‘Wig Out!’ At Muhlenberg

Allentown, PA — Muhlenberg College takes a stroll down the runway and into drag ball culture, as the Muhlenberg Theatre & Dance Department presents Tarell Alvin McCraney’s “Wig Out!,” March 30 – April 2. Rarely produced since its 2008 premiere, “Wig Out!” offers an outlandish and high-style glimpse into the tight-knit world of Harlem drag balls. Muhlenberg theater professor Troy Dwyer directs.

“I’m not sure we’ve ever seen anything quite like this on our stage,” Dwyer says. “It’s going to be an extremity of design — and a leap-of-faith undertaking for the department. It’s also an opportunity to accommodate our population of truly gifted students of color, who aren’t just actors, but a variety of theater-making artists.”

“Wig Out!” focuses on the intense personal connections of  “houses,” the family units at the heart of drag culture — families that typically include a mother, a father, and a group of “children,” while also upending traditional nuclear family roles in favor of something richer and more complex. At the core of “Wig Out!” is the fictional House of Light, with mother Rey-Rey (Cameron Silliman) and father Lucian (Alan Mendez).

“’Wig Out!’ is a quick Alice in Wonderland trip into this topsy-turvy world that’s nothing like ours but very much like ours,” McCraney says. “One of my professors who saw the original run said, ‘I have no idea what’s going on, but it’s the most fun I’ve ever had.’”

Drag balls trace their roots to Harlem in the 1860s, flourishing during the Harlem Renaissance of the 1920s and ’30s. Today’s drag ball culture took shape in the 1960s, as black drag queens began hosting predominantly black drag events. In 1990, the drag scene achieved mainstream recognition with the release of the documentary film “Paris Is Burning,” along with pop star Madonna’s drag-inspired hit “Vogue.” The balls themselves are extravagant competitions, in which contestants “walk” and are judged on a specific set of criteria, including the “realness” of their drag, their movement and dance abilities, and their fashion choices.

“What I think is so vital about ‘Wig Out!’ is that it not only makes visible sides of queer culture that aren’t typically part of mainstream culture,” Dwyer says. “It shines a more inclusive light than, say ‘RuPaul’s Drag Race,’ which is about the extent of many people’s familiarity with drag culture.”

“Wig Out!” was first produced at the Off-Broadway Vineyard Theatre in New York City, and the same year at the Royal Court Theatre in London. It has been fully produced only once since, in any venue.

Playwright McCraney’s film “Moonlight” received 2017 Academy Awards for Best Picture and Best Adapted Screenplay. The film was written by McCraney and director Barry Jenkins, based on McCraney’s unpublished semi-autobiographical play. McCraney was also recently appointed chair of playwriting at the Yale School of Drama, beginning in July. His plays have been produced by Steppenwolf Theatre, Manhattan Theatre Club, and the Royal Shakespeare Company, among others.

McCraney got together with the Muhlenberg production’s cast and creative team in February, via Skype. He shared some insights, answered questions, and engaged with the actors’ responses to the play.

Dwyer has surrounded himself with an accomplished creative team — which he says has somewhat allayed his concerns as a white director about taking artistic leadership of this project, in which most of the characters are people of color.

“What feels risky to me is making sure my white male privilege doesn’t upstage the heart of the story,” Dwyer says. “I was committed to having the story told, thinking it was probably okay for me to be a creative leader, but not by myself. I’m so fortunate to have some really brilliant, passionate artists of color around me, who are significant creative leaders on the piece.”

The production team includes managing dramaturg Dr. Sharrell Luckett, a Muhlenberg theater professor; accomplished costume designer Andy Jean; and Broadway wig and hair designer Bobbie Zlotnik. Samuel Antonio Reyes, who choreographed last summer’s acclaimed Muhlenberg Summer Music Theatre production of “In the Heights,” and a veteran of the ballroom scene himself, has created the show’s extensive choreography.

The show also features makeup design by Joe Dulude II, who designed make-up for the Tony Award-winning Broadway productions of “Wicked” and “Beautiful: The Carole King Musical.” Dulude is the Baker Artist-in-Residence for the 2016-17 academic year, thanks to a grant from the Dexter F. & Dorothy H. Baker Foundation. He says his own involvement in the drag scene heavily influences his approach to the work.

“My drag is often about playing with the masculine and feminine,” Dulude says. “Since my own experiences in drag and working with other drag queens is so diverse, that’s what I’m bringing to the show: not just one style of drag but a combination of styles.”

Muhlenberg Junior Evan Brooks, who plays Ms. Nina/Wilson, one of the children of the House of Light, says the production is a vital performance opportunity for theater students at Muhlenberg.

“At this moment in our nation’s history, being able to participate in this production is nothing less than a gift,” Brooks says. “I think it’s essential to provide theatrical and educational experiences for under-represented artists, who aren’t acknowledged in the same way as majority-identifying students — and that’s what the production is doing.”

Dwyer says the show’s second act will feature a drag ball performance for which audience members will be invited onstage to serve as the crowd for the ball. The production also will feature a lobby display about the history of drag, coordinated by Luckett, and a uniquely interactive intermission.

“We want the audience to leave with an appreciation for drag culture, in all its spectacular diversity,” Dwyer says. “The mainstream gets an exceptionally narrow version of queer culture, when they get any version at all — and often it comes at the expense of other, more marginalized versions. We want to broaden their horizons a bit.”

“Wig Out!” plays March 30 – April 2. Showtimes are Thursday through Saturday at 8 p.m. and Sunday at 2 p.m. Regular admission tickets are $15. Tickets for youth and LVAIC students and staff are $8. The production is recommended for mature audiences.

Tickets and information are available online at muhlenberg.edu/theatre or by phone at 484-664-3333. Performances are in the Baker Theatre, Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.

Founded in 1848, Muhlenberg College is a highly selective, private, four-year residential college located in Allentown, Pa., approximately 90 miles west of New York City. With an undergraduate enrollment of approximately 2,200 students, Muhlenberg College is dedicated to shaping creative, compassionate, collaborative leaders through rigorous academic programs in the arts, sciences, business, education and public health. A member of the Centennial Conference, Muhlenberg competes in 22 varsity sports. Muhlenberg is affiliated with the Evangelical Lutheran Church in America.

Muhlenberg offers Bachelor of Arts degrees in theater and dance. The Princeton Review ranked Muhlenberg’s theater program in the top twelve in the nation for eight years in a row, and Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

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Allentown Police Hire New Officers, Implement New Training

The PPL Building (seen here in the distance) i...

The PPL Building (seen here in the distance) is the tallest building in Allentown, Pennsylvania. (Photo credit: Wikipedia)

The Allentown Police Department added four new officers on Wednesday, as the police chief described for city officials new training and equipment the force has been implementing.

In the last few months the department has appointed its first liaison for the gay and lesbian community, and added training in Spanish language, emergency vehicle usage and riot policing.

The department has also received a $68,000 grant for the installation of audio and video equipment in 10 police cars, something Chief Joel Fitzgerald hopes will be implemented in all the city’s marked police cars.

“It’s a tremendous benefit for both the community, as well as cops because it insulates them from claims that might not be true,” he said.

Read more: http://www.lehighvalleylive.com/allentown/index.ssf/2014/09/allentown_police_hire_new_offi.html#incart_river

‘Duck Dynasty’ Dad Preached About Gays At Pottstown Church

Map of Pennsylvania highlighting Montgomery County

Map of Pennsylvania highlighting Montgomery County (Photo credit: Wikipedia)

As the Duck Dynasty family was warning it might pull out of the show after patriarch Phil Robertson was suspended from anti-gay remarks in GQ, videos of him preaching similar thoughts at a Pottstown church have surfaced.

In the 2010 videos, Robertson was preaching at a Wild Game dinner at the Berean Bible Church. During the roughly hour-long talk, he weighed in on the immorality of gays, indicating they are experiencing God’s wrath. He also spoke on a range of issues, including his famed duck calls, Terry Bradshaw as his backup quarterback in college, and that he doesn’t believe in evolution.

No one at the Berean Bible Church, which was preparing for its Nativity Scene, was available to comment this morning. The videos were recorded before the Duck Dynasty show began airing.

Meanwhile, it was unclear if the show will continue on A&E.

Read more at http://www.philly.com/philly/news/Videos_Duck_Dynasty_preached_anti-gay_remarks_at_Pottstown_church.html#fEAAMgd0qIcUdyRd.99

Lebanon, Pa. Pastor Appeals Defrocking Over Gay Wedding

Map of Pennsylvania highlighting Lebanon County

Map of Pennsylvania highlighting Lebanon County (Photo credit: Wikipedia)

PHILADELPHIA (AP) — A United Methodist pastor defrocked for officiating at his son’s same-sex wedding has appealed the decision, a move that offered the latest evidence of a split in the nation’s largest mainline Protestant denomination and came as yet another state legalized gay marriage.

Frank Schaefer, who lives in central Pennsylvania, said he was shocked and upset that he could be punished for showing love for his son. He said he believed the penalty was meted out reluctantly by members of the church’s regional.

“So many of them came to me and they shook my hand and some hugged me, and so many of them had tears in their eyes,” Schaefer said. “They said, ‘We really don’t want to do this, you know that, don’t you?’”

Most other Protestant denominations have decided their position on the issue. But the Methodists, with about 7.7 million members in the U.S. and many more overseas, remain divided. At their last national meeting in 2012, delegates reaffirmed the church’s 40-year-old policy on gays.

Read more: http://www.timesherald.com/general-news/20131220/lebanon-pa-pastor-appeals-defrocking-over-gay-wedding