‘Master Choreographers,’ Feb. 11-13 At Muhlenberg College‏

Allentown, PA — This season’s “Master Choreographers” concert at Muhlenberg College will feature restagings of three major works by world-renowned choreographers and four world-premiere works by faculty and guest artists. Presented Feb. 11-13 in the college’s Empie Theatre, the annual concert by the college’s nationally recognized Dance Program will feature more than 70 dancers.

The concert will feature restagings of “Ligeti Essays,” choreographed by Karole Armitage; “Songs of the Disinherited,” choreographed by Donald McKayle; and “To Have and To Hold,” choreographed by Shapiro & Smith Dance.

The concert will also feature world-premiere works by Karen Dearborn, Jeffrey Peterson, Heidi Cruz-Austin, and Shelley Oliver.

Karole Armitage is the artistic director of the New York-based Armitage Gone! Dance Company. Known as the “punk ballerina,” her performance credits include the Ballet du Grand Théâtre de Genève, Switzerland, and leading roles in Merce Cunningham’s landmark works. Armitage has choreographed two Broadway productions (“Passing Strange” and “Hair,” which garnered her a Tony Award nomination), videos for Madonna and Michael Jackson, several Merchant-Ivory films, and Cirque du Soleil’s 2012 tent show “Amaluna.”

“Ligeti Essays” is “breathtaking, providing a pristine setting for Ms. Armitage’s partially frozen world,” according to the New York Times. “As the lighting gently shifts from light to dark, the stage takes on the look of a remote, icy pond in the middle of a dream.” The piece is presented with funding from the Dexter F. & Dorothy H. Baker Foundation. The Baker Foundation has sponsored Muhlenberg’s Baker Artist in Residence program every year since 1992.

Donald McKayle has been named by the Dance Heritage Coalition “One of America’s Dance Treasures: the First 100.” He has choreographed more than 90 works for dance companies in the United States, Canada, Israel, Europe and South America, and has received five Tony Award nominations for his work in musical theater.

“Songs of the Disinherited,” originally choreographed in 1972 for the Inner City Repertory Dance Company of Los Angeles, is one of McKayle’s heritage masterworks. Dance critic Madeleine Swift calls the piece “a finely wrought suite of the enduring human heart that reaches out to others and up to God in its despair and joy… The movement is so specific and true to its theme that it breaks your heart and mends it again.”

Shapiro and Smith Dance began as a collaboration between Danial Shapiro and Joanie Smith after meeting in the companies of Murray Louis and Alwin Nikolais. The company has a reputation for performing tales of beauty and biting wit that run the gamut from searingly provocative to absurdly hilarious. Dancing with breathtaking physicality and emotional depth, they have earned an international reputation for virtuosity, substance, craft, and pure abandonment.

Described as a “genuine treasure,” “To Have and To Hold,” has become one of the company’s signature works since its premiere in 1989. “The piece is zestily acrobatic and eerily haunting, by turn,” according to the Seattle Times. “It’s a meditation on revelry, peril and loss. Choreographers Danial Shapiro and Joanie Smith created it when the ravages of the AIDS epidemic were at their most intense, and that may explain some of its power.”

This year’s edition of “Master Choreographers” also will feature four world premiere pieces by Muhlenberg faculty and guest artists.

Karen Dearborn, the concert’s artistic director and the director and founder of Muhlenberg’s dance program, has created a new, all-male piece that incorporates aerial acrobatics. The concert will also feature a new ballet by Heidi Cruz-Austin, alumna of the Pennsylvania Ballet; a tap piece by Shelley Oliver, director of Shelley Oliver Tap Dancers; and a modern piece by Jeffrey Peterson, former dancer with Danny Buraczeski’s Jazzdance.

“Master Choreographers” will be performed Thursday, Feb. 11, and Friday, Feb. 12, at 8 p.m.; and Saturday, Feb. 13, at 2 and 8 p.m. Tickets are $15 for adults and $8 for patrons 17 and under. Performances are in the Empie Theatre, in the Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown. Information and tickets are available at 484-664-3333 or http:///www.muhlenberg.edu/dance

Founded in 1848, Muhlenberg is a highly selective, private, four-year residential college located in Allentown, Pa., approximately 90 miles west of New York City. With an undergraduate enrollment of approximately 2200 students, Muhlenberg College is dedicated to shaping creative, compassionate, collaborative leaders through rigorous academic programs in the arts, sciences, business, education and public health. A member of the Centennial Conference, Muhlenberg competes in 22 varsity sports. Muhlenberg is affiliated with the Evangelical Lutheran Church in America.
Muhlenberg offers Bachelor of Arts degrees in theater and dance. The Princeton Review ranked Muhlenberg’s theater program in the top twelve in the nation for eight years in a row, and Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

Choreographer Bios

Karole Armitage is the artistic director of the New York-based Armitage Gone! Dance Company, founded in 2004. She was rigorously trained in classical ballet and began her professional career as a member of the Ballet du Grand Théâtre de Genève, Switzerland (1973-1975), a company devoted exclusively to the repertory of George Balanchine. In 1976, she was invited to join Merce Cunningham’s company, where she remained for five years (1975-1981), performing leading roles in Cunningham’s landmark works. Throughout the 1980s, she led her own New York-based dance company, The Armitage Ballet. She set new works on companies including the Bolshoi Ballet in Moscow, the Ballet de Monte Carlo, Lyon Opera Ballet, Ballet Nacional de Cuba, The Washington Ballet, Alvin Ailey American Dance Theater, The Kansas City Ballet, The Greek National Company, The Bern Ballet and Rambert Dance Company. Armitage served as Director of the 45-memeber MaggioDanza, the Ballet of Florence, Italy (1996-2000), the Biennale of Contemporary Dance in Venice (2004), and as resident choreographer for the Ballet de Lorrine in France (2000-2004). After her company’s successful season at the Joyce in 2004, Armitage’s focus shifted to creating her New York-based company, Armitage Gone! Dance. Armitage has choreographed two Broadway productions (“Passing Strange” and “Hair,” which garnered her a Tony nomination), videos for Madonna and Michael Jackson, several Merchant-Ivory films and Cirque du Soleil’s 2012 tent show, “Amaluna.” In 2009, she was awarded France’s most prestigious award, Commandeur dans l’orde des Arts et des Lettres. She is the 2012 recipient of the prestigious artist-in-residence grant at the Chinati Foundation, founded by artist Donald Judd in Marfa, Texas. She has directed operas from the baroque and contemporary repertoire for prestigious houses of Europe, including Teatro di San Carlo in Naples, Théâtre du Châtelet in Paris, the Lyric Opera in Athens, Het Muzik Theater in Amsterdam. She choreographed “The Cunning Little Vixen” in 2011 and “A Dancer’s Dream” in 2013 for the New York Philharmonic and provided choreography for “Marie Antoinette,” by playwright David Adjmi, at the American Repertory Theater Harvard and Yale Repertory Theater.

Donald McKayle has been named by the Dance Heritage Coalition “One of America’s Dance Treasures: the First 100.” He has choreographed over 90 works for dance companies in the United States, Canada, Israel, Europe, and South America. The Alvin Ailey American Dance Theater, Cleo Parker Robinson Dance Ensemble, Ballet San Jose Silicon Valley, Dayton Contemporary Dance Company, and Lula Washington Dance Theatre serve as repositories for his works. He is artistic mentor for the Limón Dance Company. Five Tony nominations have honored his choreography for Broadway musical theater. In dance he has received the Capezio Award, Samuel H. Scripps/American Dance Festival Award, American Dance Guild Award, Living Legend Award from the National Black Arts Festival, Heritage Award from the California Dance Educators Association, two Choreographer’s Fellowships from the National Endowment for the Arts, Dance/USA Honors, Irvine Fellowship in Dance, and the 2004 Martha Hill Lifetime Achievement Award, among others. In April 2005, Donald McKayle was honored at the John F. Kennedy Center in Washington, D.C., and presented with a medal as a Master of African American Choreography. For his work in education, he has earned the Balasaraswati/Joy Ann Dewey Beinecke Endowed Chair for Distinguished Teaching, UCI’s Distinguished Faculty Lectureship Award for Research, and he is a recipient of the UCI Medal, its highest honor.  He has received honorary Doctorate Degrees from: Cornish College of the Arts, the Juilliard School, and from CalArts. His autobiography, “Transcending Boundaries: My Dancing Life,” was honored with the Society of Dance History Scholar’s De La Torre Bueno Prize. A television documentary on his life and work, “Heartbeats of a Dance Maker,” was aired on PBS on stations throughout the United States.

Shapiro & Smith Dance began in 1985 as a collaboration between Danial Shapiro and Joanie Smith. After meeting in the companies of Murray Louis and Alwin Nikolais, they went on to create their first choreography during a Fulbright Lectureship in Helsinki, Finland. Since then Shapiro and Smith’s blend of contemporary dance and dramatic theater has elicited enthusiastic receptions across the U.S., Europe, Asia and Canada. The Company has been presented by major festivals and venues including the Joyce Theater, Lincoln Center Out-of-Doors, Dance Theater Workshop, St. Mark’s DanSpace Project, PS 122, Festival di Milano, Teatro de Danza in Mexico City, Recklinghausen RuhrFestSpiele, and the Korean International Festival. Danial Shapiro died of complications from prostate cancer in 2006 and now Joanie Smith continues as sole Artistic Director.

Heidi Cruz-Austin is an alumna of the Pennsylvania Ballet, and she has danced featured roles in works by choreographers ranging from Alvin Ailey to George Balanchine. In addition to dancing with Pennsylvania Ballet, Cruz-Austin has performed with the Philadelphia-based company Ballet X and as a guest artist throughout the United States and Europe. As a choreographer, Cruz-Austin was a winner for the 2003 Ballet Builders showcase in New York City. She has been commissioned to create works for Franklin and Marshall College, Bryn Mawr College, Repertory Dance Theater, and Ballet D’errico, and she was a recipient of the 2004-2005 New Edge Residency at The Community Education Center of Philadelphia.

Karen Dearborn has choreographed more than 70 works in concert, theater, and musical theater, including national tours of the Tony Award-winning National Theatre of the Deaf and several Equity theatres. She has provided choreography for the Muhlenberg theater productions of “On the Town,” “The Pajama Game,” “Oklahoma!,” “Urinetown,” and “West Side Story,” and Muhlenberg Summer Music Theatre productions of “Hairspray,”  “The Sound of Music,” “The Who’s Tommy,” and “Oliver!” to name just a few. Dearborn is the founding director of Muhlenberg’s dance program. Her scholarly research has been published in the Journal of Dance Education, and she contributed an essay to the book “Performing Magic on the Western Stage.” She serves on the executive board of the American College Dance Festival Association.

Shelley Oliver is a Canadian-born tap dancer, choreographer, and educator. She has appeared internationally with some of the legends of the tap world. She is the artistic director of The Shelley Oliver Tap Dancers currently touring with the David Leonhardt Jazz Group throughout the northeast. Oliver is a founding member of Manhattan Tap and served as a co-artistic director and choreographer with the company. She has toured in concert halls in Europe, China, the Caribbean, Canada, and the United States. She has performed with Savion Glover, Gregory Hines, Jimmy Slide, Buster Brown, Jimmy Slide, and Chuck Green. Oliver’s television appearances include “Tap Dance in America” with Gregory Hines and “Star Search.” On faculty at Muhlenberg College, she directs the Muhlenberg Jazz Tap Ensemble, providing community outreach in the Allentown area. Ms. Oliver has produced a series of “Tap Music For Tap Dancers” CDs that have become a standard pedagogical tool in the tap dance world. She is the recipient of the 2009 Outstanding Dance Educator award for the Lehigh Valley Dance Consortium.

Jeffrey Peterson serves as an assistant professor of dance at Muhlenberg College, where he teaches modern, jazz, and partnering techniques. He holds a Master of Fine Arts degree from New York University’s Tisch School of the Arts. Peterson began his professional dance career in national tours with JAZZDANCE by Danny Buraczeski in 2000. Since then, he has performed in the work of Clare Byrne, Edisa Weeks, and Mathew Janczewski, as well as Stephan Koplowitz’s “Grand Step Project,” and the Minnesota Opera’s production of “The Pearl Fishers” with choreography by John Malashock. His choreographic work for Jeffrey Peterson Dance has appeared at Joe’s Pub, Joyce SOHO, and Dixon Place in New York City, The Minnesota Fringe Festival, Intermedia Arts, and Bryant Lake Bowl in Minneapolis, and in “The Cloth Peddler” at the Dorothy Chandler Pavilion in Los Angeles. Peterson’s choreography has appeared in the concert repertory of numerous university dance programs. His ongoing creative work includes choreographic projects, colorguard and visual consultation for the Govenaires Drum and Bugle Corps, and sound design.

Inclusive Arts – Calendar of Accessible Events for September‏ (Lehigh Valley)

You can read an article titled “Disabilities Don’t Define Who People Are” https://lvartscouncil.wordpress.com/2015/08/17/disabilities-dont-define-who-people-are/

DANCE FOR PD WORKSHOP
September 15, 2015
Williams Center for the Arts
6:30pm – 7:45pm
Presented by Lafayette College

This community class led by Mark Morris dancers is designed for people with PD, caregivers, dance teachers, and other community members. Expect demo and movement class, with a Q&A at the end. Participants are empowered to explore movement and music in ways that are refreshing, enjoyable, stimulating, and creative. Free, reservations required 610-330-5203 or prentick@lafayette.edu.
Handicap Access • Cognitive Health

WOVEN WELCOME: MAKING COMMUNITY
Now through October 11, 2015
Allentown Art Museum
Open museum hours
A community-based art project that utilizes weaving as a way to connect community members through the creative process. Entrance and participation are free.
Handicap Access • Cognitive Health

ACCESSIBLE ART: PHASE II TACTILE DESCRIPTION
Now through June 1, 2017
Zollener Arts Center
Open gallery hours
Presented by Lehigh University Art Galleries & Museum
Teaching Collection of multiple artists’ work in Audio Description and Tactile Description (3-D image to touch) for the visually impaired. Gallery hours: Wed-Sat 11am-5pm; Sun 1-5pm; Closed Mon-Tues.
Handicap Access • Blind & Low-Vision • Audio Description

ARTIST IN RECOVERY – MONTHLY ART EXHIBITIONS
September 15, 2015
Recovery Partnership
1:00pm – 3:30pm
Featuring artists who express their journey with mental health. Held every third Thursay. Free.
Handicap Access • Mental Health

SPECIAL NEEDS ART CLASSES
Every Saturday in September
The Art Establishment Studios
1:30pm – 3:30pm
Open to school-aged people, these classes will be taught by Carol Parker, artist and Liberty High School Special Ed teacher. Classes are $20, which inludes all materials. Book early, they fill fast! 610-807-9201.
Handicap Access • Cognitive Health • Sensory Friendly

LECTURE & PRESENTATION – BEN YORGEY FOUNDATION
September 12, 2015
America On Wheels
11:30am
Presenter from the Ben Yorgey Foundation, a nonprofit organization that raises funds for graduating high school students with intellectual disabilities across Lehigh Valley and beyond.
Handicap Access • Cognitive Health • Sensory Friendly

RAKER LECTURE SERIES – CPL. DANIEL LASKO, AMPUTEE & ATHLETE
September 29, 2015
Muhlenberg College
7:30pm
Presented by Good Shepherd Rehabilitation Network

Presentation by Daniel Lasko, retired Marine corporal, accomplished athlete, and member of Wounded Warrior Amputee Football Team.
Handicap Access • American Sign Language Interpreted

“PATIENT VOICES” FILM SHOWING & TRAINING
September 27, 2015
Civic Theatre of Allentown
10:00am – 11:30am
The sccreening of “Patient Voices,” an informational video teaching disability etiquette, will help professionals, staff, and volunteers better serve people with disabilities.
Handicap Access • Cognitive Health • Sensory Friendly

Lehigh Valley Arts

Muhlenberg Theatre & Dance 2015-2016 Season‏

ALLENTOWN, PA — Muhlenberg College’s nationally-ranked Theatre & Dance Department announces its 2015-2016 mainstage season. Highlights include works ranging from James Joyce’s “Ulysses” to 18th commedia dell’arte; a biannual festival of student-written plays; and production of the musical theatre classic “Chicago.”

The season features six fully mounted theatrical productions and three mainstage dance concerts, running from September 2015 to April 2016.

“This exciting season features the new and the newly imagined,” says Beth Schachter, chair of the department. “We are presenting world premieres and fresh versions of classics, spanning international topics and American issues through comedic and serious projects.”

The season begins with “New Voices,” Sept. 30 through Oct. 4, a new-play festival featuring the work of current Muhlenberg students. The festival features four world premiere short plays, with Schachter serving as artistic director.

The old razzle dazzle of John Kander and Fred Ebb’s electrifying Jazz Age musical “Chicago” comes to the Muhlenberg stage for the first time ever, Oct. 30 through Nov. 8. Directed by theatre program director Charles Richter, “Chicago” is a scintillating tale of greed, murder, showbiz — and all that jazz.

“Moving Stories,” Nov. 12-14, features original choreography by the department’s upperclass dance majors, in a variety of genres and styles. The concert showcases dance as storytelling, narration in human form, addressing themes as broad ranging as the students’ own diverse backgrounds. Karen Dearborn serves as artistic director.

Carlo Goldoni’s classic 1746 comedy “Servant of Two Masters” finishes the fall schedule, Dec. 3-6, directed by Muhlenberg faculty member Francine Roussel. Presented in the classic tradition of the Italian Renaissance, the play features stock characters of the commedia dell’arte style, wearing traditional-style masks and costumes.

“Master Choreographers,” Feb. 6-8, with artistic direction by Karen Dearborn, features eight works by faculty and guest artists, including a piece by renowned choreographer Karol Armitage, sponsored by the Dexter F. & Dorothy H. Baker Foundation. Also included will be works by Shelley Oliver, Heidi Cruz-Austin, Jeffrey Peterson, and program chair Karen Dearborn.

The “New Visions” Directors’ Festival, Feb. 24-28 will feature three short plays directed by senior Muhlenberg directing students: “Terrible Beautiful Bodies,” by Muhlenberg alumni Ben Nassau and Moriah Benjoseph; “Hello Out There,” by William Saroyan; and “The Exception and the Rule,” by Bertolt Brecht.

“Dance Emerge,” April 21-24, showcases the ideas and talents of our brightest young choreographers. The intimate Dance Studio Theatre is the backdrop for innovative, explorative dance pieces. Jeffrey Peterson serves as artistic director.


The Muhlenberg Circus Workshop now in its third year, will present an evening of contemporary circus in the college’s Studio Theatre, April 21-24. The Workshop’s performances combine the talents of aerialists, acrobats, jugglers, dancers, actors and other skilled artists in an evening of interactive and energetic performances.

A portion of James Joyce’s classic novel “Ulysses” is adapted for the stage in “Ulysses in Nighttown,” April 28 – May 1. Directed by theatre professor James Peck, the play tackles the rich language of Joyce’s esoteric 1922 novel — in particular, Episode 15, the “Circe” episode, taking place in Nighttown, Dublin’s red-light district.

The mainstage performance series is produced by Muhlenberg College’s acclaimed Theatre & Dance Department, The Princeton Review consistently ranks Muhlenberg’s production program in the top 20 in the nation, including a No. 6 ranking in its current college guide. The Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States.

Tickets and information: 484-664-3333 or http://muhlenberg.edu/theatre&dance. Discounts are available for packages of four or more productions.

Founded in 1848, Muhlenberg is a highly selective, private, four-year residential college located in Allentown, Pa., approximately 90 miles west of New York City. With an undergraduate enrollment of approximately 2200 students, Muhlenberg College is dedicated to shaping creative, compassionate, collaborative leaders through rigorous academic programs in the arts, sciences, business, education and public health. A member of the Centennial Conference, Muhlenberg competes in 22 varsity sports. Muhlenberg is affiliated with the Evangelical Lutheran Church in America.

Upcoming Performances In The Lehigh Valley

UPCOMING PERFORMANCES

REPERTORY DANCE THEATRE presents:

March 7, 2015 | 4:00 pm @ Scottish Rite Cathedral
Cinderella


BACH & HANDEL CHORALE presents:

April 11, 2015 | 3:00 pm @ Zion U.C.C. of Lehighton
The Bach and Handel Easter Concert


CHAMBER MUSIC SOCIETY OF BETHLEHEM presents:

February 13, 2015 | 7:30 pm @ Foy Hall
Auryn Quartet

March 13, 2015 | 7:30 pm @ Foy Hall
Vienna Piano Trio


PENNSYLVANIA SINFONIA ORCHESTRA presents:

March 22, 2015 | 4:00 pm @ Christ Lutheran Church, Allentown
An Afternoon with Mozart


MORAVIAN COLLEGE MUSIC INSTITUTE presents:

February 14, 2015 | 7:30 pm @ Peter Hall
Chamber Music from Old Japan – SATORI East

February 16, 2015 | 7:30 pm @ Foy Hall
Dame Evelyn Glennie, percussion

February 20, 2015 | 7:30 pm @ Peter Hall
Faculty Recital, featuring: “Dueling Sopranos”

February 22, 2015 | 7:00 pm @ Foy Hall
Moravian College Community Orchestra, featuring: Jeffrey Biegel

February 27, 2015 | 7:30 pm @ Foy Hall
Moravian College Wind Ensemble, “Harmony & Conflict”

March 22, 2015 | 7:00 pm @ Foy Hall
Moravian College Jazz Combo II & Jazz Fusion

March 22, 2015 | 4:00 pm @ Peter Hall
Moravian College Early Music Ensembles

March 29, 2015 | 7:00 pm @ Peter Hall
Celtic Ensemble & Guitar Ensemble

March 29, 2015 | 4:00 pm @ Peter Hall
Delta Omicron Presents: “Hey Old Friends” Alumni Concert


Muhlenberg College ‘Master Choreographers’ Dance Concert Displays Talents Of Acclaimed Choreographers, More Than 60 Dancers

Allentown, PA — The Muhlenberg College dance program will showcase world premiere works by eight accomplished choreographers in its annual “Master Choreographers” concert, Feb. 5-7. The concert features a diverse selection of styles and genres, ranging from classical ballet to contemporary jazz, modern dance, and tap accompanied by live jazz music.

This season’s concert will feature “Prayers,” choreographed by guest artist Jessica Lang, the recipient of a prestigious 2014 Bessie Award, as well as seven world-premiere pieces choreographed by acclaimed guest artists and faculty members.

Karen Dearborn, founder and chair of Muhlenberg’s dance program, will receive the Distinguished Service Award from the LVAIC Dance Consortium following the performance on Thursday, Feb. 5. Dearborn is the concert’s artistic director and one of the featured choreographers.

“This concert presents a spectacular evening of dance,” Dearborn says. “We are thrilled to showcase choreography by Jessica Lang, along with new works by internationally acclaimed guest artists and faculty.”

In addition to Lang and Dearborn, the concert will feature works by: Danish choreographer Charlotte Boye-Christensen; Corrie Franz Cowart, co-artistic director of Co-Art Dance; Heidi Cruz-Austin, alumna of the Pennsylvania Ballet; Dorrell Martin, founder of LEON Dance Arts NY; Shelley Oliver, director of Shelley Oliver Tap Dancers; and Jeffrey Peterson, former dancer with Danny Buraczeski’s Jazzdance.

The Dance Consortium is a collaborative effort of the Lehigh Valley Association of Independent Colleges (LVAIC), created to pool resources to bring world-class performers and choreographers to the Lehigh Valley. Now in its 40th year, the Dance Consortium includes Cedar Crest College, DeSales University, Lafayette College, Lehigh University, Moravian College, and Muhlenberg. The Distinguished Service Award is presented annually to a member of the Lehigh Valley dance community for outstanding contributions to the advancement of local dance.

The award will be presented to Dearborn by Deborah Sacarakis, artistic director of the Zoellner Arts Center at Lehigh University and recipient of the 2014 award. The presentation ceremony will immediately follow the 8 p.m. performance, at about 10 p.m. All are welcome to attend.

Performances of “Master Choreographers” will take place Feb. 5-7: Thursday, Feb. 5, at 8 p.m.; Friday, Feb. 6, at 8 p.m.; and Saturday, Feb. 7, at 2 and 8 p.m. Tickets are $15 for adults and $8 for patrons 17 and under. Performances are in the Empie Theatre, in the Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown. Information and tickets are available at

484-664-3333 or muhlenberg.edu/dance.

Muhlenberg College’s Theatre & Dance Department offers one of the top-rated college performance programs in the county, according to the Princeton Review rankings.  Muhlenberg is a liberal arts college of more than 2,200 students in Allentown, Pa., offering Bachelor of Arts degrees in theater and dance. It has been named annually among The Fiske Guide to Colleges’ top 20 small college programs in the United States, and the American College Dance Festival Association has consistently recognized dances premiered on the Muhlenberg stage for excellence in choreography and performance.

Choreographer Bios

Charlotte Boye-Christensen is the former artistic director of the Ririe-Woodbury Dance Company, located in Salt Lake City. A native of Copenhagen, Denmark, Boye-Christensen received her formal training at London Contemporary Dance School and at the Laban Centre in London and completed her Master of Fine Arts degree at the Tisch School of the Arts, New York University. She has been commissioned to create new works for numerous dance companies and universities around the world. Boye-Christensen is the recipient of a Fulbright Scholarship and grants from the Theatre and Arts Councils in Denmark, Germany, Mexico and Singapore, as well as a recipient of the Choo-San Goh Award for Choreographic Excellence. In 2002 she joined Ririe-Woodbury Dance Company to assist in the artistic direction of the company. She became the artistic director in 2008 and has created and re-staged 26 pieces on the company. In April 2013, she stepped away from that position in order to form NOW-ID, an interdisciplinary contemporary dance company, and to pursue more international commissions.

Heidi Cruz-Austin is an alumna of the Pennsylvania Ballet, and she has danced featured roles in works by choreographers ranging from Alvin Ailey to George Balanchine. In addition to dancing with Pennsylvania Ballet, Cruz-Austin has performed with the Philadelphia-based company Ballet X and as a guest artist throughout the United States and Europe. As a choreographer, Cruz-Austin was a winner for the 2003 Ballet Builders showcase in New York City. She has been commissioned to create works for Franklin and Marshall College, Bryn Mawr College, Repertory Dance Theater, and Ballet D’errico, and she was a recipient of the 2004-2005 New Edge Residency at The Community Education Center of Philadelphia.

Corrie Franz Cowart has performed with the Mary Miller Dance Company, LABCO Dance, Minh Tran and Company, the Dance Theatre of Oregon, and the Pittsburgh Opera. She has performed both nationally and internationally with Impact Productions’ “Dayuma” and “The Masterpiece.” Cowart continues to perform and choreograph for her own company Co-Art Dance, a contemporary dance company she co-founded in 1997 with her husband Tim Cowart. Corrie is an assistant professor at Muhlenberg College, where she teaches modern, dance composition, and dance on camera.

Karen Dearborn has choreographed more than 70 works in concert, theater, and musical theater, including national tours of the Tony Award-winning National Theatre of the Deaf and several Equity theatres. She has provided choreography for the Muhlenberg theater productions of “On the Town,” “The Pajama Game,” “Oklahoma!,” “Urinetown,” and “West Side Story,” and Muhlenberg Summer Music Theatre productions of “Hairspray,”  “The Sound of Music,” “The Who’s Tommy,” and “Oliver!” to name just a few. Dearborn is the founding director of Muhlenberg’s dance program. Her scholarly research has been published in the Journal of Dance Education, and she contributed an essay to the book “Performing Magic on the Western Stage.” She serves on the executive board of the American College Dance Festival Association.

Jessica Lang has created more than 80 works on companies worldwide since 1999, including Birmingham Royal Ballet, The National Ballet of Japan at the New National Theatre Tokyo, Joffrey Ballet, Kansas City Ballet, Cincinnati Ballet, Colorado Ballet, Ballet San Jose, Richmond Ballet, Pennsylvania Ballet, Ailey II, ABT II, Hubbard Street 2, and New York City Ballet’s Choreographic Institute, among many others. American Ballet Theatre has presented her work at the Metropolitan Opera House, and she has received commissions from the Dallas Museum of Art and the Guggenheim Museum for its Works and Process series. For opera, Lang received acclaim for her directorial debut and choreography of Pergolesi’s “Stabat Mater” at the 2013 Glimmerglass Opera Festival. Lang is the recipient of 2014 Bessie Award. Her ballet “Lyric Pieces,” commissioned and performed by Birmingham Royal Ballet, earned a nomination for a coveted 2013 Manchester Theatre Award in the United Kingdom. Lang has received numerous grants for her work on ballet companies from organizations including the Jerome Robbins Foundation, the National Endowment for the Arts, and the Choo San Goh Foundation. Her receipt of a 2010 Joyce Theater Artist Residency, supported by the Andrew W. Mellon Foundation, helped launch her own company, Jessica Lang Dance in 2011. Lang, a graduate of The Juilliard School under the direction of Benjamin Harkarvy, is a former member of Twyla Tharp’s company, THARP!

Dorrell Martin is founder of the jazz and contemporary dance program, LEON Dance Arts NY, which is associated with LEON Contemporary Dance Company/NY, of which Martin is the artistic director. He was also the creator and director of the jazz and contemporary program at The Joffrey Ballet School. He is former artistic director/co-founder of Houston Metropolitan Dance Company in Houston, Texas. Martin was a soloist for the national and international touring company of “A Few Good Men Dancin’,” and has danced in such shows as “Aida,” “West Side Story,” “The Lion King,” and “Swing.” He has also performed with many professional companies, including Arch Dance, Locke Contemporary Dance, Houston Grand Opera, Metropolitan Opera, and Richard Rivera’s PHYSUAL. Martin has also performed with such recording artists as Jennifer Lopez, Pink, Black Eyed Peas, Rihanna and Debra Cox.

Shelley Oliver is a Canadian-born tap dancer, choreographer, and educator. She has appeared internationally with some of the legends of the tap world. She is the artistic director of The Shelley Oliver Tap Dancers currently touring with the David Leonhardt Jazz Group throughout the northeast. Oliver is a founding member of Manhattan Tap and served as a co-artistic director and choreographer with the company. She has toured in concert halls in Europe, China, the Caribbean, Canada, and the United States. She has performed with Savion Glover, Gregory Hines, Jimmy Slide, Buster Brown, Jimmy Slide, and Chuck Green. Oliver’s television appearances include “Tap Dance in America” with Gregory Hines and “Star Search.” On faculty at Muhlenberg College, she directs the Muhlenberg Jazz Tap Ensemble, providing community outreach in the Allentown area. Ms. Oliver has produced a series of “Tap Music For Tap Dancers” CDs that have become a standard pedagogical tool in the tap dance world. She is the recipient of the 2009 Outstanding Dance Educator award for the Lehigh Valley Dance Consortium.

Jeffrey Peterson serves as an assistant professor of dance at Muhlenberg College, where he teaches modern, jazz, and partnering techniques. He holds a Master of Fine Arts degree from New York University’s Tisch School of the Arts. Peterson began his professional dance career in national tours with JAZZDANCE by Danny Buraczeski in 2000. Since then, he has performed in the work of Clare Byrne, Edisa Weeks, and Mathew Janczewski, as well as Stephan Koplowitz’s “Grand Step Project,” and the Minnesota Opera’s production of “The Pearl Fishers” with choreography by John Malashock. His choreographic work for Jeffrey Peterson Dance has appeared at Joe’s Pub, Joyce SOHO, and Dixon Place in New York City, The Minnesota Fringe Festival, Intermedia Arts, and Bryant Lake Bowl in Minneapolis, and in “The Cloth Peddler” at the Dorothy Chandler Pavilion in Los Angeles. Peterson’s choreography has appeared in the concert repertory of numerous university dance programs. His ongoing creative work includes choreographic projects, colorguard and visual consultation for the Govenaires Drum and Bugle Corps, and sound design.

‘Moving Stories’ Dance Concert Showcases Innovative Work By Student Choreographers In Muhlenberg’s Nationally Acclaimed Program

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, PAMuhlenberg College dancers tell their stories through movement, as the Muhlenberg Theatre & Dance Department presents “Moving Stories,” a showcase for dance works created by emerging choreographers, Nov. 6-8 in the College’s Baker Theatre.

Artistic director Karen Dearborn says the 10 choreographers selected for the program have created sophisticated and innovative dances, informed by their liberal arts education, and intended to probe and illuminate the human experience.

“‘Moving Stories’ is designed to inspire and challenge audiences,” Dearborn says. “These visually lush dances offer a view of our present and future through contemporary eyes. It is always exciting to be enveloped in these kinetic and symbolic works of art — to be moved by the movement.”

In addition this year, Muhlenberg will present “Dance On: Moving Stories Part II,” a free 40-minute concert, Nov. 8 and 9, also in the Baker Theatre.

“Moving Stories” will showcase over 50 dancers from the department’s dance program, which is among the most highly regarded programs of its kind. The concert features costume and lighting designs by the department’s acclaimed professional staff.

The ten original dances include contemporary jazz, tap, and modern works that investigate female competition, the images in dreams, personal tragedy, architecture, consciousness and fear. Everything from wildlife, interpersonal relationships, a cappella, nightmares, and the interworking of the human mind struck inspiration for the choreographers.

“Moving Stories” features the choreography of Samantha Chu, Allison Conley, Shayna Golub, Tyler Holoboski, Courtney Hunsberger, Emily Lombardo, Zoe Papaeracleous, Krysta Parker, Kelley Romanuski, and Kylie Sickler.

“Dance On” features pieces by Sarah Braviak, Natalie Coy, Noah Dach, Paige Klibanoff, Liz Spilsbury, and Elizabeth Thompson.

Muhlenberg College’s Theatre & Dance Department offers one of the top-rated college performance programs in the county, according to the Princeton Review rankings.  Muhlenberg is a liberal arts college of more than 2,200 students in Allentown, Pa., offering Bachelor of Arts degrees in theater and dance. It has been named annually among The Fiske Guide to Colleges’ top 20 small college programs in the United States, and the American College Dance Festival Association has consistently recognized dances premiered on the Muhlenberg stage for excellence in choreography and performance.

“Moving Stories” runs Nov. 6-8: Thursday and Friday at 8 p.m., and Saturday at 2 and 8 p.m. Tickets are $15 for adults, $8 for patrons 17 and under. Tickets and information are available at 484-664-3333 or muhlenberg.edu/dance.  

“Dance On” runs Nov. 8-9: Saturday at 5 p.m., and Sunday at 2 p.m. Admission is free, and tickets are not required.

Both concerts will be performed in the Baker Theatre, Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.

‘Save The Lights’ Dance Marathon Set For Memorial Day Weekend In Pottstown

Memorial Day weekend dance-a-THON.  Check out Pottstown School District’s Save the Lights website. 50 couples needed to dance.  $500 cash prize to the couple who spends the most time on the dance floor.  Registration before May 14.  Ages 9th grade to 100 years or older may register.

Polly Weand

For more information, click here: http://www.pottstownschools.com/pottstown/In%20the%20Spotlight/Save%20the%20Lights%20dance%20marathon%20set%20for%20Memorial%20Day%20weekend,%20Mercury%205-6-14.html/_top

Like this on Facebook:  https://www.facebook.com/SaveGriggMemorialFieldFridayNightLights

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Three Rivers Arts Festival Lays Out Dance, Art Offerings

A map of Pittsburgh, Pennsylvania with its nei...

A map of Pittsburgh, Pennsylvania with its neighborhoods labeled. For use primarily in the list of Pittsburgh neighborhoods. (Photo credit: Wikipedia)

Pittsburgh Cultural Trust estimates 400,000 people will attend the 55th Annual Dollar Bank Three Rivers Arts Festival.

So, the Trust’s staff has packed the 10-day festival running June 6 to 15, at Point State Park, Downtown, with a diverse schedule of music, visual arts, dance and drama to make sure everyone has a good time.

”It has been our challenge to present a program that provides something for everyone, whether you are new to the arts or a longtime aficionado,” says Veronica Corpuz, director of festival management and special projects for the Trust and the arts festival.

In February, the Trust revealed the free musical-performance headliners, which include a solo performance by Wilco’s Jeff Tweedy (June 6), bluegrass artists Sam Bush and Trampled By Turtles (June 7 and 8) and Pittsburgh Symphony Orchestra (June 9).

Read more: http://triblive.com/aande/moreaande/6075554-74/dance-festival-june#ixzz31KEegwsh
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Easton’s Northampton Street To Become Classic Car Cruising Strip On Designated Summer Nights

English: Skyline of Easton, PA from Lafayette ...

English: Skyline of Easton, PA from Lafayette College (Photo credit: Wikipedia)

As Easton Mayor Sal Panto Jr. recalls, Northampton Street at one point was the most popular cruising strip in the Lehigh Valley, but that changed in the 1980s when the city banned the practice.

Nearly 30 years later, Panto says it’s time to bring back cruising, albeit on a limited basis.

Easton will be hosting cruise nights on one Saturday per month between May and August this summer, Panto announced this afternoon at a news conference.

Classic car owners are invited to drive the strip from 6 to 9 p.m. on the designated nights. The Mayor’s Office of Special Events is teaming with WGPA Sunny 1100, which will broadcast cruising music during the nights — think the Beach Boys, The Four Seasons and Motown groups — over the AM airwaves.

Read more: http://www.lehighvalleylive.com/easton/index.ssf/2014/04/cruise_nights_to_hit_city_of_e.html

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Muhlenberg College To Present Premiere Circus Workshop

Allentown, PA – The circus is coming to town! A group of Muhlenberg College dancers, actors, gymnasts and aerial acrobats — 30 students in all — have pooled their talents to produce Muhlenberg’s first Circus Workshop. Their work will culminate in two performances on April 25.

Noah Dach ’16, a dance and business double-major, launched the project. Henry Evans ’16 serves as an assistant director and performs. Paige Klibanoff ’15 and MJ Hodge ’16 helped to develop the script and will be performing as well.

“I’ve always wanted to form a dance company,” Dach said. “I had experience in aerial before I came to Muhlenberg, and thought it would be interesting to combine that with the skills that students have been working on here. I approached Karen Dearborn, the head of Muhlenberg’s dance program, with the idea, and she helped me get it on its feet.”

The project builds on the aerial acrobatics classes that the Muhlenberg dance program began offering in spring of 2012, under the instruction of experienced aerialist and Muhlenberg alumna Madeleine Hoak.

Aerialists who had taken Hoak’s class auditioned for the Circus Workshop in January. Other auditioners performed dance combinations or gymnastics skills or recited song lyrics as dramatic monologues. From those who auditioned, Dach assembled an ensemble of diverse performers and began weekly rehearsals.

“What is most fulfilling about directing this project is how my ensemble members are always surprising me with new things,” Dach said. “I could never imagine this project being where it is now after setting this idea in motion last semester.”

The 30-minute performance tells the story, through motion, music and circus art, of a young woman looking back on her life. The other performers represent different aspects of her life, including Joy, Love, and Temptation.

“I’ve always wanted to create something modern that could tell everyday stories through art,” Dach said. “With this project, we have focused on creating something very true and human that cannot be captured in a grand, enormous circus setting. I think that we have found an intimate balance between the abstract and the reality.”

Response on campus has been enthusiastic. Of the 70 seats available for each performance, all sold out in less than two weeks. Dach said he would hopes the project will grow from here.

“Going forward, I would love to see this project expanded and incorporated into more of Muhlenberg’s productions, or even to use the members of this workshop to start forming a performance company after graduation,” Dach said. “This has been a great beginning, and it would be wonderful to see the project move into a larger theater so that more audience members could see it and support it around campus.”

Muhlenberg College is a liberal arts college of 2,200 students in Allentown, Pa. The college offers Bachelor of Arts degrees in theatre and dance. The Princeton Review consistently ranks Muhlenberg’s production program in the top ten in the nation, and the Fiske Guide to Colleges lists both the theatre and dance programs among the top small college programs in the United States.

For more information about the Department of Theatre and Dance, visit http://www.muhlenberg.edu/theatre.

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‘Dance Emerge’ Dance Concert Showcases Eclectic Work By Emerging Student Choreographers In A Nationally Acclaimed Program

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, PAMuhlenberg College dancers tell their stories through movement, as the Muhlenberg Theatre & Dance Department presents “Dance Emerge,” a showcase for dance works created by emerging choreographers, April 10-13 in the College’s Dance Studio Theatre. Corrie Franz Cowart is the artistic director for the concert.

“Choreographers in this year’s ‘Dance Emerge’ are mining emotional and physical landscapes that celebrate the thrills of life and mourn our human foibles,” Franz Cowart says. “Humor and real-life circumstances are blended with physical skill and choreographic imagination, transforming observations of our world into kinetic and visual journeys for the audience.”

“Dance Emerge” will showcase 12 choreographers and 60 dancers from the department’s dance program, which is among the most highly regarded programs of its kind. The concert features costume and lighting designs by the department’s acclaimed professional staff.

The 12 original dances include contemporary jazz, hip-hop, tap, dance theater, and modern works that investigate such topics as the sensation of getting lost in a book, women’s struggles with power, circus lights, and ritualized behavior. Choreographers drew inspiration from such diverse sources as dance history, travel, personal relationships, and college experiences.

Muhlenberg College’s Theatre & Dance Department offers one of the top-rated college performance programs in the county, according to the Princeton Review rankings.  Muhlenberg is a liberal arts college of more than 2,200 students in Allentown, Pa., offering Bachelor of Arts degrees in theater and dance. It has been named annually among The Fiske Guide to Colleges’ top 20 small college programs in the United States, and the American College Dance Festival Association has consistently recognized dances premiered on the Muhlenberg stage for excellence in choreography and performance.

“Dance Emerge” runs April 10-13 in the Dance Studio Theatre, Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.

Performances are April 10-13: Thursday and Friday at 8 p.m.; Saturday, April 12, at 2 and 8 p.m. and Sunday, April 13, at 2 and 7 p.m. Tickets are $15 for adults, $8 for patrons 17 and under, and $8 for students, faculty and staff of all LVAIC colleges.  For groups of 15 or more, tickets are $13.

Tickets and information are available at 484-664-3333 or www.muhlenberg.edu/dance.

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Muhlenberg College Dancers To Perform At National Festival

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

ALLENTOWN, PA — “Key,” a dance work performed by Muhlenberg College dance students and choreographed by longtime Muhlenberg guest choreographer Charlotte Boye-Christensen, has been selected for inclusion at the National College Dance Festival, at the Kennedy Center for the Performing Arts, in Washington, D.C.

The work was selected by the American College Dance Festival Association (ACDFA), which presents the National Festival. The five-member cast will perform in the festival June 5-7.

“Key” is one of just 31 dance works to be selected for the festival, from among 506 submissions nationwide. It was one of only three selected from the 45 works performed at the Mid-Atlantic Regional Conference, March 17-20.

ACDFA holds 12 annual regional conferences around the country, and holds the National College Dance Festival every other year. Muhlenberg’s dance program has been included in five of the seven national festivals in the past 14 years.

“The conference gives us national exposure, and enhances the reputation of the program,” says Karen Dearborn, professor and chair of the dance program for Muhlenberg’s Theatre and Dance Department. “Especially because we’re a small liberal arts school, people tend to be absolutely shocked at how accomplished our dancers are. We’re competing against BFA and master’s degree programs and conservatories.”

A native of Copenhagen, Denmark, Boye-Christensen is best known as the former artistic director of the renowned Ryrie-Woodbury Dance Company, a position she held from 2008 until April 2013, when she stepped away from the role in order to form NOW-ID, an interdisciplinary contemporary dance company. Boye-Christensen has been commissioned to create new dance works by prestigious dance companies around the world.

“‘Key’ was inspired by the life and music of Canadian pianist Glenn Gould, an artist who epitomizes strength, originality and vulnerability,” Boye-Christensen says. “To strive for such excellence and profound artistry in one’s work, as he did, is deeply inspiring.”

“Key” features dancers  Allison Berger ’14, Katharine Dougherty ’14, Gwynne Jones ’15, Krysta Parker ’16 and Annabel Williams ’14. It was initially performed as part of Muhlenberg’s “Master Choreographers” concert in February 2014.

“It was an absolute joy for me to re-create ‘Key’ on the dancers at Muhlenberg,” Boye-Christensen says. “They came to the work with a tremendous amount of physicality, attention to detail and, perhaps most importantly, musicality. Congratulations to them, Karen and the rest of the dance faculty.”

The five dancers in the piece hail from five different states: Nevada, Tennessee, Vermont, New Jersey and Pennsylvania. All five are dance majors, and three are double-majors, in biology, anthropology, and English.

Muhlenberg College is a liberal arts college of about 2,200 students in Allentown, Pa. The College offers Bachelor of Arts degrees in theater and dance. Princeton ranks Muhlenberg’s theater program first in the nation, and the Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

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Dance Ensemble Concert – DeSales Labuda Center For The Performing Arts

DeSales Dance Ensemble ConcertDance Ensemble Concert
Saturday, March 15, 2014 at 8:00 PM
RUSH TICKET ONLY $9.00!!!

Each spring, our superbly talented dance faculty and students collaborate with exciting guest artists to present an energizing evening of daring choreographic vision. Always a fun, fresh feast for the eyes, this year’s Dance Ensemble concert demonstrates the versatility of our dancers as they are challenged to perform works of multiple genres including ballet, modern, contemporary, musical theatre, West African, and historical reconstructions. Highlighting this year’s concert will be a reconstruction of a masterwork by pioneer choreographer and dance artist Japanese/American Michio Ito (1893-1961).

Main Stage Theatre of the Labuda Center for the Performing Arts
2755 Station Avenue
Center Valley, PA 18034

NOTE: For admittance, please present ticket to the “will call” table located in the lobby of the Labuda Center.
Seating: Select seating option below under “Section” – Left or Right Orchestra otherwise Best Available seats selected.

Michio ItoMichio Ito was known as the “forgotten pioneer of American modern dance.” Ito was a charismatic dancer, choreographer, and theatre director; He was choreographed the opening and closing ceremonies for the 1964 Tokyo Olympics. His talents were admired by Debussy and Rodin in Paris, by Yeats and Shaw in England, and by thousands in the United States. DeSales University will celebrate the life and influence of this great artist.

Click here to buy tickets :http://www.etix.com/ticket/online/venueSearch.jsp?venue_id=6190&performance_id=1806280&cobrand=lvartsboxoffice&language=en&country=US

Visit: DeSales University Performing Arts website
Call: 610-282-3192

Lehigh Valley Arts Council box office

Muhlenberg Summer Music Theatre Announces Open Audition Dates

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, PA — Muhlenberg Summer Music Theatre will hold open auditions for performers ages 16 and up on Feb. 23 and 24. Performers will be cast for the season’s mainstage productions: the classic Broadway musical “A Chorus Line,” performing June 11-29, and “Monty Python’s ‘Spamalot,’” performing July 9-27.

The following audition details can also be found online, at www.muhlenberg.edu/smt.

Vocal auditions will be held Sunday, Feb. 23, from 3 to 6:30 and 7:30 to 11 p.m., and Monday, Feb. 24, from 7 to 11 p.m. Sunday vocal auditions will be held in the Baker Center for the Arts Band Room. Monday vocal auditions will be held in the Baker Theatre, in the Trexler Pavilion for Theatre & Dance. Vocal audition appointments are three minutes.

Dance auditions will be held Sunday, Feb. 23, from 5 to 9 p.m. and Monday, Feb. 24, from 6 to 9 p.m., in the Empie Theatre, Baker Center for the Arts. Dance auditions will take about half an hour.

All auditioners must register in advance and schedule an audition. All auditioners must sign up for both vocal and dance auditions. Auditioners should send an email to SMTcompany@muhlenberg.edu before Friday, Feb. 21, indicating available dates and times within the scheduled audition, and providing a mobile phone number where the auditioner can be reached with questions.

Those without access to email should call the Muhlenberg Theatre & Dance office at 484-664-3087, during regular office hours before Thursday, Feb. 20. Voice messages should contain all of the above information.

All auditioners will be assigned a time for both a dance audition and a vocal audition. Auditioners must both dance and sing, even if they concentrate in just one area. All performers in both shows will sing and dance.

Auditioners who live too far away from the Allentown area or who are unable to attend auditions may submit a preliminary DVD audition. The DVD should consist of a comedic monologue not more than two minutes in length, one song (see guidelines below), and a 90-second dance solo. DVDs must arrive before the audition date listed to be eligible for consideration.

Auditioners who receive a callback must attend in person to be considered for a role. Callbacks will be held March 9-11, and will include acting auditions, reading from the script.

Auditioners for both shows should prepare a memorized vocal selection of no more than 32 bars of a musical theater song written between 1950 and 1980.

An accompanist will be provided for the vocal audition. Auditioners must bring sheet music in the key in which they would like to sing, with the selection indicated and any cuts clearly noted. Please no accompaniment tapes or a cappella auditions.

For dance auditions, auditioners will be taught a short dance sequence, which they will then perform. No preparation is required. Auditioners who own tap shoes should bring them.

Auditioners should bring two copies of their resumes and headshots.

Non-performing opportunities are available for technicians and costumers. Carpenters, electricians, props technicians, light board and sound board operators, and stage crew are needed for productions. Costumers, first hand, stitchers, and wardrobe running crew are needed in the costume shop.

High school stage management internships are available for those who will be at least 16 years old by the time they begin working for MSMT. Interns work alongside college students and professionals from the College, and guest artists from New York, learning valuable skills that they can take back to their high school programs. Interns receive a $400 stipend for the summer.

The application deadline for technicians, costumers, and administrative personnel is March 1. Applications can be found online at muhlenberg.edu/smt. Completed applications can be sent to boxoffice@muhlenberg.edu.

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Muhlenberg College Celebrates Twenty Years Of Dance With ‘Master Choreographers’ Dance Concert, February 6-8

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, PA — The Muhlenberg College dance program celebrates its 20th anniversary with a special edition of its annual “Master Choreographers” dance concert, Feb. 6-8.

The concert will feature a restaging of “D-Man in the Waters (Part 1),” by legendary choreographer Bill T. Jones, as well as seven world-premiere dance pieces, choreographed by acclaimed guest artists and faculty members.

One of the premiere choreographers of his generation, Bill T. Jones was the recipient of the 2010 Kennedy Center Honors (alongside Paul McCartney and Oprah Winfrey). He has won Tony Awards for his choreography in the Broadway shows “Spring Awakening” (2007) and “Fela!” (2010). The Dance Heritage Coalition has called Jones “an irreplaceable dance treasure.” The Bill T. Jones/Arnie Zane Dance Company, founded in 1982, has performed worldwide.

Premiered in 1989, “D-Man in the Waters” won a New York Dance and Performance Award (“Bessie Award”) and has since become one of the company’s signature pieces. Set to Mendelssohn’s Octet for Strings in E-flat Major, Op. 20, the work is one of the finest examples of the post-modern aesthetic and was featured in PBS’s landmark film “Dancing in the Light: Six Dances by African-American Choreographers.”

“‘D-Man’ is the kind of piece that sets audiences cheering,” Anna Kisselgoff wrote in the New York Times in 1989, and acclaimed dance director Charles L. Reinhart called the piece “one of the greatest works ever choreographed… It’s extraordinarily moving emotionally and extraordinarily exciting and interesting choreographically with an incredible message of despair and hope which is what life’s all about.”

“D-Man in the Waters” is supported by the Dexter F. and Dorothy H. Baker Artist-in-Residence program, and presented with the cooperation of the Bill T. Jones/Arnie Zane Dance Company.

The annual “Master Choreographers” concert features a diverse selection of styles and genres, ranging from classical ballet to contemporary jazz, modern dance, and tap accompanied by live jazz music.

“This concert presents a spectacular evening of dance,” says Karen Dearborn, founding director of Muhlenberg’s dance program, and the concert’s artistic director. “We are thrilled to showcase Bill T. Jones’ masterpiece, along with new works by internationally acclaimed guest artists and faculty.”

Dearborn has created a new work for the performance, which will also feature works by: Danish choreographer Charlotte Boye-Christensen, former artistic director of the Ririe-Woodbury Dance Company; Corrie Franz Cowart, co-artistic director of Co-Art Dance; Heidi Cruz-Austin, alumna of the Pennsylvania Ballet; Dorrell Martin, founder of LEON Dance Arts NY; Shelley Oliver, director of Shelley Oliver Tap Dancers; and Jeffrey Peterson, former dancer with Danny Buraczeski’s Jazzdance.

In conjunction with the “Master Choreographers” concert, dance critic, acclaimed author and journalist Elizabeth Zimmer will present a lecture on Friday, Feb. 7, at 5 p.m., in the Baker Center for the Arts Recital Hall. Admission is free.

Other 20th Anniversary activities include a Dance Reunion Weekend, March 21-22, and an Alumni Concert, featuring dance pieces by alumni from throughout the program’s 20 years, March 22.

Performances of “Master Choreographers” will take place Thursday, Feb. 6, at 8 p.m.; Friday, Feb. 7, at 8 p.m.; and Saturday, Feb. 8, at 2 and 8 p.m. Tickets are $15 for adults and $8 for patrons 17 and under. Performances are in the Empie Theatre, in the Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown. Information and tickets are available at 484-664-3333 or muhlenberg.edu/dance.

Muhlenberg College is a liberal arts college of about 2,200 students in Allentown, Pa. The College offers Bachelor of Arts degrees in theater and dance. Princeton ranks Muhlenberg’s theater program first in the nation, and the Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

Choreographer Bios

BILL T. JONES (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Dance Company; Executive Artistic Director: New York Live Arts) is the recipient of the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed FELA!; a 2007 Tony Award, 2007 Obie Award, and 2006 Stage Directors and Choreographers Foundation CALLAWAY Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; the 2007 USA Eileen Harris Norton Fellowship; the 2006 Lucille Lortel Award for Outstanding Choreography forThe Seven; the 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; the 2005 Harlem Renaissance Award; the 2003 Dorothy and Lillian Gish Prize; and the 1994 MacArthur “Genius” Award. In 2010, Mr. Jones was recognized as Officier dans l’Ordre des Arts et des Lettres by the French government, and in 2000, The Dance Heritage Coalition named Mr. Jones “An Irreplaceable Dance Treasure.”  

Mr. Jones choreographed and performed worldwide with his late partner, Arnie Zane, before forming the Bill T. Jones/Arnie Zane Dance Company in 1982. He has created more than 140 works for his company. In 2011, Mr. Jones was named Executive Artistic Director of New York Lives Arts, an organization that strives to create a robust framework in support of the nation’s dance and movement-based artists through new approaches to producing, presenting and educating.

Germaul Barnes (Restager) is a Bessie Award winner for his dancing in the work of the Bill T. Jones/Arnie Zane Dance Company. He is currently Director and Founder of Germaul Barnes/Viewsic Expressions Dance, a New York based dance company that presents multi-media dance performances and educational residencies around the world. Mr. Barnes is also Co-Director of Burnt Sugar/Danz with Gabri Christa and Greg Tate. He has received many grants and awards for his extensive foreign experience as dancer, teacher, choreographer and anthropologist. He has created dances for The Ailey School, Southern Dance Work, Birmingham Southern College, Skidmore College, Jasmyn Fyffe Dance-Toronto, Ghana National Dance Theater, ChoreoQuest Project, University of Illinois at Urbana-Champaign and Institute of Contemporary Art/Boston, among others. For a complete list of his achievements, visit: www.ViewsicEx.org.

Charlotte Boye-Christensen is the former artistic director of the Ririe-Woodbury Dance Company, located in Salt Lake City. A native of Copenhagen, Denmark, Boye-Christensen received her formal training at London Contemporary Dance School and at the Laban Centre in London and completed her Master of Fine Arts degree at the Tisch School of the Arts, New York University. She has been commissioned to create new works for numerous dance companies and universities around the world. Boye-Christensen is the recipient of a Fulbright Scholarship and grants from the Theatre and Arts Councils in Denmark, Germany, Mexico and Singapore, as well as a recipient of the Choo-San Goh Award for Choreographic Excellence. In 2002 she joined Ririe-Woodbury Dance Company to assist in the artistic direction of the company. She became the artistic director in 2008 and has created and re-staged 26 pieces on the company. In April 2013, she stepped away from that position in order to form NOW-ID, an interdisciplinary contemporary dance company, and to pursue more international commissions.

Heidi Cruz-Austin is an alumna of the Pennsylvania Ballet, and she has danced featured roles in works by choreographers ranging from Alvin Ailey to George Balanchine. In addition to dancing with Pennsylvania Ballet, Cruz-Austin has performed with the Philadelphia-based company Ballet X and as a guest artist throughout the United States and Europe. As a choreographer, Cruz-Austin was a winner for the 2003 Ballet Builders showcase in New York City. She has been commissioned to create works for Franklin and Marshall College, Bryn Mawr College, Repertory Dance Theater, and Ballet D’errico, and she was a recipient of the 2004-2005 New Edge Residency at The Community Education Center of Philadelphia.

Corrie Franz Cowart has performed with the Mary Miller Dance Company, LABCO Dance, Minh Tran and Company, the Dance Theatre of Oregon, and the Pittsburgh Opera. She is also the co-artistic director of Co-Art Dance and has performed both nationally and internationally with Impact Productions’ “Dayuma,” and “The Masterpiece.” Cowart continues to perform and choreograph for her own company Co-Art Dance, a contemporary dance company she co-founded in 1997 with her husband Tim Cowart. Corrie is an assistant professor at Muhlenberg College, where she teaches modern, dance composition, and dance on camera.

Karen Dearborn has choreographed more than 70 works in concert, theater, and musical theater, including national tours of the Tony Award-winning National Theatre of the Deaf and several Equity theatres. She has provided choreography for the Muhlenberg theater productions of “On the Town,” “The Pajama Game,” “Oklahoma!” “Urinetown,” and “West Side Story,” and Muhlenberg Summer Music Theatre productions of “Hairspray,”  “The Sound of Music,” “The Who’s Tommy,” and “Oliver!” to name just a few. Dearborn is the founding director of Muhlenberg’s dance program. Her scholarly research has been published in the Journal of Dance Education, and she contributed an essay to the book “Performing Magic on the Western Stage.” She serves on the executive board of the American College Dance Festival Association.

Dorrell Martin is founder of the jazz and contemporary dance program, LEON Dance Arts NY, which is associated with LEON Contemporary Dance Company/NY, of which Martin is the artistic director. He was also the creator and director of the jazz and contemporary program at The Joffrey Ballet School. He is former artistic director/co-founder of Houston Metropolitan Dance Company in Houston, Texas. Martin was a soloist for the national and international touring company of “A Few Good Men Dancin’,” and has danced in such shows as “Aida,” “West Side Story,” “The Lion King,” and “Swing.” He has also performed with many professional companies, including Arch Dance, Locke Contemporary Dance, Houston Grand Opera, Metropolitan Opera, and Richard Rivera’s PHYSUAL. Martin has also performed with such recording artists as Jennifer Lopez, Pink, Black Eyed Peas, Rihanna and Debra Cox.

Shelley Oliver is a Canadian-born tap dancer, choreographer, and educator. She has appeared internationally with some of the legends of the tap world. She is the artistic director of The Shelley Oliver Tap Dancers currently touring with the David Leonhardt Jazz Group throughout the northeast. Oliver is a founding member of Manhattan Tap and served as a co-artistic director and choreographer with the company. She has toured in concert halls in Europe, China, the Caribbean, Canada, and the United States. She has performed with Savion Glover, Gregory Hines, Jimmy Slide, Buster Brown, Jimmy Slide, and Chuck Green. Oliver’s television appearances include “Tap Dance in America” with Gregory Hines and “Star Search.” On faculty at Muhlenberg College, she directs the Muhlenberg Jazz Tap Ensemble, providing community outreach in the Allentown area. Ms. Oliver has produced a series of “Tap Music For Tap Dancers” CDs that have become a standard pedagogical tool in the tap dance world. She is the recipient of the 2009 Outstanding Dance Educator award for the Lehigh Valley Dance Consortium.

Jeffrey Peterson serves as an assistant professor of dance at Muhlenberg College, where he teaches modern, jazz, and partnering techniques. He holds a Master of Fine Arts degree from New York University’s Tisch School of the Arts. Peterson began his professional dance career in national tours with JAZZDANCE by Danny Buraczeski in 2000. Since then, he has performed in the work of Clare Byrne, Edisa Weeks, and Mathew Janczewski, as well as Stephan Koplowitz’s “Grand Step Project,” and the Minnesota Opera’s production of “The Pearl Fishers” with choreography by John Malashock. His choreographic work for Jeffrey Peterson Dance has appeared at Joe’s Pub, Joyce SOHO, and Dixon Place in New York City, The Minnesota Fringe Festival, Intermedia Arts, and Bryant Lake Bowl in Minneapolis, and in “The Cloth Peddler” at the Dorothy Chandler Pavilion in Los Angeles. Peterson’s choreography has appeared in the concert repertory of numerous university dance programs. His ongoing creative work includes choreographic projects, colorguard and visual consultation for the Govenaires Drum and Bugle Corps, and sound design.

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Has North Broad Reached A Turning Point?

North Broad Street, Philadelphia, PA 19102, 10...

North Broad Street, Philadelphia, PA 19102, 100 block, looking south from Race Street, with Philadelphia City Hall (1874-1901) in the center. (Photo credit: Wikipedia)

EVERY WEEKDAY, the 40 members of the Pennsylvania Ballet arrive from all over the region for a 9:30 a.m. class at the Ballet’s new headquarters on North Broad Street.

The leap from the old studios on South Broad, 10 blocks south of City Hall, to what is called Avenue of the Arts North is an important part of what city officials want to see happening on North Broad, seen for years as drab and boring.

The Ballet moved into its new space in January. The building, on the former site of a garage for armored trucks, has an entrance across Wood Street from Roman Catholic High School, and is known as the Louise Reed Center for Dance.

Location was everything, said executive director Michael Scolamiero.

Read more at http://www.philly.com/philly/news/20131201_Arts_looking_north.html#4cGWPCsEheK4KydY.99

‘Moving Stories’ Dance Concert Showcases Innovative Work By Dtudent Choreographers, Dancers In Nationally Acclaimed Dance Program

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, Pa.Muhlenberg College dancers tell their stories through movement, as the Muhlenberg Theatre & Dance Department presents “Moving Stories,” a showcase for dance works created by emerging choreographers, Nov. 14-16 in the College’s Baker Theatre.

Dance Program chair Karen Dearborn says the nine student choreographers selected for the program have created sophisticated and innovative dances, informed by their liberal arts education, and intended to probe and illuminate the human experience. This season, the show also will feature a premiere piece by Muhlenberg faculty member Teresa VanDenend Sorge.

“‘Moving Stories’ is designed to inspire and challenge audiences,” says Dearborn, who serves as artistic director for the performance. “These visually lush dances offer a view of our present and future through contemporary eyes. It is always exciting to be enveloped in these kinetic and symbolic works of art — to be moved by the movement.”

The concert will showcase 56 dancers from the department’s dance program, among the most highly regarded programs of its kind. The concert features costume and lighting designs by the department’s acclaimed professional staff.

The ten original dances include contemporary jazz, jazz styles and modern works that investigate female body image, women’s power in the Roman Empire, self-discovery and empowerment, exploitation of female sexuality, and time and memory. Choreographers drew inspiration from everything from poetry and paintings to the relationship between a magician and his assistant.

Muhlenberg College’s Theatre & Dance Department offers one of the top-rated college performance programs in the county, according to the Princeton Review rankings. Muhlenberg is a liberal arts college of more than 2,200 students in Allentown, Pa., offering Bachelor of Arts degrees in theater and dance. It has been named annually among The Fiske Guide to Colleges’ top 20 small college programs in the United States, and the American College Dance Festival Association has consistently recognized dances premiered on the Muhlenberg stage for excellence in choreography and performance.

“Moving Stories” runs Nov. 14-16 in the Baker Theatre, Trexler Pavilion for Theatre & Dance, MuhlenbergCollege, 2400 Chew St., Allentown.

Performances are Thursday and Friday, Nov. 14-15, at 8 p.m.; and Saturday, Nov. 16, at 2 and 8 p.m. Tickets are $15 for adults, $8 for patrons 17 and under, and $8 for students, faculty and staff of all LVAIC colleges.  For groups of 15 or more, tickets are $13.

Tickets and information are available at 484-664-3333 or www.muhlenberg.edu/dance

Britney Spears Being Pushed To Make Sexy Videos?

Singer Britney Spears was one of the best sell...

Singer Britney Spears was one of the best selling female performers of the 2000s. (Photo credit: Wikipedia)

Britney Spears said she’s being pushed into making videos that are too sexy, according to TMZ.

Spears talked about her video for the new single “Work (expletive)” during a Thursday morning interview on the TJ Show on AM 103.3.

“A lot of sex goes into what I do,” she said. “But sometimes I would like to bring it back to the old days, when there was like one outfit through the whole video, and you’re dancing the whole video, and there’s like not that much sex stuff going on.”

When wasn’t there “that much sex stuff going on” in a Britney Spears video? Which old days were those, exactly?

Read more: http://www.timesherald.com/arts-and-entertainment/20131004/britney-spears-being-pushed-to-make-sexy-videos