This yearly event is a fun-filled day with activities for all ages including games, music, dancing, and crafts. Tucker’s Tales Puppet Theatre will present interactive puppet shows and will also provide festive historic music around the grounds during the event. Signora Bella will delight audiences with her acrobatic feats. Colonial conjurer Levram the Great will perform historically-themed magic shows and entertain visitors with pocket magic tricks throughout the day. Members of the Tapestry Historic Dance Ensemble will demonstrate authentic English country dances. As always, visitors will be invited to join in and dance around the maypole to help open and close the fair!
In addition to the entertainment, a variety of early American crafters and demonstrators will be on hand to display historic skills and trades and sell their wares. Young visitors will have the chance to meet colonial farm animals, watch a blacksmith at work, see how candles were made, play with colonial toys, try an 18th-century bat-and-ball game, dance around a child-size maypole, help churn butter, and more! New this year, the site will also be offering free make-and-take crafts for kids.
The first floor of colonial ironmaster John Potts’ 1752 manor house will be open for self-guided tours during the fair. Visitors will also be able to shop at the manor’s museum shop for colonial games, books, and unique gifts. MMG Concessions will offer a variety of refreshments for sale, including burgers, cheesesteaks, hot dogs, sausages, sandwiches, fries, hand-rolled pretzels, and fresh-squeezed lemonade.
The fair coincides with the third annual “Pow-Wow on Manatawny Creek,” celebrating the culture and traditions of the Lenni-Lenape Native Americans. The pow-wow will be taking place during the hours of May Fair and will be held at Memorial Park, less than a block from Pottsgrove Manor. The public is encouraged to visit both events for an experience that spans time periods and cultures!
For a schedule of the day’s activities and a list of vendors and craftspeople that will be at the fair, please visit http://www.montcopa.org/1421/Annual-Colonial-May-Fair.
A donation of $2.00 per person is suggested for this event. Visitors can park for free at the Carousel at Pottstown building, 30 West King Street. Limited overflow parking is available at the Pottstown Quality Inn across the street from the Manor. Paid parking is also available in the “shop & park” lot at High and Hanover Streets in downtown Pottstown. There will be free trolley rides during the fair between the carousel parking lot, the pow-wow at Memorial Park, downtown Pottstown, and Pottsgrove Manor.
Handicapped parking is available in the museum’s parking lot.
Pottsgrove Manor is located at 100 West King Street near the intersection of King Street and Route 100, just off Route 422, in Pottstown, Pennsylvania. Pottsgrove Manor is operated by Montgomery
County under the direction of the Parks, Trails, and Historic Sites Division of the Assets and Infrastructure Department. For more information, please call 610-326-4014, or visit the website at www.montcopa.org/pottsgrovemanor. Like Pottsgrove Manor on Facebook at www.facebook.com/pottsgrovemanor.
We are the Colebrookdale Railroad Preservation Trust, a non-profit organization dedicated to revitalizing The Secret Valley Line and restoring its services to offer the greatest turn-of-the-century railroading experience in the nation.
Volunteers are the lifeblood of the Colebrookdale Railroad. Quite literally, the train doesn’t roll down the tracks without them.
Our volunteers are:
the source of all accomplishments of our programs
the most critical and unique resource we have
the leaders in our organization
committed long-term with frequent participation
committed to a safe, productive, and cohesive workplace
responsible for our future
Our dedicated family of volunteers does everything from track work, to passenger car restoration, to operations.
If you have what it takes to work on the railroad, contact us today at email@example.com! Be sure to include the words, “I Want to Volunteer” in the subject line.
o To serve as a catalyst for economic development in Southeastern Pennsylvania through the preservation and interpretation of the historic, cultural, and natural heritage of the middle Schuylkill Region, birthplace of the American iron industry.
o To establish national-caliber heritage and recreational anchor attraction around an authentic Edwardian-era experience of the sort offered on the grand limited trains of the 1900-1920 era by developing the Colebrookdale Railroad, its infrastructure, equipment, and real estate, and by building local and regional partnerships.
Josh Blue, the celebrated comedian who uses his own affliction with cerebral palsy as part of his routine, will perform in Easton at 7 p.m. June 14 at Lafayette College, Easton, Pa. The event is sponsored by the Lehigh Valley Arts Council, in cooperation with the Williams Center for the Arts at Lafayette, to celebrate LVAC’s yearlong Arts & Access program, a call for Valley arts organizations to be more inclusive of persons with disabilities.
Blue was the grand prize winner at the Las Vegas Comedy Festival, has appeared on NBC’s “Last Comic Standing” and is a favorite on the college comedy circuit. He is known for his ability to improvise and encourage his audience to overcome preconceived notions about people who are labeled as “disabled.”
A recent L.V. Research Consortium survey revealed that more than 13 percent of the Valley’s population has a disability and that this population grows by about three percent per year.
“Josh Blue is the ideal ambassador for greater inclusion of the disabled,” says LVAC Executive Director Randall Forte. “We are overwhelmed at the success of the first year of Arts & Access, particularly with the enthusiasm of our participating arts organizations.”
Since June 14 is also Flag Day, the program has been tagged “Red, White and Blue.” Invitations are in the mail to Arts Council members and the clients of Lehigh Valley non-profit agencies serving clients with challenges such as blindness, deafness, autism and other disabilities. A limited number of tickets will also be available to the public, particularly for individuals with disabilities, by calling LVAC at 610-437-5915.
The event marks the culmination of the Arts Council’s celebration of the 25th anniversary of the passing of the Americans with Disabilities Act (ADA). The LVAC program was a response to a request by the L.V. Partnership for a Disability Friendly Community to encourage local arts organizations to reconsider how their offerings can better serve disabled individuals.
For example, the Josh Blue event will be interpreted by an American Sign Language practitioner, will be audio-described, and the hand-out program will be available in Braille and large print versions. LVAC offers arts groups assistance and lends the special equipment needed for audio description.
As a result of Arts & Access, 30 cultural organizations have teamed with social service agencies over the past year to provide greater accommodation at more than 50 disability-friendly events, including sensory-friendly performances for children with autism, movement classes for Parkinson’s patients, audio-described and open-captioned theatrical performances, lectures, exhibitions, poetry readings, film screenings, and public meetings. LVAC reports that as a result of Arts & Access 2015-16, 589 people with disabilities attended those events, accompanied by 705 family members and friends.
For supporting documents and materials, please click here: http://www.lvartscouncil.org/red-white-and-blue/
Allentown, PA — Now in its third year, the student-directed Muhlenberg Circus Workshop will take the stage again this spring with another original contemporary circus performance. Running April 21-24, “VOD” takes up the story of Pandora’s Box, in the setting of a post-World War II traveling circus.
Written and directed by two of the Circus Workshop cofounders, seniors Noah S. Dach and Henry Evans, “VOD” will showcase the talents of 14 aerialists, acrobats, dancers, jugglers, actors, tappers, and acrobats. New in this year’s production is a performance featuring Chinese pole dancing. Another senior, Tyler Holoboski, choreographs the production.
This year’s production will be presented in Muhlenberg’s 120-seat Studio Theatre, a blackbox style space with flexible seating. Dach says the audience will enter to an empty space, and then witness its dramatic transformation into a 1940s circus tent.
“‘VOD’ is the story of humanity’s modern Pandora’s Box,” he says. “It’s set in the period when mankind developed and atomic bomb — the moment when we acquired the ability to extinguish ourselves and our world.”
The production follows the success of last season’s sold out circus production “Atlas,” a contemporary circus adaptation of the Alice in Wonderland story. The group operates under the artistic supervision of Muhlenberg’s Dance Program chair, Karen Dearborn.
“Karen has gone above and beyond for her students and has given everyone that has been a part of the Circus Workshop an unforgettable and truly life altering opportunity,” Dach says. “Without her inspiring vision, care, and dedication, this program would not be where it is today.”
Dach, Evans, and other graduating members of the Workshop have plans to go pro after graduating this spring. They spent spring break this year scouting locations and laying the groundwork for the Atlas Circus Company. The company seeks to create a new kind of narrative circus performance, catalyze circus education around the country, and build a home for circus artists in America. They further describe their plans at http://www.atlascircus.com
“VOD” runs April 21-24 in the Studio Theatre, Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.
Performances are Thursday at 8 p.m., Friday at 3 and 8 p.m., Saturday at 2 and 8 p.m., and Sundy at 2 p.m. Tickets are $12 for adults, $8 for patrons 17 and under, and $8 for students, faculty and staff of all LVAIC colleges. Tickets and information are available at 484-664-3333 or http://www.muhlenberg.edu/dance.
Allentown, PA — “Ulysses,” James Joyce’s 1922 epic widely regarded as one of the most important works of modernist literature, takes the stage at Muhlenberg College, in an adaptation that director James Peck describes as “weird, sexy, and a little dangerous.” “Ulysses in Nighttown” plays April 27-30 to conclude the Muhlenberg Theatre & Dance Department’s mainstage season.
Peck says the production employs vivid imagery, unconventional storytelling techniques, and Joyce’s own spectacularly vivid language to capture “a journey into the unconscious.” The play excerpts one lengthy episode of the novel (known to Joyce aficionados as the Circe episode), taking place mostly in the red-light district of Dublin, Ireland.
“The play gives shape to the desires of the three characters at the heart of ‘Ulysses,’” says Peck, a professor of theater at Muhlenberg. “It is surreal, stream-of-consciousness — we go inside the minds of the characters, experience their hallucinations and their faltering sanity. The play is coherent, but it’s coherent in the way that dreams are coherent.”
Aching for fellowship, middle-aged ad salesman Leopold Bloom pursues the alienated young novelist Stephen Dedalus on a late-night bender through Dublin’s red light district. There they find themselves confronting their feverish fears and passions, haunted by their transgressions and fetishes. Full of portent and hallucination, Joyce’s sprawling text takes a dark turn in this episode, which playwright Marjorie Barkentin has adapted as a stand-alone narrative, with context derived from the rest of the novel.
At a fundamental level, Peck says, “Ulysses in Nighttown” is the story of a friendship between two men dealing with loss — Stephen with the loss of his mother, and Bloom with the death of his child and the disintegration of his marriage to Molly, who he knows has taken to pursuing affairs with other men. But the play, like the novel, hardly lends itself to simple synopsis.
The production will feature an original musical score by percussionist Douglas Ovens, a professor and former department chair of music at Muhlenberg, who has previously provided music for “Orlando,” “The Other Shore,” “The Possibilities,” and other plays at Muhlenberg. Ovens will play the score himself in performance.
Peck says he was moved to direct the play by its storytelling challenges and by Joyce’s linguistic virtuosity — but also for more personal reasons.
“I hadn’t done anything strange for a while, and I wanted to do something strange,” he says. “I also think this is some of the most evocative English language that has ever been written. I wanted to delve into that language in the way that creating a production for the stage forces you to do.”
He continues: “I think when I was in my 20s, when I first read ‘Ulysses,’ I identified with the character of Stephen. Now in my 50s, I feel like I identify more with Bloom. When you’re younger, you feel like the world of possibilities is wide open. Then as you get older you find that as many doors are closed to you as are open. I think the play delves very deeply into that maturation, that sense of gain and simultaneous loss that comes with maturity.”
“Ulysses in Nighttown” plays April 27-30. Showtimes are Wednesday through Saturday at 8 p.m. Regular admission tickets are $15. Tickets for youth and LVAIC students and staff are $8. The production is recommended for mature audiences.
Tickets can be purchased online at http://www.muhlenberg.edu/theatre or by phone at 484-664-3333. Performances are in the Empire Theatre, Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown.
|RUSH TICKETS AVAILABLE!
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Adult Tickets $9.99, Student Tickets $6!
|Lehigh Valley Arts Council
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Allentown, PA — Muhlenberg College dancers tell their stories through movement, as the Muhlenberg Theatre & Dance Department presents “Dance Emerge,” a showcase for dance works created by emerging choreographers, April 13-16 in the College’s Studio Theatre. Jeffrey Peterson is the artistic director for the concert.
“Choreographers in this year’s ‘Dance Emerge’ are honoring their own unique voices as they create personal dances which celebrate the joys of life and unearth the depths of their souls,” Peterson says. “The journey for the audience will undoubtedly juxtapose the human experience with quirky character-driven studies and more intimate work — all blending physical skill with choreographic imagination.”
“Dance Emerge” will showcase 8 choreographers and 60 dancers from the department’s dance program, which is among the most highly regarded programs of its kind. The concert features costume and lighting designs by the department’s acclaimed professional staff.
The eight original dances include contemporary jazz, dance theater, and modern works that investigate such topics as aging, censorship, and the individual vs. the whole. Choreographers drew inspiration from such diverse sources as dance history, travel, personal relationships, and college experiences.
Muhlenberg College’s Theatre & Dance Department offers one of the top-rated college performance programs in the county, according to the Princeton Review rankings. Muhlenberg is a liberal arts college of more than 2,200 students in Allentown, Pa., offering Bachelor of Arts degrees in theater and dance. It has been named annually among The Fiske Guide to Colleges’ top 20 small college programs in the United States, and the American College Dance Festival Association has consistently recognized dances premiered on the Muhlenberg stage for excellence in choreography and performance.
“Dance Emerge” runs April 13-16 in the Studio Theatre, Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.
Performances are April 13-16: Wednesday, Thursday, and Friday at 8 p.m.; Saturday, April 16, at 2 and 8 p.m. Tickets are $15 for adults, $8 for patrons 17 and under, and $8 for students, faculty and staff of all LVAIC colleges. For groups of 15 or more, tickets are $13
Tickets and information are available at 484-664-3333 or http://www.muhlenberg.edu/dance.
|Date of Event:||4/16/2016|
|Time of Event:||1:00 PM – 3:00 PM|
|Description:||Join us on Saturday, April 16 from 1-3 pm on the grounds of Pottstown High School for this free event! PEAK, Pottstown’s school readiness initiative is partnering with Pottstown YMCA’s Healthy Kids Day. Fun family activities and resources from more than 40 community organizations are being planned along with music from D.J. Steve, moon bounce, celebrated mascots, and Pipper the Clown to name a few. The YMCA will be providing fitness activities and more. We thank Pottstown Memorial Medical Center http://www.PottstownMemorial.com for once again being the main sponsor for April’s PEAK Month of the Young Child events. For more information contact Jane Bennett – firstname.lastname@example.org or 610-256-6370, http://www.peakonline.org.|
|Location:||Pottstown High School
750 N. Washington St
Pottstown, PA 19464
Pottstown, PA—Montgomery County Community College (MCCC) West End Student Theatre and Theatre Arts program are proud to present “A Lie of the Mind,” a darkly comic family drama by Pulitzer Prize-winning playwright, Sam Shepard. Show dates are Thursday, Friday and Saturday, April 21-23, at 7 p.m., with a 12:30 p.m. performance Friday, April 22. All performances will be held in the College’s South Hall Community Room, 101 College Drive, Pottstown.
Tickets cost $10 for general admission and $5 for students and seniors. To purchase tickets, please visit http://www.mc3.edy/livelyarts or call 215-641-6518. A portion of the proceeds from ticket sales will be donated to Laurel House, offering services for victims of domestic abuse and their families.
Pulitzer Prize-winning playwright Sam Shepard’s “A Lie of the Mind” follows two families in the Montana plains, connected by one marriage and a brutal incident which leaves the wife, Beth, in her family’s care. Filled with enormous vitality, and humor, it explores the destinies of Jake and Beth, torn apart by jealousies and distrust, welded together by the needs of the human heart and the destructiveness which it can engender.
“This is the reason why I feel art is so powerful,” says director Samantha Clarke. “One in four women will experience abuse in their life. With numbers like that, it’s hard not to accept that abuse knows no race, gender, socioeconomic status, or creed. However, abuse, harassment, and discrimination often go without a voice; this play gives us a voice in which to speak for those who cannot, will not, or know not how.” This production contains adult language and themes.
In conjunction with the production, the students of West End Student Theatre will be creating a ‘Post Secret’ wall to offer a voice for members of the community who are facing domestic abuse, bullying, harassment, and discrimination. Anonymous drop boxes will be available on campus, and students and community members may leave a note to be posted on the ‘Post Secret’ wall at the South Hall Community Room during performances.
“The drop boxes will also have resources and literature available,” says West End Student Theatre advisor Tim Gallagher. “We want the opportunity to speak to empower the members of our community who are dealing with these issues.”
Samantha Clarke and stage managed by Morgan Carasquillo, the cast includes Kayla Velasquez, Eric Reyes, Hailee Tyson, Tess Devlin, Hunter Thorsen, Tyler Sanderson, and Joe Donley. The production is designed, produced and presented by the students of the West End Student Theatre, under the guidance of Tim Gallagher and Christopher Kleckner.
|Lehigh Valley Arts Council
www.LVArtsCouncil.org | www.LVArtsBoxOffice.org
Allentown, PA – For more than a millennium, the Bible has been the source of some of the richest veins of theatrical history — a tradition that playwright Sarah Ruhl explores in depth in her 2008 drama “Passion Play.” The play opens March 31 at Muhlenberg College.
“It’s a play about the power of theatricality,” says Muhlenberg theater professor Beth Schachter, who directs the production. “It’s an opportunity to enjoy the ways in which the theatre process can be both funny and an expression of faith — of all sorts — within larger themes of love and forgiveness.”
“Passion Play” plays March 31 through April 3 in the college’s Baker Theatre. Tickets and information are available at muhlenberg.edu/theatre and at 484-664-3333.
Hailed by New Yorker magazine theater critic John Lahr as “extraordinary,” “bold,” and “inventive,” “Passion Play” takes us behind the scenes of three communities attempting to stage the death and resurrection of Christ. From Queen Elizabeth’s England to Hitler’s Germany to Reagan’s America, Ruhl’s exploration of devotion takes a humorous yet unsettling journey filled with lust, whimsy, and a lot of fish.
Ruhl dramatizes a community of players rehearsing their annual staging of the Easter Passion in three different eras: 1575 northern England, just before Queen Elizabeth outlaws the ritual; 1934 Oberammergau, Bavaria, as Hitler is rising to power; and Spearfish, South Dakota, from the late 1960s through Reagan’s presidency. In each era, the players grapple in different ways with the transformative nature of art — and politics are never far in the background.
The production itself is a work of fiction, and not a passion play — but the audience does see segments of the passion story performed in each of the three historical eras, and Schachter says the play approaches the story of the passion with “a certain reverence, as a story that holds a sublime significance for many of the characters.”
Schachter says that, for her, the play’s most interesting question has to do with the role of the individual in determining the course of history — “the responsibility of everyday people.” In 1930s Germany, for example, we see the choices of individuals shaping Hitler’s rise to power, as his fascist ideology creeps up through the population.
“People look for a leader who reassures them and tells them everything is going to be all right,” she says. “And those choices have palpable consequences — consequences that I think are worth examining in the present moment in our own history.”
The production features scenic design by Stephan Moravski, costume design by Liene Dobraja, and lighting design by Gertjan Houben. Muhlenberg senior Alan Mendez serves as musical director and musical dramaturg, and he has found appropriate popular music from each era to accompany the action. Senior Patrick Moren designs sound.
Performances of “Passion Play” are March 31 through April 3: Thursday through Saturday at 8 p.m., and Sunday at 2 p.m. Tickets are $15 for adults and $8 for students. The production is intended for mature audiences. Performances are in the Baker Theatre in the Trexler Pavilion for Theatre and Dance at Muhlenberg College, 2400 Chew St., Allentown. Tickets and information are available at 484-664-3333 and http://www.muhlenberg.edu/theatre
|$9.99 RUSH TICKETS AVAILABLE!|
|Lehigh Valley Arts Council
www.LVArtsCouncil.org ◊ www.LVArtsBoxOffice.org
Lehigh Valley Arts Council
Blue Bell, Pa.—Montgomery County Community College’s (MCCC) International Club and ESL/International Student Services invite the community to the 7th Annual International Night on Wednesday, April 20, from 5-9 p.m. General admission is $5; admission for children under age 12 is $3. MCCC students will be admitted free of charge with a valid student ID.
The festivities will be held in the cafeteria and adjoining conference area in the lower level of College Hall at the Central Campus, 340 DeKalb Pike, Blue Bell. Students will transform space into a multi-cultural celebration. Highlights will include cultural performances, international cuisine from more than 30 countries, educational information, raffles and more.
International Night brings together the College and local community to celebrate diversity and collective cultures. In past years, up to 1,000 people have attended or participated in this family-friendly event.
For more information or to sponsor an activity, contact Dilek Arig at email@example.com.
Allentown, PA — Muhlenberg Summer Music Theatre will hold open auditions on Feb. 28 and 29. Performers will be cast for the season’s mainstage productions: “Gypsy,” performing June 15 – July 3, and a second show performing July 13-31.
The following audition details can also be found online, at muhlenberg.edu/smt. A performance rights agreement prevents SMT from announcing the title of the second production at this time, but full details are available on the website.
For the second production of the season, actors of color are particularly encouraged to audition.
Children may audition for “Gypsy” on Sunday, Feb. 28, from 1 to 3 p.m. They should be ages 8 to 12, both boys and girls, under 5 feet 2 inches in height. They should prepare a vocal audition as described below, and will be taught a dance combination.
Preliminary dance and vocal auditions will be held for both productions on Sunday, Feb. 28, from 3 to 11 p.m., and Monday, Feb. 29, from 5 to 11 p.m. All auditions will take place at Muhlenberg College, at the Baker Center for the Arts and the Trexler Pavilion for Theatre & Dance.
All auditioners must register in advance and schedule an audition. Auditioners should send an email to SMTcompany@muhlenberg.edu by Friday, Feb. 26, indicating available dates and times within the scheduled audition, and providing a mobile phone number where the auditioner can be reached with questions.
Those without access to email should call the Muhlenberg Theatre & Dance office at 484-664-3087, during regular office hours before Thursday, Feb. 25. Voice messages should contain all of the above information.
For “Gypsy,” performers ages 16 and up are encouraged to audition. There are several roles for older actors. As indicated above, a separate audition will be held Sunday afternoon for children. All auditioners should prepare a 32-bar up-tempo song selection from a Broadway musical written before 1975. Please no rock or pop selections. Some roles do not require singing, but everyone interested in being in the production should prepare a vocal audition. Bring properly marked sheet music. An accompanist will be provided.
All females auditioning for the production will be required to do a short dance audition. All males auditioning for the production under the age of 30 will also be required to do a dance audition. No preparation is required. Males over the age of 30 need not do a dance audition.
For the second production the director will be casting actors ages 15 and up. Actors of color are especially encouraged to audition. Please prepare a 32-bar cut of a song from a contemporary musical. Bring properly marked sheet music; an accompanist will be provided. All actors will also be required to do a dance audition.
Auditioners may audition for both productions. People who are auditioning for both shows should prepare two different songs.
All actors participating in Muhlenberg Summer Music Theatre productions are paid a stipend. Out-of-town actors are provided with free housing. We will consider casting Equity members on guest artist contracts.
Auditioners who live too far away from the Allentown area or who are unable to attend auditions may submit a preliminary video audition. The video should consist of a comedic monologue not more than two minutes in length, one song (see guidelines above), and a 90-second dance solo. Please send a ling to a video hosted on the internet; e.g., YouTube or Vimeo. Do not send attached files via email. You may also submit a DVD following the same guidelines, which should be received prior to the audition dates.
Auditioners who receive a callback must attend in person to be considered for a role. Callbacks will include acting auditions, reading from the script.
Auditioners should bring two copies of their resumes and headshots.
“Gypsy” will be directed by Charles Richter, with choreography by Karen Dearborn and musical direction by Michael Schnack. Rehearsals are May 24 through June 14, Tuesday through Sunday from 1 to 5 p.m. and 7 to 11 p.m. Young actors will not be called during school hours and will generally be released by 9 p.m. Performances are June 14 through July 3, Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m.
The second production will be directed by James Peck, with choreography by Samuel Antonio Reyes and musical direction by Ed Bara. Rehearsals are June 21 through July 12, Tuesday through Sunday from 1 to 5 p.m and 7 to 11 p.m. Performances are July 13-31, Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m. A performance rights agreement prevents SMT from announcing the title of the second production at this time, but full details are available on the website.
Non-performing opportunities are available for technicians and costumers. Carpenters, electricians, props technicians, light board and sound board operators, and stage crew are needed for productions. Costumers, first hand, stitchers, and wardrobe running crew are needed in the costume shop.
High school stage management internships are available for those who will be at least 16 years old by the time they begin working for MSMT. Interns work alongside college students and professionals from the College, and guest artists from New York, learning valuable skills that they can take back to their high school programs. Interns receive a $400 stipend for the summer.
The application deadline for technicians, costumers, and administrative personnel is March 9. Applications can be found online at muhlenberg.edu/smt. Completed applications can be sent to firstname.lastname@example.org.
Pottstown, PA — Montgomery County Community College’s West End Student Theatre (WEST) group, in collaboration with the students’ recently formed chapter of the National Organization for Women, will present Eve Ensler’s award-winning “The Vagina Monologues,” on Thursday, Feb. 25, at 7 p.m. in the South Hall Community Room, West Campus, 101 College Drive, Pottstown. The students will be performing this as part of a national initiative known as V-Day to help raise awareness of violence against women and girls.
The show is open to the community, but anyone under 18 years must be accompanied by an adult due to the explicit content of the production. Tickets cost $2 at the door. Proceeds will benefit The Laurel House, a comprehensive domestic violence agency serving individuals, families and communities throughout Montgomery County.
Participants include Joanna Bak, Maliah Buxton, Tess Devlin, Rebecca McGovney-Ingram, Jamie Menio, Shelby Poston, Lavinia Soliman and Cat Urbanski, with Director Morgan Carrasquillo, Stage Manager Maliah Buxton and WEST Advisor Tim Gallagher.
MCCC’s V-Day joins thousands of other community groups which perform “The Vagina Monologues” each February. “The Vagina Monologues” consists of a series of monologues performed by women covering a variety female experiences. Ensler considers the show a conversation about women’s sexuality that should be centered in the global discussion on stopping violence against women and girls.
This type of community activism is what inspired several female students to form a local chapter of the National Organization for Women, a grassroots organization dedicated to the advocating for women’s rights. At MCCC, the chapter is led by President Lavinia Soliman and advisor Rebecca McGovney-Ingram. The MCCC Campus NOW chapter meets every Friday between 12 p.m. and 2 p.m. on both Central and West campuses to discuss modern feminism and campus outreach events.
According to its website, V-Day is “a global activist movement to end violence against women and girls.” Through V-Day campaigns, activist groups present productions, such as “The Vagina Monologues” to raise awareness about violence and funding to support anti-violence community organizations. For more information, visit http://www.vday.org
|Allentown, PA — The Arts in the Lehigh Valley mean business—and jobs. That is the message being delivered today by Lehigh Valley Arts Council who announced it has joined the Arts & Economic Prosperity® 5, a national study measuring the economic impact of nonprofit arts and culture organizations and their audiences. The research study is being conducted by Americans for the Arts, the nation’s nonprofit organization advancing the arts and arts education. It is the fifth study over the past 20 years to measure the impact of arts spending on local jobs, income paid to local residents, and revenue generated to local and state governments.
As one of nearly 300 study partners across all 50 states plus the District of Columbia, Lehigh Valley Arts Council will collect detailed financial data about our local nonprofit arts and culture organizations such as our theater and dance companies, museums, festivals, and arts education organizations. “Many people don’t think of nonprofit arts organizations as businesses,” said Mike Stershic, President of Discover Lehigh Valley, “but this study will make clear that the arts are a formidable industry in our community—employing people locally, purchasing goods and services from local merchants, and helping to drive tourism.”
Lehigh Valley Arts Council will also collect surveys from attendees at arts events using a short, anonymous questionnaire that asks how much money they spent on items such as meals, parking and transportation, and retail shopping specifically as a result of attending the event. Previous studies have shown that the average attendee spends $24.60 per person, per event, beyond the cost of admission. Those studies have also shown that, on average, 32 percent of arts attendees travel from outside the county in which the arts event took place, and that those cultural tourists typically spend nearly $40 per person—generating important revenue for local businesses and demonstrating how the arts drive revenue for other businesses in the community.
Surveys will be collected throughout calendar year 2016. The results of the study will be released in June of 2017.
“Arts are key to the economic development in the Lehigh Valley and have never been more important,” says Randall Forte Executive Director of the Lehigh Valley Arts Council. “Hundreds of creative industries, nonprofit cultural organizations, and thousands of individual artists of all disciplines—dance, musical, theatrical, visual, literary and media arts—are invested in our community.”
The 2010 economic impact study of the Lehigh Valley’s nonprofit arts industry revealed a $208 million industry—providing 7,114 full-time jobs and generating $21 million in state and local taxes annually. “Our Arts & Economic Prosperity series demonstrates that the arts are an economic and employment powerhouse both locally and across the nation,” said Robert L. Lynch, president and CEO of Americans for the Arts. “Leaders who care about community and economic vitality can feel good about choosing to invest in the arts. Nationally as well as locally, the arts mean business.” Complete details about the fiscal year 2010 study are available atwww.AmericansForTheArts.org/EconomicImpact.
Americans for the Arts’ Arts & Economic Prosperity 5 study is supported by The Ruth Lilly Fund of Americans for the Arts. In addition, Americans for the Arts’ local and statewide study partners are contributing both time and a cost-sharing fee support to the study. For a full list of the nearly 300 Arts & Economic Prosperity 5 study partners, visit www.AmericansForTheArts.org/AEP5Partners.