contemporary grunge fashion. Lighting design by John McKernon brings a rock-show sensibility to the performance. The five-piece band led by Vince Di Mura will feature a lean rock-band sound—less lush Broadway score and more rock-and-roll.

The Muhlenberg Summer Music Theatre has been bringing excellent theatre to the LehighValley for 33 years. All productions are performed at MuhlenbergCollege, one of the top-rated college performance programs in the country according to the Princeton Review rankings. Muhlenberg is a liberal arts college of more than 2,200 students in Allentown, Pa., offering Bachelor of Arts degrees in theater and dance.

“Jesus Christ Superstar” runs July 10-28 in the Empie Theatre, Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown, Pa.

Performances are Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m. Regular admission tickets for the first four shows are $32; seniors (65 +) are $28; students and children are $20. For the remainder of the run, regular admission tickets are $38; seniors (65+) are $35; students and children are $20. Family matinees on Sundays are just $10 for children. For groups of 15 or more, tickets are $25 per person and $16 for students and children.

Tickets and information are available at 484-664-3333 or http://www.muhlenberg.edu/smt

Hilarity Heats Up The Harmony In MSMT’s ‘HMS Pinafore’

Pop-Art inspiration highlights the humor In Muhlenberg Summer Music Theatre’s production of Gilbert and Sullivan‘s first big hit, running July 11-29

Allentown, Pa (June 30, 2012) – When Gilbert and Sullivan’s “HMS Pinafore” opens July 11 at Muhlenberg College, aficionados will see the 19th century operetta they know and love, says director James Peck. But they will also see the bright colors and bold lines of the Pop Art era of Warhol and Rauschenberg, from which the production draws inspiration.

“The show will appeal to traditionalists and satisfy them. It’s a faithful production,” Peck says. “But it will also definitely win new fans. It’s a 134-year-old Victorian show filled with comedic and melodious moments, and we’re color-washing it—making it Technicolor.”

Muhlenberg Summer Music Theatre, now in its 32nd season, presents “HMS Pinafore” July 11-29, in the Baker Theatre. Peck, chair of the Theatre & Dance Department, will direct the show; Ed Bara and Muhlenberg alumna AlexJo Natale will provide musical direction and choreography, respectively.

“What makes ‘Pinafore’ so unique and special is the pure humor rubbing up against some of the most beautiful music,” Peck says. “It’s simultaneously absurd and beautifully serious.”

Librettist W.S. Gilbert and composer Arthur Sullivan’s first big hit, “HMS Pinafore” is full of hijinks and silliness, as well as the pair’s trademark wit, satire, and melodic songs. Ralph Rackstraw, a sailor aboard the HMS Pinafore and “the smartest lad in the fleet,” is in love with the ship captain’s daughter, Josephine — but her father has a more sophisticated suitor in mind: The Right Honorable Sir Joseph Porter, K.C.B, First Lord of the Admiralty.

Will true love prevail? Peck says they audience will just have to attend to find out. “Though let’s be honest,” he says. “They can probably guess.”

“Pinafore” was first produced in 1878 at the Opera Comique inLondon, where it ran for 571 performances —the second-longest running operetta up to that time. Some of the show’s best-known songs include “I’m Called Little Buttercup” and “A British Tar.”

“In fact,” Peck says, “the start of American musical theatre owes a lot to this show. It became an international sensation — and when it crossed over to theUnited States, it helped set the stage for the form of the American musical.”

Peck has directed the show before, many years ago. “Actually it was the third play I ever directed,” he says. “So I was so young; I was going by instinct. Now I have a tool bag, tricks of the trade, 25 more years of experience, and of course a great cast.”

Peck brings a Pop Art sensibility to this classic musical theatre masterpiece by playing with the typical production design to create something novel but still rooted in history.

“Imagine what Andy Warhol or Robert Rauschenberg or Jasper Johns might have done with ‘Pinafore,’ and that’s where we’re headed,” Peck says. “The show takes place on a warship painted to look like the Union Jack in bright reds and aqua blues. It feels like a toy boat.”

MSMT’s second production of the season reaches new technicolor heights with the help of faculty members and Muhlenberg alumni. Peck and Barra are joined by faculty member and professional actor Troy Dwyer as the dialect designer for the show. Also joining the production are Muhlenberg alumni Lauren Curnow ’96 as Little Buttercup and Matthew Allar ’00 as the scenic designer.

Allar and costume designer Kevin Thacker look to bring a sense of flourish to the show — reflective of the flourish of the music and lyrics — by brightening the costumes and set.

“We are embracing the late 19th century Victoriana setting, but in a pop contemporary way,” Allar says. “I am working to update the Victorian aesthetic typically seen in ‘HMS Pinafore’ with heightened shape and color to reflect the heightened music.”

Similarly, Dwyer, is crafting dialects not commonly used for “Pinafore” — but which he says are more truthful to the setting of the show. The characters are of British descent, but from the coast, resulting in more of a Hampshire and Portsmith accent which Dwyer says sounds “more pirate-like” than the English Cockney accent usually used

“This show takes a bold, colorful, vivid approach to the world of ‘Pinafore,'” Dwyer says, “but with no sacrifice of human reality, thanks to Jim. There are complete, whole characters — performing absurd humor.”

The accents Dwyer is designing signify more than a truthful locale, they also signify status and class within the world of the play. The more “pirate-like” the accent gets, the lower the class of the character speaking.  All of this intense focus on dialect specificity works to solidify Peck’s creation of absurdity still rooted in reality. Although Peck draws from a pop contemporary style, he still hopes to get at some important themes of class and true love. The show is anchored (pun intended) by these realistic themes.

“The theme of war between classes in this opera is as relevant today as it was when the show was written,” says actress Lauren Curnow, who plays Little Buttercup. “What’s great with this piece is that Gilbert and Sullivan composed text and music to complement each character’s absurd, but very serious, take on where the class lines should be drawn.”

“HMS Pinafore” plays July 11-29, Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m., in the Dorothy H. Baker Theatre, Trexler Pavilion for Theatre and Dance.

For the first four performances, July 11-14, tickets are $32 regular admission; seniors are $28; students and children are $18. For shows beginning July 15, tickets are $38 regular admission; seniors, $35; students and children, $20.

Sundays are Family Matinee day; tickets for children ages 5-18 are just $10 when purchased with a full-price or senior ticket. (Limit two discounted tickets per full-price ticket.) Group discounts are available for groups of 15 or more.

Muhlenberg Summer Music Theatre performance information and tickets are available at 484-664-3333 or www.muhlenberg.edu/SMT.

“Hairspray” At The Steel River Playhouse In Pottstown Is Not To Be Missed!

I had the great pleasure of attending today’s matinee performance of Hairspray at Pottstown’s Steel River Playhouse (formerly the TriPAC).  The theater was full for a Sunday afternoon show!

I saw Hairspray on Broadway and wasn’t sure if this would live up to that experience.  As usual the performance was stellar!  I enjoyed Hairspray just as much in Pottstown as I did on Broadway.  That’s saying something.

If you aren’t familiar with the story, this comedic musical takes place in Baltimore, circa 1962.  Overweight teenager, Tracy Turnblad wants to dance on the Corny Collins ShowThe story demonstrates the social injustice of racism in pre-Civil Rights Act America and speaks about society’s disdain for people who are calorically challenged.  This is done mostly through humor and song.   There are some poignant moments as well but you don’t feel “preached at”.  You also realize how much has not changed since 1962!

There are some veteran Steel River actors in this show: Gregory Kasander, Bill Kiesling, Matt Kiesling, Donna Dougherty and Alexa Morefield.  The mostly youthful cast does an outstanding job!    The Director and Choreographer, Zuhairah McGill gets major kudos for another top-notch production!  As always the live orchestra is superb as were all other aspects of the production: costumes, lighting, sound, scenery etc… 

All the main characters are excellent.  Gregory Kasander nails the Corny Collins role with a lounge lizard meets Ted Baxter from the Mary Tyler Moore Show interpretation.  Matt Kiesling is very believable as Link Larkin, teenage heart-throb and love interest of Tracy Turnblad.  Donna Dougherty’s Velma Von Tussel is the character you love to hate!

Nicole Bright gives a standout performance as our heroine, Tracy Turnblad.  She embodies everything her character is supposed to represent.  Tracy’s parents, played by Bob Goretski and Bill Kiesling are hysterical.  Some very famous actors have played Edna Turnblad (Harvey Fierstein and John Travolta to name a few).  A male always plays the Edna Turnblad role.  Bob Goretski may not be famous yet, but he did the role justice.

The other two actors I would like to mention are Willie Garner who plays Seaweed J. Stubs and Britney Leigh Hines who plays Motormouth Maybelle.  Their acting, singing and dancing are exceptional.

This production is well worth the price of admission!  Congratulations and thank you to Marta Kiesling and the entire staff at Steel River Playhouse for bringing quality entertainment to the Greater Pottstown area!  I hope many people take advantage of having this gem in Pottstown!

Hairspray at Steel River runs from June 7 – 24, 2012.  For dates, times, ticket prices and to buy tickets online, click here: http://www.steelriver.org/2012/05/hairspray/ or call the Box Office at 610-970-1199.

Pottstown TriPAC’s “Ain’t Misbehavin’” – A Review

I had the pleasure of attending the Sunday matinée performance of Ain’t Misbehavin’ at Pottstown’s Tri-County Performing Arts Center yesterday afternoon.  I must say it was one of the best things I have seen thus far at the TriPAC and the afternoon flew by!

This production is being done in the smaller theatre on the third floor.  There are no bad seats!  The performance was sold out!  I believe it was announced all three weekend performances sold out.  My comment to you is, call now and see if any tickets are available for next weekend!

Ain’t Misbehavin’ is a musical.  In fact it is almost entirely sung. Although there is scarcely any dialogue, a story is told nonetheless!  The cast of five actors is phenomenal and the musicians, who are also integral to this performance, are second to none!  Our story takes place in Harlem in the 1930’s.  Appropriately the entire cast is African-American as well as most of the musicians and the director.  I must comment that the level of talent here is amazing!  If you like the music of that era you will be beyond pleased with the high musical standards in this production.

In addition to superb music, I laughed until I cried.  The “looks”, “stage whispers” and innuendo are priceless.  This production is nonstop singing and dancing and the cast barely broke a sweat.  The ease of the performances and the level of confidence displayed by the actors and musicians is professional.  Kudos to Director, Zuhairah McGill for her excellent leadership.  A good Director is worth their weight in gold and Ms. McGill definitely falls into that category!

There were three songs that I especially liked (I loved them all).  Two were funny and one was very moving.  When the Nylons Bloom and The Viper’s Drag were hysterical!  Again, laughed until I cried.  Black and Blue was one of those songs that run the gamut of emotion.  It was a very sad song about the struggles of African-Americans during segregation.  While the cast was singing, there were poignant pictures being displayed on the back wall of a segregated America.  For Caucasians it is embarrassing and painful to watch, nevertheless “keeps it real” and reminds us how far we have come and how far we still have to go as a nation.  I am old enough to remember segregation and remember the great turmoil and pain our nation went through before and after the Civil Rights Act was passed in 1964.  Yet I didn’t feel preached at either.  The point was made and we moved on.

I give a huge shout out to all five actors:  Denia Gibson, Mia Mbuy, Alexa Morefield, Marc Sherfield and Isiah Robinson.  Alexa, Marc and Isiah are TriPAC veterans.  Denia and Mia were in their first TriPAC production.  Stellar cast!  Mr. Sherfield got a golden ticket to Hollywood on American Idol this season!  How impressive is that!  I would say that validates my comments on the talent level.  Evidently Randy, Jennifer and Steven would agree, at least on 1/5th of the cast!  You are all stars!

Another huge shout out goes to the orchestra!  Ben Bullock’s piano skills are nothing short of amazing.  Ben is the Minister of Music at Invictus Church and I am sure they are thrilled to have him there!  The amount of playing is almost nonstop.  Other than the intermission the production is two hours of music!  I was very pleased to see Louis Rieger in the orchestra on string bass.  Mr. Rieger owns the High Street Music Company and I applaud his community involvement!  Louis has “mad skills” on the string bass and I thank him for sharing his considerable talent in this production.  Mr. Rieger walks the talk!  We like that here at Roy’s Rants!  Mega kudos to orchestra members: Lewis Ben on drums, Aaron Gould on trombone and Barb Newberry on reeds. Great job all around!

The production staff did an excellent job as well.  Everything went off without a hitch and it was a professional production all the way around.

One more shout out to the Red Hat Society who showed up in a big group.

I give this production two Roy’s Rants thumbs up.  If had more thumbs they would all be up!

There are three more performances left:  Friday, February 17th, Saturday, February 18th and Sunday, February 19th.

Tickets
ADULT: $17
STUDENT / SENIOR (65+): $15
CHILD (12 & under): $13

Groups of ten or more receive a $2.00 per ticket discount!

The Tri-County Performing Arts Center is located at 245 E. High Street, Pottstown, PA. 

Voice: (610) 970-1199

Internet:  http://www.tripac.org

GOLDILOCKS AND THE DOWN-HOME BEARS AT THE TRIPAC – POTTSTOWN

GOLDILOCKS AND THE DOWN-HOME BEARS – A Foot Stompin’ Musical (one-act family musical)

Saturday, Jan 28 & Sunday, Jan 29, 2012

Music and Lyrics by Karen Newman, Book by Neal Newman

Appropriate for All Ages (especially ages 5 – 12)*

PLEASE NOTE: This production is also available for school groups and clubs at the Tri-PAC or off-site from February through May.

Howdy folks! Come down to the holler to meet Goldie (Goldilocks) who is just about to celebrate the birthday that will make her a “teen Ager”. And what does she do? She runs away from her home and her strict parents, only to find the country cottage of the most fun lovin’, partyin’ three bears you ever did see.  A down home musical for the entire family (especially for ages 5 – 12), GOLDILOCKS AND THE DOWNHOME BEARS celebrates family and friendships, and the joys and challenges of growing up for both kids AND parents!

Performances:

Saturday, January 28th @ 11:00am and 3:00pm

Sunday, January 29th @ 3:00pm

Tickets: Adult: $17, StudentT/SeniorR (65+): $15, Child (12 & under): $13

Buy Tickets: https://tix.cnptix.com/Online/?siteID=2109&cartID=1f363573-f98e-4daf-a158-5888504c00fe

 

Tri-County Performing Arts Center Auditions And Classes

FALL REGISTRATION
Group classes include acting, comedy improv, scene study, audition techniques, music, voice, storybook character play and age-based performance troupes. Private instruction includes acting, voice, piano, guitar, flute, music therapy, and monologue coaching.

GUEST ARTIST JOHN MOLETRESS: ADVANCED SCENE STUDY CLASS and PRIVATE ACTING/MONOLOGUE

Private Lessons Starting now; Group Classes Start Sept 19!

Visit www.tripac.org or contact Steve Reazor, Education Director, at steve@villageproductions.org

AUDITIONS – 2ND HALF OF SEASON!
October 15th – 22nd Teens and adults – all ages and ethnicities
Nonunion, most roles are unpaid except as noted; travel stipends available for certain roles.

Productions scheduled for Jan – June 2012.

Seeking teens and adults for MAIN STAGE POP/ROCK MUSICAL (TBA Jan 2012), Also casting AIN’T MISBEHAVIN’, TOYS IN THE ATTIC, FARRAGUT NORTH And CHILDREN’S MUSICAL THEATER TOURING PRODUCTION (stipend roles for adult singers/actors).

Contact casting@villageproductions.org for details and to schedule appointment.

SEASON SUBSCRIPTIONSWHAT A DEAL!
30% off regular ticket prices NEW Student Mega-Pass – up to 50% off! PIPPIN, A CHRISTMAS STORY, TOYS IN THE ATTIC, FARRAGUT NORTH, AIN’T MISBEHAVIN’ AND SO MUCH MORE!

SEASON NEWSLETTER: http://www.villageproductions.org/201112SeasonNewsletter.pdf

SEASON SUBSCRIPTION ORDER FORM: http://www.villageproductions.org/2011-12seasonsubscriptionrderform.pdf

SUBSCRIPTION TICKET SELECTION: http://www.village

Visit www.tripac.org and click on “TICKETS

PROGRAM ADS!  Our Annual Main Stage Program Ad Campaign – Copy deadline is September 30th.

Please email marketing@villageproductions.org for sizes and pricing

TRI-COUNTY PERFORMING ARTS CENTER
P.O. Box 1325; 245 E. HIGH STREET
POTTSTOWN, PA 19464
www.tripac.org
610.970.1199

Muhlenberg Summer Music Theatre Presents A Joyful, Celebratory ‘Godspell,’ July 13-31

The music and the message are the focus in this production of the Broadway hit by ‘Wicked’ composer Stephen Schwartz.

Accessible performance July 17 will feature Audio Description and Open Captioning for visually and hearing-impaired patrons.

Allentown, Pa. (June 27, 2011) – Muhlenberg Summer Music Theatre will present “Godspell,” Stephen Schwartz’s upbeat retelling of biblical parables, as the second Mainstage production of its 2011 season. Directed by Francis X. Kuhn, the show will run July 13-31 in the College’s Baker Theatre, Trexler Pavilion for Theatre & Dance.

“‘Godspell’ is a celebration,” Kuhn says. “People should come to the theater ready to celebrate and enjoy themselves.”

Based on the Gospel according to St. Matthew, “Godspell” is one of the biggest Off-Broadway and Broadway successes of all time. Featuring a beloved and sparkling score, in a variety of musical styles from pop and folk rock to gospel and vaudeville, “Godspell” boasts a string of familiar songs, led by the international hit “Day by Day.”

The show was conceived and originally directed by John-Michael Tebelak with music and new lyrics by Stephen Schwartz, the Tony Award-nominated composer of “Pippin” (1972) and “Wicked” (2003). Drawing from various traditions such as clowning, pantomime and song-and-dance, “Godspell” is a groundbreaking and unique reflection on philosophy and faith—with a message of kindness, tolerance and love.

“The story is about the discovery of divine play within ourselves,” Kuhn says. “‘Godspell’ may be a story about Jesus but the play is really a celebration of what is divine in all of us and how we can all become better human beings.”

Kuhn last directed at Muhlenberg in the summer of 1979. He has directed plays, musicals, and operas for theater and opera companies throughout the country, and he is currently an associate professor of theater at The College at Brockport (SUNY) in western New York.

Muhlenberg senior Andrew Clark, who plays Jesus, says that he appreciates the chance to play a role like this because it is different from any other character he has played.

“I’m not really what you would picture when you picture Jesus,” Clark says. “Theater is a way to subvert the norm, and I think that is the essence of ‘Godspell.’ In the show Jesus acts as a storyteller, and we are learning about the stories for their moral values and not necessarily the religious aspects.”

To emphasize the stories, set designer Curtis Dretsch and Kuhn wanted to take the look of their “Godspell” in an unusual direction. Dretsch co-founded Summer Music Theatre 31 years ago and has designed more than 100 sets for Muhlenberg.

“‘Godspell’ is usually overlaid with a notion of specificity — for example street people or a circus setting,” says Dretsch. “For our production we wanted to create a flexible, malleable, obviously theatrical environment.”

Kuhn and Dretsch want the text and the music to be the main focus. The set is very flexible and designed primarily to respond to light. Changes in atmosphere is accomplished through lighting changes.

“This is a much more straightforward, presentational version of the show,” says Dretsch. “The set is there to support, nurture, and present the play.”

The set and lighting also provide a showcase for the choreography by alumnus Will Porter, returning to Muhlenberg Summer Music Theatre for the first time since graduating in 2008. Porter will be headed to Tokyo in August as part of the national tour of “A Chorus Line.”

“Returning to Muhlenberg is a blessing,” says Porter. “It’s like a breath of fresh air.”

Porter and Kuhn want to give the show a contemporary look and feel liberated from its 1970s roots and specifically Christian context.

“Personally, I am Buddhist,” Porter says, “But I find many parallels among religions in the songs and stories in ‘Godspell,’ and I am using that as a jumping off point for the choreography.”

The Sunday, July 17, performance at 2 p.m. will feature Open Captioning (OC) for patrons who are deaf or hard of hearing and Audio Description (AD) for patrons who are blind or visually impaired. Open captioning provides the audience with an unobtrusive electronic text display to the side of the stage, displaying lyrics and dialogue in real time. Audio Description is a form of audio-visual translation, using natural pauses to insert narrative that translates the visual image into an audible form. Patrons use headsets to hear the audio description. This performance is sponsored in part by the Tri-County Accessible Arts Coalition.

“We are excited to bring the first audio described and open captioned performance to the Lehigh Valley community,” says Jess Bien, general manager of Muhlenberg’s Theatre and Dance Department. “By offering these types of performances, we are hoping to provide a whole new audience with the opportunity to experience live theater and some of America’s greatest musicals.”

To purchase audio described and open captioned tickets for the July 17 performance only, please call Jess Bien at 484-664-3087 or email boxoffice@muhlenberg.edu.

“Godspell” runs July 13–31, Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m. Performances are in the Dorothy Hess Baker Theatre, in the Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.

Tickets for July 13-16 are $32; seniors age 65 and up, $28; students and children, $18. Tickets for July 17-31 are $38; seniors, $35; students and children, $20.

Sundays are Family Matinee day; tickets for children ages 5-18 are just $10 when purchased with a full-price or senior ticket. (Limit two discounted tickets per full-price ticket.) Discounts are available for subscriptions to “The Music Man” and “Godspell” and for groups of 15 or more. More information online.

Also featured in MSMT’s 31st season: “Cinderella,” a movement-theater production for families, June 22 – July 30.

Muhlenberg Summer Music Theatre performance information and tickets are available at 484-664-3333 or www.muhlenberg.edu/SummerMusicTheatre

Peter Pan At The TriPAC! Don’t Miss It!

I went to see Peter Pan tonight at the TriPAC.  The theater was FULL!  Lots of kids in attendance!

Great rendition of the Peter Pan story.  Tons of special effects, including flying!

Stand outs were Peter Pan, played by P.J. Schweizer, Mr. Darling/Captain Hook, played by Joe Ciresi (Joe is the Spring-Ford School District Board of Education President), Mrs. Darling, played by Rebecca Shoemaker and Wendy played by Maddie Aicher.

Many youth were involved in the production and everyone did a great job!  Deborah Stimson-Snow was the Director and did an a superb job!  The orchestra rocked as usual!

There are a few shows left before this run is over:

PETER PAN (June 2 – 19)
Friday, June 17 @ 8:00 pm
Saturday, June 18 @ 3:00 pm & 8:00 pm
Sunday, June 19 @ 3:00 pm

Tickets
ADULT: Thurs $19; Fri, Sat & Sun $23
STUDENT/SENIOR(65+): Thurs $17; Fri, Sat, Sun $21
CHILD (12 & under): Thurs $13; Fri, Sat & Sun $15

TICKETS ARE SELLING FAST! Please log on to http://www.facebook.com/l/a4a16Q1PoJ135BDB9j13hW4CmCA/www.tripac.org to purchase your tickets online.

Another outstanding TriPAC production!

Muhlenberg Summer Music Theatre Alumni Are Back For More In ‘The Music Man’

Familiar faces in the first show of the SMT season will include Broadway star David Masenheimer, opera singer Lauren Curnow

Allentown, Pa. (May 25, 2011)—Harold Hill, the central figure in Meredith Willson‘s classic “The Music Man,” is a con artist—a stranger in town. But when the musical opens this year’s Muhlenberg Summer Music Theatre season, the man playing Hill will be anything but a stranger. In fact, the production will be a homecoming of sorts for several of Muhlenberg College‘s best-known theater alumni.

This year, in its 31st season, the college’s popular summer theater festival will welcome back two alumni with international reputations as performing artists: Broadway star David Masenheimer as Hill, and opera singer Lauren Curnow as Hill’s love interest, Marian Paroo. Also joining the cast are MSMT veterans and Muhlenberg alumni Neil Hever and Gabriel Martínez.

 “The Music Man” runs June 15 through July 3. Charles Richter, Summer Music Theatre’s co-founder and artistic director, will direct the show; Karen Dearborn and Ed Bara will provide choreography and musical direction, respectively. All three are Muhlenberg faculty members.

“It will be wonderful to have some familiar folks—some very talented folks—joining us for this production,” Richter says. “There will be some serious star power on stage. We’re very fortunate.”

Masenheimer, a 1981 Muhlenberg graduate, starred in more than 1,000 performances of Broadway’s “Les Misérables” as Inspector Javert. Other Broadway credits include “Ragtime” and “Sideshow.” Curnow, a 1996 graduate, has appeared on opera stages around the world, including The Lyric Opera of Chicago, the Teatro Maggio Musicale in Florence, Italy, the Wolftrap Opera, and the Santa Fe Opera. A lyric mezzo-soprano, Curnow holds master’s degrees from The Juilliard School and the Curtis Institute of Music.

 “The Music Man” tells the story of Harold Hill, a fast-talking con artist who comes to River City to make a fast buck, selling his phony dreams of a splendiferous town marching band. But then he meets the town librarian (and her kid brother), and finds himself transformed by the power of love. The score features several of Broadway’s best-known songs, including “Seventy-Six Trombones,” “(Ya Got) Trouble,” “Till There Was You,” and “The Wells Fargo Wagon.” The production won five Tony Awards in 1957, including Best Musical.

“In fact,” Richter points out, “this is the show that beat out ‘West Side Story’ for Best Musical. Willson did some incredibly innovative things with the score, and it took him five years to develop as a result.

“This is our third production of ‘The Music Man,’ and I believe our most exciting,” he says. “It is the first in our very intimate Baker Theatre, and that space will be very well suited to this talented cast.”

DAVID MASENHEIMER: A RETURN TO THE STAGE

David Masenheimer’s career as an actor began before college, when he spent vacations in summer stock productions. He acted regularly at Muhlenberg, arriving just a year after the opening of the Baker Center for the Arts, in the first days of the Theatre Department, arriving at the college a year before department founder Charles Richter.

Masenheimer started as a science major, but soon realized he had other interests to pursue. He got the lead in the student musical his freshman year, playing the Emcee in “Cabaret,” and that pointed him in a different direction—in a couple different directions, actually.

“I had some carpentry skills thanks to Muhlenberg,” he says. “I was a work-study carpenter and eventually was the technical director for the MTA,” the student-run Muhlenberg Theatre Association, which produced the plays. “I was not very popular in my fraternity, because I basically lived in the Center for the Arts.”

After graduation, Masenheimer went on tour in a number of shows, including “Les Misérables,” then in 1995, took on the role of Javert in the Broadway production. Other Broadway appearances have included the original cast of “Side Show” (1997) as well as roles in “The Scarlet Pimpernel” (1999), Ragtime (1999), and “The Wild Party” (2000).

For the most part—give or take a concert or two—Masenheimer gave up performing professionally about seven years ago. He now mostly pursues that other direction, building custom furniture and merchandising fixtures—and the occasional piece of theatrical scenery—with his carpentry company, Rampart Productions. He says the life of the performer got to be too much.

 “I’m so glad I did what I did when I did it,” he says. “But while I was packing up to come to Allentown, it occurred to me, if I was really in this business, I’d be packing up and going on tour for a year, and that’s just completely unappealing to me. I wanted some control over what I was going to do and when I was going to do it.”

Masenheimer says “The Music Man” is among his favorites. He played Harold Hill in high school and feels a connection to the show and the character. After 34 years, he still remembers the lyrics to “(Ya Got) Trouble,” the show’s notoriously difficult patter song: “… right here in River City, with a capital T, and that rhymes with P and that stands for ‘pool.'”

“The show is a really well written piece of Americana,” he says. “The music is lovely, and I just love all the characters; it’s such a great ensemble piece.”

So does “The Music Man” signal a possible return to the stage for Masenheimer?

“No, this is it,” he says. “This is about Muhlenberg, and being back at Muhlenberg. I’m really looking forward to this whole process, though. It’s kind of a vacation.”

LAUREN CURNOW: A RETURN TO ROOTS

“The Music Man” marks Lauren Curnow’s first foray into Broadway-style musical theater since her student days, when she starred as Laurey in a 1995 Muhlenberg Theatre Association production of “Oklahoma!”

Since graduation, she has concentrated strictly on opera. She got a job in an opera chorus right out of college, then a paid apprenticeship at the prestigious Lyric Opera Company of Chicago, then graduate-level study at Juilliard and the Curtis Institute. Since then, she has worked consistently as a performer, with opera companies around the world.

In a way, “The Music Man” marks a return to roots for Curnow.

I started out being musical theater all the way,” she says. “But from the time I started at Muhlenberg, I was taking lessons with Jeremy Slavin,” A Muhlenberg faculty member and MSMT co-founder, who just retired this spring. “And he started training me classically. So I started thinking about myself as a singer in a different way.”

Curnow said the biggest adjustment for her as an opera singer will be to incorporate dialogue in her performance.

“Going back and forth between singing and speaking is something I’m not as used to as I was,” she says. “You really have to pace yourself. You have to think about how you’re projecting on the stage, so that when it’s time to sing, you’re ready to go.”

This role will be unusual for Curnow in another way, as well. As a mezzo-soprano, she says she gets to play mostly supporting characters—the “compremario” roles. “The Music Man” gives her an opportunity to play the romantic lead for a change.

“I don’t often get to be the ingenue, which will be fun,” she says. “In opera, the lovers are usually more in the soprano range, for some reason. We mezzos get to be the best friends and funny maids.”

A SUMMER THEATER HOMECOMING

Neil Hever, Muhlenberg Class of 1982, played alongside Masenheimer, back in that first Summer Music Theatre season, 31 years ago. He has been a fixture on the MSMT stage ever since—most recently starring in last season’s “The Mikado.” He will play Charlie Cowell in “The Music Man.”

“I’ve seen MSMT grow and evolve into a very professional and high quality program over time,” Hever says. “The adult actors and Muhlenberg teaching staff I worked with as a student at the very beginning were a great source of inspiration. I hope that now, as an adult, I am helping today’s students grow and improve as actors by example.”

Another familiar face, of a more recent vintage, is Gabriel Martínez, the 2010 grad who played William Barfée (rhymes with “parfait”) in last season’s “25th Annual Putnam County Spelling Bee.” Before that, he appeared in 2009’s “Forever Plaid” and 2008’s “A Year with Frog and Toad” and “The Who’s Tommy.” This year, he’ll play Marcellus Washburn.

The production will also welcome another MSMT prodigal: conductor Donald Spieth, best known locally as the conductor of the Lehigh Valley Chamber Orchestra, although he has conducted numerous ensembles in the Lehigh Valley region and beyond. Spieth conducted the orchestra for MSMT’s first season, 31 years ago, and returns to the orchestra pit for “The Music Man.”

Prominent cast members who are not Muhlenberg alumni include two longtime members of the Lehigh Valley theatre community: veteran MSMT performer and director Bill Mutimer, as Mayor Shinn, and Arts Ovation Award winner JoAnn Wilchek Basist, as Eulalie Shinn.

The show will feature scenic design by Campbell Baird, whose last MSMT assignment was the east-meets-west costume design for last season’s “The Mikado.” “The Music Man’s” costume designer is Kevin Thacker. Lighting designer is MSMT veteran John McKernon.

“The Music Man” runs June 15 through July 3, Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m. Performances are in the Dorothy Hess Baker Theatre, in the Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.

Tickets for June 15-18 are $32; seniors age 65 and up, $28; students and children, $18. Tickets for June 19 through July 3 are $38; seniors, $35; students and children, $20.

Sundays are Family Matinee day; tickets for children ages 5-18 are just $10 when purchased with a full-price or senior ticket. (Limit two discounted tickets per full-price ticket.) Discounts are available for subscriptions to “The Music Man” and “Godspell” and for groups of 15 or more. More information online.

The rest of the MSMT season for 2011 will feature “Godspell,” July 13-31, and “Cinderella,” a movement-theater production for children, June 22 – July 30.

Muhlenberg Summer Music Theatre performance information and tickets are available at 484-664-3333 or www.muhlenberg.edu/SummerMusicTheatre.

Muhlenberg Summer Music Theatre

Auditions for MSMT 2011 season—’The Music Man,’
Godspell,’—will be held Feb. 27 and 28.

Children’s auditions for ‘Music Man’ scheduled for March 1-2

Technical positions and high school internships also available.


Allentown, Pa. (Feb. 10, 2011) — Muhlenberg Summer Music Theatre will hold open auditions for adult performers on Feb. 27 and 28, and for children ages 6 to 13 on March 1 and 2. Performers will be cast for both of the season’s mainstage productions: Meredith Willson‘s “The Music Man,” June 15 – July 3, and Stephen Schwartz’s “Godspell,” July 13-31.

The following audition details can also be found online, at www.summerbroadway.org.

Vocal auditions for adults (ages 16 and up) will be held Sunday, Feb. 27, from 2 to 7 p.m., and Monday, Feb. 28, from 6 to 11 p.m. Auditions will be held in the Empie Theatre, Baker Center for the Arts, on the Muhlenberg College campus. Vocal audition appointments are three minutes.

Dance auditions for adults only will be held Sunday, Feb. 27, from 12 to 2 p.m. and Monday, Feb. 28, from 6 to 8 p.m., in the Dance Studio Theatre, Trexler Pavilion for Theatre and Dance. Dance auditions will take about half an hour. Auditioners will be taught a short dance sequence, which they will then perform. No preparation is required.

Children ages 6 to 13 will be cast for the ensemble of “The Music Man” in a special audition, Tuesday, March 1, and Wednesday March 2, from 5 to 7 p.m, in the rehearsal hall in the Trexler Pavilion for Theatre and Dance. There is no dance audition for children. Children must be under five feet tall in order to audition. Auditions are in three-minute appointments.

All auditioners must register in advance and schedule an audition. Auditioners should send an e-mail to boxoffice@muhlenberg.edu before Friday, Feb. 25, indicating available dates and times within the scheduled audition, and providing a mobile phone number where the auditioner can be reached with questions.

Those without access to e-mail should call the Muhlenberg Theatre & Dance office at 484-664-3087, during regular office hours before Thursday, Feb. 24. Voice messages should contain all of the above information.

All adult auditioners will be assigned a time for both a dance audition and a vocal audition, and should plan to dance and sing, even if they concentrate in just one area. It is possible for a performer to be cast based on a strong audition in just singing or just dance.
Auditioners for both shows—including children ages 6 to 13—should prepare a memorized vocal selection of 16 to 32 bars. Adults should sing something from a classical Broadway show other than “The Music Man,” from about 1980 or earlier. Women should not use a belt voice or mix; men interested in the role of Marcellus may belt.

In the children’s audition, girls should sing a ballad in the style of “The Music Man”; no belting, please. Boys should prepare an up-tempo number, also in the style of the show; belt voice is okay.

The musical directors request that you do not sing from the “The Music Man” or “Godspell” scores. An accompanist will be provided for the vocal audition. You must bring sheet music in the key in which you would like to sing, with your 16- to 32-bar selection indicated and any cuts clearly noted.  Please no accompaniment tapes.

The directors are looking for a wide range of ages and types for each production, and community members are strongly encouraged to audition.

Callback auditions will be held March 17-21, and will include acting auditions, reading from the script. Details will be provided as necessary, but auditioners should hold the dates if possible.
Non-performing opportunities are available for technicians and costumers. Carpenters, electricians, props technicians, light board and sound board operators, and stage crew are needed for productions. Costumers, first hand, stitchers, and wardrobe running crew are needed in the costume shop.

High school stage management internships are available for those who will be at least 16 years old by the time they begin working for MSMT. Interns work alongside college students and professionals from the College, and guest artists from New York, learning valuable skills that they can take back to their high school programs. Interns receive a $400 stipend for the summer.

The application deadline for technicians, costumers, and administrative personnel is March 1. Applications can be found online at www.summerbroadway.org. Completed applications can be sent to boxoffice@muhlenberg.edu.

Muhlenberg’s 30th summer season continues with ‘Spelling Bee’ musical

Allentown, Pa. (June 29, 2010) — Muhlenberg Summer Music Theatre will celebrate cerebration with the second mainstage production of its 30th season: “The 25th Annual Putnam County Spelling Bee.” The musical comedy runs July 14 through Aug. 1, in the Dorothy Baker Theatre, Trexler Pavilion for Theatre and Dance.

Telling the story of six adolescent outsiders who compete for the title of Putnam County Spelling Bee champion, “Spelling Bee” won the 2005 Tony Award for Best Book of a Musical and was nominated for Best Musical and Best Score. The New York Times called it “effortlessly endearing.”

The show includes guest spellers from the audience each night, including a “celebrity guest speller” for each performance. Notables will include Allentown mayor Ed Pawlowski, National Public Radio host Neal Conan, and Morning Call columnist Bill White. [A complete list appears below.]

“The show is highly unpredictable,” says Bill Mutimer, the show’s director and choreographer. “On any given night, the direction it goes depends on the guest spellers and the choices that the cast makes. It has a kind of madcap, improvisational energy.

“But at the same time,” Mutimer continues, “the show lets you sympathize with these six vulnerable kids, going through a really tough time in their lives. I mean, who would choose to go back to their middle school days? So it’s awkward and endearing and hilarious, all at once.”

“Spelling Bee” tells the story of six unfortunate pre-teens who try, as spelling bee contestants, to wrench a moment’s dignity from the awkward misery of their pubescent lives. William Barfée — it rhymes with “parfait” — played by Gabriel Martinez, has one working nostril and a magic foot that helps him with his spelling. Leaf Coneybear (Andrew Clark), is the child of hippie parents and doing his best to cope with their low expectations for him. Marcy Park (Jessica Anne Cox) speaks six languages but can’t meet a boy in any of them.

Olive Ostrovsky (Emily Spadaford) is the mousy but courageous young ingenue, whose mom is at an ashram in India, and whose dad is working late as usual. Chip Tolentino (Joe Spiotta) is last year’s champion, struggling with his hormones and his powers of concentration. The pigtailed Logainne Schwartzandgrubenierre (Anna Gothard) is up on current events and burdened by her two dads’ expectations.

“It has been a beautiful process getting in touch with my inner 10-year-old child,” Gothard says. “‘Spelling Bee’ reminds me of the wonderful innocence that children possess — which I forgot I once possessed as well.”

The adults in the room include Vice Principal Douglas Panch (Patrick M. Brady); comfort counselor Mitch Mahoney (Matthew S. Walczer), who consoles those who get the ding; and moderator Rona Lisa Perretti (Traci Ceschin), reliving her own bee glory.

The show features a score by William Finn, Tony Award winner for “Falsettos,” and a book by Rachel Sheinkin. Ken Butler is the musical director for the production, Matthew Allar designs the set, Lex Gurst designs costumes, John McKernon designs lights, and Paul E. Theisen Jr. designs sound. Julia Korzeniewski is the production stage manager.

The celebrity guest spellers for the production are:

– Amy Burkett, host of “Tempo InDepth” and senior vice president of production on PBS39, July 14

 – Randy Helm, Muhlenberg College president, July 15

– Mark Stutz, director of visual and performing arts for the Parkland School District, July 16

– Neal Conan, radio journalist and host of NPR’s “Talk of the Nation,” July 17

– Rebecca Walz, development and public relations director for WDIY-FM, Lehigh Valley community public radio, July 18

– Randall Forte, executive director of the Lehigh Valley Arts Council, July 21

– A.J. Irvin, actor, award-winning New York cabaret performer, and Muhlenberg alumnus, July 22

– Brooks Joyner, Priscilla Payne Hurd president and CEO of the Allentown Art Museum, July 23

– Michael Fegley, director of marketing, Fegley’s Brew Works, July 24

– Joan Barber, actor, singer, and voice teacher — played Katisha in the original 1981 Muhlenberg Summer Music Theatre production of “The Mikado” — July 25

– Sharon Lee Glassman, president of Civic Theatre of Allentown and former Emmaus High School teacher and director, July 28

– Myra Yellin Outwater, Allentown Morning Call theater columnist, July 29

– Ed Pawlowski, mayor of Allentown, July 30

– Ellen Baker Ghelardi, executive director of the Dexter F. and Dorothy H. Baker Foundation, July 31

– Bill White, Allentown Morning Call columnist, Aug. 1.

The show is the second mainstage production of Muhlenberg Summer Music Theatre’s 30th season. The season also features Gilbert and Sullivan’s “The Mikado,” which played June 16 through July 3, and the children’s musical “Schoolhouse Rock Live!” which continues through July 31.

“The 25th Annual Putnam County Spelling Bee” plays July 14 through Aug. 1, Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m. While not explicit, the show does deal in part with the turbulent inner life of the pubescent boy, and so is recommended for ages 10 and up.

Ticket prices for July 14-17 are: regular admission, $32; seniors, $28; full-time students, $18; children, $13. Prices for July 18 through Aug. 1 are: regular admission $38; seniors, $34; full-time students, $20; children, $15.

The Trexler Pavilion is located at 2400 Chew Street, Allentown. 

Tickets are available from the box office, in person or at 484-664-3333,  484-664-3333 or online at http://www.summerbroadway.org.

A Review Of Ragtime

Last evening I again had the pleasure of attending another Main Stage Village Production.  My two friends and I met in the lobby, purchased our tickets and eagerly waited for what was to come.  When the doors opened we made our way into the theatre to find seats.  There was a very good crowd for a Thursday night.  The theatre was ¾ full. 

Village Productions uses general seating, which I prefer.  The seats are arranged in a “u” shape for this production.  We decided to try sitting in a section other than the large straight-on view of the stage area.  We sat on the left side in a section that narrowly stretches along the side wall.  This was good because we were closer to the actors.  Actors came and went directly behind us throughout the performance.  I enjoyed this vantage point because of the opportunity to hear each voice (other than soloists) singing. 

Ragtime certainly speaks to today’s audience.  Many of the struggles this musical addresses are still around.  We still have racism, classism, sexism and immigration issues.  While people may not be as overt in this day and age, these problems still plague our society.  I will caution that racial epithets and cursing are part of the script.  There were some gasps by the audience when they were used.  Let me just say it brings home the point! 

What always amazes me is the lack of lavish sets and props.  The acting draws you in and speaks for itself.  There is just enough to get the job done.  Another wonderful thing about Village Productions is the use of live music.  The orchestra is always first-rate!  No canned music here!  The program lists 14 musicians and a conductor.  Impressive!  Hat tip to Music Director Deborah Stimson-Snow for a job well done! 

The audience is warned that there are simulated gun shots and strobe lights used during the production.  It does help knowing this ahead of time so you aren’t startled!

Ragtime takes place 100 years ago.  Our country was going through a period of enormous change.  New inventions, familial changes, civil rights and work-place struggles all propelled society forward and changed life as we knew it.  America was optimistic about its future and anything seemed possible. 

Ragtime is the best show I have seen thus far at the TriPAC.  The level of performance was inspiring.  The singing was phenomenal.  In my opinion, this was the strongest cast vocally of any musical I have attended there.  The story is compelling and the characters are well developed.  The audience becomes emotionally involved.  Ragtime Director, Neal Newman gets a RoysRants gold star for an outstanding job!

Normally I list stand-out performances in my review.  All the actors are deserving of high praise for their performances.  Everyone was playing their “A” game last night.  There are a few people I would like to mention: 

Julie Eurillo delivered a brilliant performance as Mother.  A gorgeous voice with tremendous control!

Bill Kiesling’s portrayal of Father was on the money.  Bill captured the essence of the “privileged white man” of this era and also delivered a strong vocal performance.

Gary Giles, who we came to greatly admire in The Wiz, put every fiber of his being into portraying Coalhouse Walker.  Gary has a soulful voice and is an amazing actor.

Chartel Findlater was riveting as Sarah.  Chartel’s depth of emotion, coupled with her stunning voice, was perfect for this pivotal role. 

Gregory Kasander delivered an emotionally charged performance as Younger Brother.  We knew Gregory could act after seeing him in Noises Off.  In this performance we were equally impressed with his singing ability. 

Carly Crowley was awesome in her role as Evelyn Nesbit.  Evelyn was the Paris Hilton of her day…famous for being famous.  Carly delivered some much-needed comic relief, perfectly captured her character’s eccentricities and gave a strong vocal performance. 

Ben Fried as Tateh was another superb casting decision.  Ben’s performance was believable and we felt his pain.  Ben was also vocally outstanding. 

The funniest thing I have seen in a long time was Act II, Scene 2: The Polo Grounds.  Father takes Little Boy to his first baseball game.  He tells Little Boy what a noble game baseball is.  When they arrive, it is anything but.  I laughed until I cried during What a Game!

I would urge you to take advantage of this opportunity while it is still playing.  Executive Director, Marta Kiesling and her staff are to be commended for providing such high-caliber entertainment to the Greater Pottstown area.  We give this production a RoysRants two thumbs up! 

Ragtime is playing until June 20th at the Tri-County Performing Arts Center, 245 E. High Street in downtown Pottstown.

For dates, times, ticket information and purchases:

Voice: 610-970-1199

Internet: http://www.tripac.org

Ragtime Opens Tonight At The Tri-County Performing Arts Center, Downtown Pottstown

RAGTIME (June 3-20, 2010)
Thursday – 7:30 pm
Friday – 8:00 pm
Saturday – 8:00 pm
Sunday – 3:00 pm
ADULT: Thurs $19; Fri, Sat & Sun $23
STUDENT/SENIOR(65+): Thurs $17; Fri, Sat, Sun $21
CHILD (12 & under): Thurs $13; Fri, Sat & Sun $15
$2 off per ticket for groups of 10 or more!

http://www.villageproductions.org/Ragtime.html

A Review Of HONK!

The weather played havoc with schedules this weekend here in Southeastern PA.  I had tickets for the Saturday evening performance of Honk! at Pottstown’s Tri-County Performing Arts Center but the show was cancelled.  Fortunately, the tickets were honored at Sunday’s matinee!

That being said, there is no review of Henry’s as our plans changed due to inclement weather.

So my two friends and I trudged through the snow to see Honk! Sunday afternoon at 3 pm.  The theatre was 2/3 full.  The crowd was enthusiastic and appreciative.  A mixture of all ages.  We started a few minutes late and after the usual announcements the show began.

The set was once again well designed.  Simple, yet functional and appropriate.  The music was live (great orchestra) and the lighting and effects were also excellent.

Honk! is based on the fairy tale of the Ugly Ducking by Hans Christian Anderson and was turned into a musical production.  Honk! was named Winner Best Musical of 2000 Oliver Award, and winner of FNB VITA Awards in South Africa.  Honk! is now performed all over the world.

The performance ran 2 1/2 hours with a 15 minute intermission between the Act I and Act II.  Again, the seats at the TriPAC are comfortable which really helps!!

The cast was very large, talented and included many children as well as adults.

Everyone did an excellent job but IMHO the stand-out performances were as follows:

Ugly aka Marc Sherfield did an outstanding job in the lead role.  He made Ugly come alive.  His acting and singing skills were first rate.  He was wonderful as the Tin Man in the Wiz, but I felt he did an even better job in this role.  Thank you Marc for a superb performance!

Ida aka Denise Webb was perfectly suited to be the mama duck.  Her performance was genuine and her vocal skills were first rate.  Denise graduated from West Chester University with a degree in Music Education.  West Chester’s music program is excellent and Denise did them proud!

Cat aka David Wrigley was my favorite character.  David recently graduated from Muhlenberg College.  Muhlenberg has a nationally ranked theatre program which I have experienced first hand (see my Bat Boy The Musical Review).  I think casting David as Cat was genius.  His performance was purrfectly awesome.  I would have to say David is the total package for musical theatre.  Looking forward to seeing David in something else at the TriPAC or in the area.

Lowbutt aka A.J. Giruzzi was beyond hysterical as the rooster.  He had all the right moves and was hands down the funniest character.  My friend laughed so hard during the Together scene she had a coughing fit.

Queenie aka Krista Knight was perfectly matched to A.J. Giruzzi.  Their character’s were BFF’s and we had no trouble believing that.  Their voices blended beautifully and they played off of each other to perfection.  Again, great casting decisions!  Two very talented actors!

Lastly, Michael Tunney as Greylag and Deborah Stimson-Snow as Dot were also quite funny.  Great chemistry between them!

Hats off to Village Productions for another outstanding event!  If you live in the Greater Pottstown area and have not yet attended a show at the TriPAC, I would highly recommend checking them out.  Save yourself the trip into Philadelphia to see high quality theatre.  Take advantage of what is in your own backyard!

To check out upcoming events:

http://www.tripac.org

Voice: 610-970-1199

The performing arts center is located at 245 E. High Street in downtown Pottstown.