At one point during “Star Trek Into Darkness,” Kirk fumes, “Sometimes, I just want to rip the bangs off his head.”
But Kirk doesn’t do that, which is a good thing considering the amount of time consumed by the workday ritual of transforming Pittsburgh native Zachary Quinto into Spock, the half-Vulcan, half-human with a high-maintenance look.
By the time the movie finished shooting, the makeup artists had shaved a whopping 30 minutes from their application of the signature swooping ears, angled eyebrows and other facial flourishes.
Not a big deal? It started as 3 hours and 15 minutes — plus another 30 minutes in hair — so even an extra half-hour can be a luxury when you have to report to the set 2 1/2 to three hours ahead of everyone else who may be arriving at 6 a.m.