Muhlenberg Summer Music Theatre Production Of Rock Opera ‘Superstar’ Explores Human Side Of Crucifixion Story

Allentown, PA– James Peck vividly remembers the best rock concert he ever attended: U2 at the Meadowlands in 2011.

“It was one of the most quote-unquote ‘ritualistic’ theater experiences I’ve ever had,” he says. “It had that seize-your-body, wash-over-you aspect of rock-and-roll—that feeling that you’re part of something larger than you. That aspect of ritual.”

That’s the feeling that Peck wants to create as the director of “Jesus Christ Superstar,” opening July 10 at the Muhlenberg Summer Music Theatre.

“‘Superstar’ is a big epic rock musical about one of the greatest stories ever told,” Peck says. “In the way that a really great rock concert makes you feel like you’re part of something big and cosmic, I think a great production of this show should work the crowd into a sort of oceanic sense of being in touch with something in the universe.”

This summer marks not only the Muhlenberg premiere of “Superstar,” but also the return of former Muhlenberg dance professor Charles O. Anderson. Anderson returns from Austin, Texas, where he teaches dance at University of Texas Austin. Ken Butler serves as the musical director.

“Jesus Christ Superstar” runs July 10-28, Wednesday through Sunday on the Empie Stage, MuhlenbergCollege.

“Superstar” dramatizes the last seven days in the life of Jesus, from his entry into Jerusalem through his crucifixion. Set to a rock score by Andrew Lloyd Webber and Tim Rice, the show looks at those seven days through the eyes Judas, the disciple who betrays Jesus and “one of history’s great so-called villains,” Peck says.

“It is unusual for a show to take the vantage point of Judas,” Peck says. “But it’s what makes ‘Superstar’ unique.”

The show features the hit songs “I Don’t Know How to Love Him” and “Superstar.”

What interests Peck most, he says, is the way the play explores the humanity of the characters—real people at the epicenter of one of history’s great moments.

“You get a sense of Jesus as a human,” he says, “of how exhausting it must be to be at the heart of a world movement.”

“Superstar” features a cast of 27, including Muhlenberg alumni Dan Cary ’08 as Jesus, Jessie MacBeth ’13 as Mary Magdalene, and Equity guest artist Kennedy Kanagawa ’08 as Judas. The show also features guest artists from the LehighValley including Ed Bara as Caiaphas, Bill Mutimer as Herod, and Joshua Neth as Pontius Pilate.

“What I love about ‘Jesus Christ Superstar’ is that it takes these iconic figures that we are used to thinking of abstractly, and it humanizes them,” Kanagawa says. “They have emotions and desires and allegiances and secrets. The idea of returning to my alma mater and making these discoveries along with this brilliantly talented creative team is thrilling.”

The show features a spare, earthy design by Tim Averill, who brings his interest in sustainable theater design to the production. Annie Simon’s costume designs draw from 1970s and contemporary grunge fashion. Lighting design by John McKernon brings a rock-show sensibility to the performance. The five-piece band led by Vince Di Mura will feature a lean rock-band sound—less lush Broadway score and more rock-and-roll.

The Muhlenberg Summer Music Theatre has been bringing excellent theatre to the LehighValley for 33 years. All productions are performed at MuhlenbergCollege, one of the top-rated college performance programs in the country according to the Princeton Review rankings. Muhlenberg is a liberal arts college of more than 2,200 students in Allentown, Pa., offering Bachelor of Arts degrees in theater and dance.

“Jesus Christ Superstar” runs July 10-28 in the Empie Theatre, Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown, Pa.

Performances are Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m. Regular admission tickets for the first four shows are $32; seniors (65 +) are $28; students and children are $20. For the remainder of the run, regular admission tickets are $38; seniors (65+) are $35; students and children are $20. Family matinees on Sundays are just $10 for children. For groups of 15 or more, tickets are $25 per person and $16 for students and children.

Tickets and information are available at 484-664-3333 or
http://www.muhlenberg.edu/smt

Three Rivers Arts Festival Opens Friday

Map of Pennsylvania highlighting Allegheny County

Map of Pennsylvania highlighting Allegheny County (Photo credit: Wikipedia)

Whether you’re paddling to a floating platform for a mind-elevating experience or scratching your head over the meaning of a painted white Mustang with corn rows in place of racing stripes, you’re doing just what the organizers of the Dollar Bank Three Rivers Arts Festival hope you’ll do.

The 54th annual festival begins at noon Friday and continues through June 16 Downtown.  Admission is free to the 100 visual and performing events and activities that will bring in more than 500 artists to 20 venues including four stages.

New this year will be a half dozen artworks with the primary purpose to engage, perhaps puzzle, and inspire discussion.  Generally referred to as “public art,” these outdoor, often large and ambitious projects will extend from the middle of the Allegheny River by Point State Park to the walls of Tito Way in the Cultural District, near the “Cell Phone Disco.”

There are two ways of thinking about art, said, who became this year’s festival director as a part of her earlier appointment to Pittsburgh Cultural Trust director of festival management and special projects.

Read more: 
http://www.post-gazette.com/stories/ae/art-architecture/three-rivers-arts-festival-opens-friday-with-a-broad-spectrum-of-arts-and-entertainment-690509/#ixzz2VS8mw0Q1

Steel River Playhouse Presents La Cage Aux Folles – Broadway Hit Musical!

Picture 577Thursdays thru Sundays, June 6 – 23

Contains comedic sexual references.  Please note – children under 4 will not be admitted to the performance.  

Best known as the feature film, The Birdcage, starring Robin Williams and Nathan Lane.  Tony-awarding winning musical from legendary Jerry Herman (Hello, Dolly!Mame) and the irrepressible Harvey Fierstein (HairsprayTorch Song TrilogyMrs. Doubtfire).  It’s the classic “guess-who’s- coming-to-dinner” set-up, but with a few complications!

Talk-backs with the cast and crew following the performance (Sundays 6/9 & 6/16).

Sponsored by Exelon Generation.  Tickets: $15 – $26

www.steelriver.org or 610.970.1199

The 10th Annual Performing Arts Summer Camp At Steel River Playhouse

Picture 577Summer Camp 2013

Begin planning today for Summer 2013!

The 10th annual Performing Arts Summer Camp for Grades 1 to 12
Three Sessions (Take 1, 2 or all 3)
  • July 8th – 19th
  • July 22nd – August 2nd
  • August 5th – August 16th

For detailed information about Summer Camp 2013, CLICK HERE.

To register for Summer Camp 2013, CLICK HERE. 

To apply for Counselor in Training for Summer Camp 2013, CLICK HERE.

Lancaster Summer Arts Festival Still Going Strong After 50 Years

Map of Pennsylvania highlighting Lancaster County

Map of Pennsylvania highlighting Lancaster County (Photo credit: Wikipedia)

Fifty years ago, Lancaster was a very different place than it is today.

There was no Long’s Park amphitheater, no Gallery Row and the Fulton had barely survived being turned into a parking lot.

If you loved concerts, art shows, dance recitals or children’s shows, your options were few and far between.

But the Lancaster Summer Arts Festival, which officially got started 50 years ago this summer, began to change all that.

Read more: 
http://lancasteronline.com/article/local/853425_Lancaster-Summer-Arts-Festival-still-going-strong-after-50-years.html#ixzz2UVEwz5pM

Lancaster Bible College Investing Its Trust In Downtown Lancaster

Map of Pennsylvania highlighting Lancaster County

Map of Pennsylvania highlighting Lancaster County (Photo credit: Wikipedia)

The Trust Performing Arts Center has been open less than a month, but it’s fitting quite nicely into the downtown arts scene.

During its first First Friday, April 5, more than 600 people came to check out the place.  And that makes the folks at the Lancaster Bible College, which runs the Trust, quite happy.

“There’s something very vibrant about downtown Lancaster, and we want our students to be a part of that,” says Robert Bigley, head of the music performance program at Lancaster Bible College.  ”We want them to get out of the church bubble, to get out in the real world.”

Like Millersville University, which runs The Ware Center, located across a parking lot from the Trust, LBC wanted a satellite location that would engage students and audiences apart from the campus.

Coming downtown was the goal.

Read more: 
http://lancasteronline.com/article/local/842459_LBC-investing-its-Trust-in-downtown-Lancaster.html#ixzz2Rri6xzvW

Norristown Arts Hill Festival Set For May 4

Location of Norristown in Montgomery County

Location of Norristown in Montgomery County (Photo credit: Wikipedia)

NORRISTOWN ­­— The fourth annual Norristown Arts Hill Festival on May 4 will have more than 30 music, theater, dance and spoken word acts on DeKalb Street from Lafayette Street to Penn Street.

The festival will run from 10 a.m. to 5 p.m., and the street will be closed to traffic from 6 a.m. to 6 p.m.  Traffic on Main Street will continue throughout the festival day.  The Showcase Stage on DeKalb Street, across from the Centre Theater, will start with children’s acts from 10 a.m. to noon.

The festival will feature “Kids Corner,” a family-friendly, child-friendly performance, vending and activity area located in the 200 block of DeKalb Street.  Other musical acts are scheduled for later in the day on the Showcase stage.

The Festival Stage, on DeKalb Street above Penn, will feature 30-minute musical acts that will begin on the hour, said Richard Rogers Jr., the president of the Norristown Arts Council.

Read more:  
http://www.timesherald.com/article/20130427/NEWS01/130429586/norristown-arts-hill-festival-set-for-may-4

Muhlenberg Summer Music Theatre Embarks On 33rd Theatrical Season

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, Pa. —The Muhlenberg Summer Music Theatre festival at Muhlenberg College announces the lineup for its 2013 summer season — the 33rd in the festival’s history. The season will feature “Crazy for You,” the musical based on the music of George and Ira Gershwin; Andrew Lloyd Webber’s “Jesus Christ Superstar”; and Lynn Ahrens and Stephen Flaherty’s “Seussical,” the Dr. Seuss musical for young audiences.

Opening the summer season is “Crazy for You,” June 12-30, winner of the 1992 Tony Award for best musical. Based on the music of George and Ira Gerswhin, “Crazy for You” features some of the best-loved Gershwin tunes, as well as virtuoso tap dance numbers, choreographed by Karen Dearborn.

The groundbreaking rock opera “Jesus Christ Superstar,” featuring lyrics by Tim Rice and music by Andrew Lloyd Webber, runs July 10-28. Directed by James Peck, the show dramatizes the last seven days in the life of Jesus. Former Muhlenberg dance professor Charles O. Anderson choreographs the production.

“Seussical,” the Dr. Seuss Musical, runs June 19 through July 27, presented in a special hour-and-15-minute Young Audiences edition. This show brings a slew of popular Dr. Seuss characters to the stage, with music and lyrics by Tony Award-winning songwriting duo Lynn Ahrens and Stephen Flaherty. “Seussical” is recommended for ages 4 and up.

Tickets and information are available at www.muhlenberg.edu/SMT and at 484-664-3693.

“Crazy for You” is the story of Bobby Child, a well-to-do 1930s playboy, whose dream in life is to dance—and despite the serious efforts of his mother and soon-to-be-ex-fiancée, Bobby achieves his dream. Full of showgirls, tap dancing, and mistaken identity, this musical comedy features the classic Gershwin tunes  “I Got Rhythm,” “They Can’t Take That Away from Me,” “Nice Work if You Can Get It,” and “Someone to Watch Over Me.”

The Broadway production of “Crazy for You” garnered numerous awards when it premiered in 1992, including the Tony Awards for Best Musical, Best Choreography, and Best Costume Design. Muhlenberg Summer Music Theatre founding artistic director Charles Richter directs the production. Ed Bara is musical director, and Karen Dearborn is choreographer.

The Muhlenberg premiere of the rock opera “Jesus Christ Superstar” dramatizes the last seven days in the life of Jesus, from his entry into Jerusalem through his crucifixion. With a lively score by Andrew Lloyd Webber and Tim Rice, this hit musical gained prestige in its 1972, 2000, and 2012 Broadway productions. MSMT veterans James Peck and Ken Butler serve as director and musical director, respectively.

Former Muhlenberg faculty member Charles O. Anderson returns to choreograph “Superstar.” Anderson was named one of “25 to Watch” in 2008 by Dance Magazine, and his work has been presented at high-profile regional venues around the country.

“Seussical,” the Dr. Seuss Musical, the Tony Award-winning composer-lyricist team of Lynn Ahrens and Stephen Flaherty have lovingly brought to life an assortment of Dr. Seuss’s most beloved characters, including the Cat in the Hat, Horton the Elephant, Gertrude McFuzz, the lazy bird Mayzie, and Jojo, a little boy with a big imagination.

This hour-and-15-minute Young Audiences edition of “Seussical” is directed by Benjy Shaw, with musical direction by David Dabbon and choreography by Nina Pongratz. It is appropriate for ages four and up.

“Crazy for You” runs June 12-30; “Jesus Christ Superstar” runs July 10-28. Performances are Wednesday through Saturday at 8 p.m. and Sunday at 2 p.m.

Ticket prices for both “Crazy for You” and “Jesus Christ Superstar” are as follows. For the first four performances: $32 regular admission; seniors are $28; students and children are $18. For the remaining 11 performances: $38 regular admission; seniors are $35; students and children are $20.

“Seussical” runs June 19 through July 27. Performances are Wednesday through Friday at 10 a.m. and 1 p.m, and Saturday at 10 a.m. only.  All tickets to “Seussical” are $10 for June performances and $12 for July performances.

Sundays are Family Matinee Day; mainstage tickets for children ages 5-18 are just $10 when purchased with a full-price or senior ticket. (Limit two discounted tickets per full-price ticket.)

Subscriptions to “Crazy for You” and “Jesus Christ Superstar” are available for $50 for the first four shows, or $60 for the remaining 11 shows. Group discounts are available for groups of 15 or more.

Audio Description for patrons who are visually impaired will be available at the Sunday, June 23, performance of “Crazy for You.” Call 484-664-3087 for tickets in the accessible section of this performance.

Tickets and information are available at www.muhlenberg.edu/SMT or 484-664-3333.

Muhlenberg Summer Music Theatre Announces Its 15th Summer Of Middle School Arts Camp

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, Pa  — This summer, Muhlenberg College‘s Camp Imagine program celebrates its 15th year of educating and enriching the lives of the Lehigh Valley’s middle school students.  Founded in 1999 the program provides young people in grades 6-8 with a month-long performing arts experience, which is free for students of the Allentown School District.

High school students can enroll in the Performing Arts Workshop.  Both programs provide invaluable experiences and opportunities to nurture passion for the performing arts and build real-life interpersonal and expressive skills.  The programs meet for three hours each week day, July 1-26.

“We all build confidence in each other,” said a former participant the Performing Arts Workshop.

Each program will culminate in a free showcase performance for family and friends at the conclusion of the four weeks.  Participants will be guided through creative arts experiences in the performing arts by talented teams of Muhlenberg College students and alumni.  These teaching artists are experienced, professionally trained and supervised.

“I think that the arts provide not only a tool for performance, but a tool for life,” says Renee Lorenzetti, related arts coordinator for the Allentown School District.  ”It’s how we live and it’s who we are; and it’s what we need in our society.”

Camp Imagine students will explore their talents in acting, music, and dance in a safe and open environment, rotating through classes in drama, movement, and vocal expression.  They will also get to work with Muhlenberg alumni and students to create a dynamic ensemble environment with their peers.

The Workshop takes a multi-disciplinary approach to the study, creation, and performance of theatre. Students will work in a professional studio setting, learning not only acting, dance, and voice, but also advanced audition technique, ensemble collaboration, and character development.  Sessions are modeled after college classes, providing students with the opportunity to experience college-level performing arts instruction.  The workshop experience will conclude with an original ensemble performance.

Camp Imagine meets 9:30 to 12:30 a.m.  A lunch is provided for free to all participants, and free bus transportation is provided from all four Allentown School District middle schools.  For students not enrolled in the Allentown School District, tuition is $395; however, partial and full need-based scholarships are available. The Camp Imagine showcase is Saturday, July 27, at 10 a.m.

The Performing Arts Workshop meets 1:30 to 4:30 p.m.  Tuition for all students is $465; however, partial and full need-based scholarships are available.

Both programs meet July 1-26, except for July 4.  Students must register to participate.  Applications are available online atwww.muhlenberg.edu/camp, and by request at camp@muhlenberg.edu or 484-664-3693.

The programs are made possible by underwriting support from Enterprise Car Rentals, Crayola, The Foundation for Allentown City Schools, and others.

 

Muhlenberg’s ‘Marriage of Figaro’ Brings Beaumarchais’s 18th Century Comedy To A Modern Audience

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, Pa – “The Marriage of Figaro” is known worldwide to opera aficionados and Bugs Bunny fans from the opera composed by W.A. Mozart. Less well-known to modern audiences is the 1784 comedy by French playwright Beaumarchais, upon which Mozart based his opera.

The Muhlenberg College Theatre & Dance Department will present the Beaumarchais play as the finale to its 2012-13 Mainstage Series, April 25-28. Directed by Francine Roussel, the production will feature an original score by composer and musician Mike Krisukas, known to Lehigh Valley audiences as the guitarist and lead songwriter for the band Zen For Primates.

“‘The Marriage of Figaro’ is so well built, the characters so real, and the spirit of the play so uplifting that it deserves exposure to an American audience,” Roussel says. “Opera buffs may know the Mozart classic, but less often the play on which it is based. On Beaumarchais’ behalf, we hope to rectify that inequity.”

Writing a few years before the French Revolution, Pierre-Augustin Caron de Beaumarchais pours his rage at the aristocracy into “The Marriage of Figaro,” which manages equal parts hilarity and outrage. First produced in 1784, the play was a sequel to “The Barber of Seville,” picking up three years after the wedding of the Count and Countess that concludes that play. Now Figaro, the Count’s valet, plans to marry, but the Count has tired of his lovely Countess and lusts for Figaro’s bride-to-be, Suzanne. He determines to revive the ancient “droit du seigneur” — the lord of the manor’s right to bed any new bride on her wedding night.

Figaro, Suzanne and the Countess concoct a counter-plot, but the Count’s page, Cherubin, makes hash of it through his passionate crush on the Countess. The multiple layers of misunderstanding yield what Roussel calls “one of the most perfect farce scenes of all time,” in one of the most scathing critiques of aristocratic privilege ever written.

“Le droit du seigneur — while anathema to modern sensibilities — was the ‘natural order’ for the aristocracy in much of 18th century Europe,” Roussel says. “Beaumarchais had the temerity to write a comedy about this shocking practice, subtly undermining class privilege, exposing gender inequalities, and revolutionizing the condition of women. Danton claimed that ‘Figaro killed off the nobility.’ Perhaps — but with laughter, not the guillotine.”

Krisukas says his starting point for the show’s original score was his and Roussel’s mutual interest in Spanish flamenco styles.

“Part of the excitement in entering a new artistic project is the opportunity to be quickly thrust into a new world,” Krisukas says. “It’s like going on a journey and immersing yourself in some new land with its own culture, language, history and artistic perspective.”

The production also features original choreography by Nina Pongratz, scenic and lighting design by Curtis Dretsch, and costume design by Liz Covey.

“All Will End with Joyful Songs: A Panel Discussion” will be held Thursday, April 25, at 12:30 p.m. in the Recital Hall, Baker Center for the Arts. This discussion will provide unique perspectives on the content and context of “The Marriage of Figaro.” Theatre professor James Peck and French professor Kathy Wixon will moderate the discussion. The panel will include Roussel, Krisukas, Pongratz, and students of Wixon’s French Theatre of the Resistance course.

Muhlenberg College is a liberal arts college of 2,200 students in Allentown, Pa. The college offers Bachelor of Arts degrees in theater and dance. The Princeton Review consistently ranks Muhlenberg’s production program in the top ten in the nation, and the Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States.

Performances of “The Marriage of Figaro” are April 25-28: Thursday through Saturday at 8 p.m and Sunday at 2 p.m. Tickets are $15 for adults and $8 for LVAIC students, faculty and staff and for patrons 17 and under.

Performances are in the Baker Theatre, Trexler Pavilion for Theatre and Dance, Muhlenberg College, 2400 Chew St., Allentown. Performance information and tickets are available at 484-664-3333 or 
http://www.muhlenberg.edu/theatre
.

Mountain Laurel Performing Arts Center Closing

Map of Pennsylvania highlighting Pike County

Map of Pennsylvania highlighting Pike County (Photo credit: Wikipedia)

A music venue touted as a “crown jewel” for the Poconos when it opened looks like it will observe its 10th anniversary this summer by again being shuttered, with no concerts scheduled.

Mountain Laurel Performing Arts Center in Lehman Township, Pike County, without fanfare broke ties with the second management agency it has had in two years and, for the third time in its history, has closed the venue, with few prospects for activity this summer.

The most recent manager, Christopher Perrotti of Rhode Island, confirmed in an email that he was let go in August. He said he believes that the center’s owners “have closed it down, which is not good for the venue’s future.”

A woman who answered the phone at O’Neill Properties Group of King of Prussia, Montgomery County, one of the center’s owners, referred questions to a spokesman who did not respond to a telephone message left for him.

Read more:  
http://thetimes-tribune.com/news/mountain-laurel-performing-arts-center-closing-1.1464768

DeMedici II Will Buy Former GlaxoSmithKline Building For New String Theory School

Map of Pennsylvania highlighting Philadelphia ...

Map of Pennsylvania highlighting Philadelphia County (Photo credit: Wikipedia)

A new performing arts charter high school says it has sealed a deal to open in the fall at GlaxoSmithKline‘s former North American headquarters at 16th and Vine Streets.

Under terms that will be announced Thursday, a nonprofit associated with the Philadelphia Performing Arts Charter School has agreed to buy the curving, eight-story building for $29 million for the String Theory High School for the Arts and Sciences.  It will be the first charter high school in the city focused on the performing arts.

The nonprofit, DeMedici Corporation II, expects to finance the property with tax-exempt bonds from the Philadelphia Authority for Industrial Development (PAID), according to Mary D’Anella, spokeswoman for String Theory Schools, which manages the charter.

“It’s the most exciting high school this city has opened in a generation,” said Angela Corosanite, chief executive officer of the nonprofit String Theory, and founder of it and the Philadelphia Performing Arts Charter School.

Read more:  
http://www.philly.com/philly/education/20130328_DeMedici_II_will_buy_former_GlaxoSmithKline_building_for_new_String_Theory_School.html

Mental Landscapes, March 20-24 At Muhlenberg‏ College

‘New Visions’ Directors’ Festival to showcase promising young directors

March 20-24 festival includes ‘Iphigenia and Other Daughters,’ evening of one-act plays

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, Pa – Emerging directorial talents will be on display in Muhlenberg College‘s “New Visions” Directors’ Festival, featuring plays directed by four senior directing students in the college’s Department of Theatre & Dance.

Presented by the college every other year, the “New Visions” festival features rarely-produced, avant-garde works for theater, and offers a rare opportunity for audiences to see the work of the next generation of up-and-coming theater artists. This year’s festival includes two productions, performed in repertory: Ellen McLaughlin’s “Iphigenia and Other Daughters,” directed by Danielle Barlow, and “Mental Landscapes,” an evening of three one-act plays directed by Jimmy Morgan, Abby Wylan, and Riva Rubenoff.

The festival runs Wednesday through Sunday, March 20-24. “Iphigenia and Other Daughters” will be performed Wednesday and Friday at 7 p.m., Thursday and Saturday at 10 p.m., and Sunday at 2 p.m. “Mental Landscapes” will be performed Wednesday and Friday at 10 p.m., Thursday at 7 p.m., and Saturday at 2 and 7 p.m.

“Iphigenia and Other Daughters,” McLaughlin’s poetic modern adaptation of the legend of Agamemnon and the aftermath of the Trojan War, offers a provocative feminist perspective on a story of lust, fury, sacrifice and rebellion. The “good girl” of the bloodiest family in Greek legend, Iphigenia is sent in a time of suffering and war as a sacrifice to appease the gods. She is saved at the eleventh hour, but by then her family has spiraled into vengeful obsession and self-destruction.

“Mental Landscapes” includes three plays that explore the topography of the world in our heads, the anxiety of forging a path through it, and the uncertainty that lies beyond. Morgan directs “The Man Who Turned Into a Stick,” by Kobo Abe. Wylan directs “Intermission,” by Will Eno. Rubenoff directs “Rough for Theatre II,” by Samuel Beckett.

Both evenings are intended for mature audiences.

MuhlenbergCollege is a liberal arts college of 2,200 students in Allentown, Pa. The college offers Bachelor of Arts degrees in theater and dance. The Princeton Review consistently ranks Muhlenberg’s production program in the top ten in the nation, and the Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States.

Tickets for either “Iphigenia and Other Daughters” or “Mental Landscapes” are $15 for adults and $8 for LVAIC students, faculty and staff and for patrons 17 and under. Combination tickets, including both performances, are $20 for adults, $12 for students, faculty and staff, and can be used for any two performances. Performances are in the Studio Theatre, Trexler Pavilion for Theatre and Dance, MuhlenbergCollege, 2400 Chew St., Allentown. Performance information and tickets are available at 484-664-3333 or 
http://www.muhlenberg.edu/theatre

Muhlenberg’s ‘Bartholomew Fair’ Offers ‘Mix Of Punk And Puritan,’ Still Relevant 400 Years After Debut

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, Pa. – For years, Muhlenberg College theater students have looked forward to working with Kevin Crawford, a professor at the Accademia dell’Arte in Arezzo, Italy. Now, Crawford brings his unique brand of physical theater to the Muhlenberg Mainstage with Ben Jonson‘s over-the-top comedy “Bartholomew Fair.”

One of Europe’s premiere schools for the performing arts, Accademia dell’Arte is a popular study-abroad location for Muhlenberg theater and dance majors. Kevin Crawford has worked with Muhlenberg students since 2002 as a professor at the Accademia and currently directs the school’s Master of Fine Arts program in physical theater. Crawford makes his Muhlenberg directing debut.

The production runs Feb. 21-24 in the Baker Theatre at Muhlenberg. Crawford and musician Caroline Boersma are this season’s Baker Artists-in-Residence, sponsored by the Dexter F. and Dorothy H. Baker Foundation.

Jonson’s 1614 play is “a noisy, exuberant slice of Jacobean life,” Crawford says.  Depicting a day in the 17th century life of the Fair, the play pits Puritan excesses against the cruder vices and pleasures of the Fair’s underclass — the thieves, swindlers, prostitutes and pimps who thrived there.

“It’s about the upper-class society meeting the underbelly at the Fair and what happens when they interact,” Crawford says. “Madmen become prophets. Prophets humiliate themselves and gradually become madmen themselves. It’s a mix of punk, puritan, and opposition. Clean versus dirty.”

Crawford says that despite its 17th century origins, the story still resonates with modern audiences. Crawford wants to take the world of “Bartholomew Fair,” Jonson’s last great comedy, and show exactly how relevant it still is today.

 ”I’ve done ‘Bartholomew Fair’ before with students and I liked it,” Crawford says. “I was attracted to its language and its time. It’s a contemporary of ‘The Tempest,’ but a bit more racy. It’s quite unusual. … It’s a comedy, definitely not a heavy piece. It’s a fun piece.

“The thing that’s fun for me is watching this 400-year-old text just bursting to life. It’s like a firework display.”

Kevin Crawford is a founding member of the Roy Hart Theatre Company, whose groundbreaking influence on contemporary voice-work for theater is internationally recognized. He toured extensively with the company for more than 20 years, during which time the company received several prestigious prizes including an Obie Award in New York and the Prix Jean Vilar at The Printemps des Comédiens.

Crawford’s Accademia colleague, Boersma will provide original musical arrangements to the production. Her unique score uses music from the early 1600s, which she will accompany on cello, along with vocal and instrumental performances by the actors themselves. Boersma is coordinator of the music program at the Accademia dell’Arte, where she also teaches,

The music is important because it’s written into the show,” Boersma says. “Characters are always singing. It’s quite integrated. For me as a musician, it’s always interesting to work with theater. It adds a dimension.”

The show will also feature Muhlenberg faculty member Holly Cate in the role of Ursula, the Pig Woman. Cate describes Ursula as a grandmother figure to the Fair participants.

“Ursula is mean and nasty,” she says, “but she also takes care of everyone, and they take care of her.”

She describes the humor as “funny and bawdy,” with extreme characters and outrageous situations, and she says audiences will empathize with the characters’ faults and hypocrisies, as well as their successes.

 ”It’s like Monty Python in 1605,” she says.

Cate originally signed on to do the show because she wanted the opportunity to work with Crawford.

“If he wanted me to read from the telephone book, that is what I would do and I would have been delighted,” Cate says. “He’s fabulous. It’s incredible to be in the room with an artist of his caliber and a teacher of his caliber.”

Faculty member Tim Averill’s scenic design will add another dimension to the show. Recently returned from sabbatical during which he explored ways in which sustainability can be incorporated into the theatrical process, Averill seeks to keep the production as eco-friendly as possible.

“Limitation is a path to creativity,” Averill says. “Sustainable theater happens when conscious choices to be sustainable are part of the artistic aesthetic.”

Averill’s set design will use elements from previous productions as well as found objects that will be modified for the show. In addition, all the paint on set will be water based, not petroleum based, and he will use the least amount of “new stuff” possible to create a hand-crafted aesthetic, he says.

Averill hopes to use “Bartholomew Fair” as an example of how a designer can preserve production values while also creating a sustainable piece of theater.

“I’m excited about the challenge of the production,” Averill says, “and I’m excited to be part of a process that puts fun out into the world.”

Both Averill and Crawford have tried to incorporate fun into every aspect of the show, from the rehearsal and design processes to the performance itself. For Cate, the process has shown her how accessible the humor in the script really is.

“Kevin has a love for the language, which is rich and nasty and fabulous and profane,” Cate says. “I think it’s going to be like a little confection that everyone is going to enjoy. It’s going to be very funny — a grand experiment.”

“Bartholomew Fair” will feature costume design by guest artist Annie Simon and lighting design by Gertjan Houben. Molly Serpi is the production stage manager.

Performances of “Bartholomew Fair” are Feb. 21–24: Thursday through Saturday at 8 p.m. and Sunday at 2 p.m. Tickets are $15 for adults and $8 for patrons 17 and under and LVAIC students, faculty, and staff. Performances are in the Baker Theater, Trexler Pavilion for Theater and Dance, Muhlenberg College, 2400 Chew St., Allentown. Muhlenberg Theater & Dance performance information and tickets are available at 484-664-3333 orwww.muhlenberg.edu/main/academics/theatre-dance/

Downtown Lancaster’s Ware Center Alive With Activity

Picture 560That beehive of activity known as The Ware Center is open for business once again.

After taking a winter break, the Millersville University facility at 42 N. Prince St. will host more than 65 events between late this month and the end of May.

A number of series will be ongoing throughout the school year.  Among the themes are poetry, jazz, opera, theater, dance, art, film, lectures and a Family Fun Fest for children and parents.  ”This year is pretty crowded,” notes Harvey Owen, center director.  ”There is something here or at the Winter Center (Millersville University’s other major performing arts center, which is on campus) almost every night.”

Local performers and a wide array of national and international acts are on the schedule.

Read more: 
http://lancasteronline.com/article/local/806238_Downtown-Ware-Center-alive-with-activity.html#ixzz2Ikf76ANM

‘Master Choreographers’ Dance Concert, Feb. 7-9, Displays Talents Of Acclaimed Choreographers, More Than 40 Dancers

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, Pa. — Muhlenberg College will showcase world premiere dance works created by five of the region’s most accomplished choreographers and two restagings by internationally acclaimed choreographers, in the College’s annual “Master Choreographers” dance concert, Feb. 7-9.

“This concert is a spectacular evening of ballet, tap, jazz, and contemporary dance,” said Karen Dearborn, the director of dance for Muhlenberg’s Department of Theatre & Dance, and the artistic director for “Master Choreographers.” “We are fortunate to be showcasing new works by internationally acclaimed guest artists and faculty.”

The performance will take place on the Empie Theatre stage, in Muhlenberg’s Baker Center for the Arts.

This season’s “Master Choreographers” concert will feature a restaging of the second movement of “Viva Vivaldi,” the Joffrey Ballet‘s signature work, choreographed by Gerald Arpino and restaged for Muhlenberg by Trinette Singleton, co-artistic director of Repertory Dance Company and longtime Joffrey Ballet dancer.

Singleton was the first dancer to appear on the cover of a national news magazine (Time, in 1968). She is featured prominently in the recent Joffrey documentary, “The Joffrey Ballet: The Mavericks of American Dance,” and is one of a handful of choreographers entrusted with restaging Joffrey pieces around the country.

“When it’s your own choreography, you have total license,” Singleton says. “When you’re restaging, you have to stick as closely as possible to the choreographer’s original vision. It’s almost a little more nerve racking restaging someone else’s choreography, because you want to get it right.”

The evening will also feature a restaged work by Danish choreographer Charlotte Boye-Christensen, artistic director of the Ririe-Woodbury Dance Company, as well as world-premiere works by: Corrie Franz Cowart, co-artistic director of Co-Art Dance; Heidi Cruz-Austin, co-artistic director of DanceSpora and a Pennsylvania Ballet alumna; Dorrell Martin, founder and executive artistic director of LEON Dance Arts NY; Shelley Oliver, director of Shelley Oliver Tap Dancers; and Jeffrey Peterson, former dancer with Danny Buraczeski’s JAZZDANCE.

Shelley Oliver’s tap piece, “Inspiration Calls to Me,” will feature a live performance by the David Leonhardt Jazz Group. She says that the band and the dancers both feed off of the synergy of live collaboration.

“When the music is performed live,” Oliver says, “the dancers hear the work exactly as they know it, but with live embellishments that just bring the work to the next level. During performance, the band influences the dancers’ energy, and the dancers’ rhythms influence the band.”

“Master Choreographers” features performances by more than 40 Muhlenberg dance students, in a wide range of contrasting styles, from classical ballet to cutting-edge contemporary. One piece from the latter end of the spectrum is “Passage,” by Dorrell Martin, one of this season’s guest choreographers. Martin says he has found the process of working with Muhlenberg’s dancers to be particularly rewarding.

“Karen gave me the freedom to set whatever inspired me,” Martin says. “A lot of the movement is movement that I have been working on a while. A lot of it came from the heart and just from the music itself. I have wanted to set this piece on my company for a while now. This gave me the opportunity to try out the concept, movement, and music on the Muhlenberg dancers first.

“The Muhlenberg dancers were really a delight to work with,” he says. “Sometimes there are dancers that are used to moving a certain way but the Muhlenberg dancers were open and willing to accept new movement on their bodies. I love that sense of freedom because it opens me up to explore more movement.”

Muhlenberg College is a liberal arts college of about 2,200 students in Allentown, Pa. The College offers Bachelor of Arts degrees in theater and dance. The Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

Performances of “Master Choreographers” will take place Thursday and Friday, Feb. 7-8, at 8 p.m., and Saturday, Feb. 9, at 2 and 8 p.m. Tickets are $15 for adults and $8 for patrons 17 and under and for students, faculty and staff of LVAIC colleges. Performances are in the Empie Theatre, in the Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown. Information and tickets are available at 484-664-3333 or www.muhlenberg.edu/dance.

First Night Pittsburgh Brings Downtown Alive With More Than 100 Events In 45 Venues

English: Downtown Pittsburgh

English: Downtown Pittsburgh (Photo credit: Wikipedia)

You can ring in the new year at home with Ryan Seacrest — sadly, we lost Dick Clark this year — or you can join the crowd at one of the city’s most festive celebrations, Highmark First Night Pittsburgh.

As Stefon would say on “Saturday Night Live,” it has everything: Bollywood dancers, Japanese sword dancers, rockers, hip-hoppers, puppet paraders, treasure mappers, unicycling jugglers, human pinatas — no, not really pinatas, but that’s about all it doesn’t have.

It begins at 6 p.m. Monday with a Dollar Bank Children’s Fireworks Display and a performance by Adam Brock & The Soul Band on the Dollar Bank Stage at Seventh Street and Penn Avenue.

The evening concludes with a performance by the Dirty Dozen Brass Band, a New Orleans jazz/R&B institution since 1977, and then the Countdown to Midnight and Future of Pittsburgh Grand Finale atop Penn Avenue Place and Fifth Avenue Place.

Read more: 
http://www.post-gazette.com/stories/life/lifestyle/first-night-pittsburgh-brings-downtown-alive-with-more-than-100-events-in-45-venues-667932/#ixzz2GIiKJiQF

New Play ‘The Bourgeois Pig’ Reaches The Stage At Muhlenberg

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, Pa – “The Bourgeois Pig,” a new play by award-winning playwright Brighde Mullins, will be presented in its first full-scale production, Nov. 28 through Dec. 2 at Muhlenberg College.  Beth Schachter directs the production.

Named for a notorious paparazzi hangout spot in Los Angeles, “The Bourgeois Pig” explores the power of image—on the page and in the public eye—through the character of a late-1970s war photographer-turned-paparazzi.  The play will be presented in Muhlenberg’s 100-seat Studio Theatre.

“The play was inspired by my move to Hollywood from Cambridge, Mass.,” Mullins says. “I moved from a place where people walk around reading books—they are actually often reading while walking—to a place where there was no evidence of that kind of immersion in words, in language.  It was all about the surface, the image.  And in my new neighborhood there were lots of guys hanging around.  I thought they were dealers, but it turned out that they were paparazzi.

“I started talking with them, and I started to have sympathy for these people who are an underclass in Los Angeles.  They are considered bottom-feeders.”

Set in 1978 Los Angeles, “The Bourgeois Pig” tells the story of the Riley family, trying hard to hang onto their hopes and each other in the face of serious dysfunction.  Jack, the father, is a brilliant but damaged former war photographer who never really came back from Vietnam, now making his living as a paparazzi.  His ex-wife Francie hasn’t quite given up on an acting career that began (and pretty much ended) with an appearance on “Laugh-In” eight years before.  Older daughter Riley is in her first year at UCLA, awakening to intellectual exploration and her attraction to women.  Her sister Colette struggles with the pressure of her mother’s expectation that she grow up thin and beautiful, and find the success that Francie never had.

The play has been presented several times in workshops and staged readings over the past four years — at Minneapolis PlayLabs, at Bard College, and at the Blank Theatre, in Los Angeles — but this is the first full-scale production.  Mullins says the play has evolved considerably over that time.  The cast was still receiving text revisions up to just a couple weeks before the play’s opening.

“I think I first told Beth of my idea for the play and we’ve been talking ever since — this was four years ago,” Mullins says. “Theater is so collaborative, and a large part of making plays is finding simpatico souls.”

A 2012 Guggenheim Foundation Award-winning playwright, Mullins holds Master of Fine Arts degrees from the Yale School of Drama, in playwriting, and the Iowa Writers Workshop, in poetry.  Her plays include “Rare Bird,” “Monkey in the Middle” (produced at Muhlenberg in 2007), “Those Who Can, Do,” “Fire Eater,” “Topographical Eden,” and “Pathological Venus.” Her plays have been seen in London, at the Tristan Bates Theatre; and in New York, San Francisco, Salt Lake City, Dallas, Las Vegas, and Los Angeles.  Other awards include an NEA Fellowship a 2010 United States Artists Award in Literature, and a Gold Medal from “The Pinter Review.”

Muhlenberg College is a liberal arts college of 2,200 students in Allentown, Pa.  The college offers Bachelor of Arts degrees in theater and dance.  The Princeton Review consistently ranks Muhlenberg’s production program in the top ten in the nation, and the Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States.

Performances of “The Bourgeois Pig” are Nov. 28 through Dec. 2: Wednesday through Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 2 p.m. Tickets are $15 for adults and $8 for LVAIC students, faculty and staff and for patrons 17 and under.  The performance is intended for mature audiences.

Performances are in the Studio Theatre, Trexler Pavilion for Theatre and Dance, Muhlenberg College, 2400 Chew St., Allentown.  Performance information and tickets are available at 484-664-3333 or 
http://www.muhlenberg.edu/main/academics/theatre-dance/

Australian Pink Floyd Rocks Sovereign Center In Reading

The stage design before a show.

The stage design before a show. (Photo credit: Wikipedia)

Tonight, a Pink Floyd tribute band, Australian Pink Floyd put on a 2 hour show at the Sovereign Performing Arts Center in downtown Reading.  The packed house was on their feet, dancing, clapping, holding up lighters and making various other signs of approval throughout the show.

The first half of the show was one hour.  The band took a 20 minute break, returned to the stage and played for another hour followed by one encore.  I thought the stomping on the floor in the balcony was going to collapse it!

There are so many Pink Floyd songs that you can’t pack them into one show.  I was disappointed that they did not play Money but they did perform a number of Pink Floyd’s other hits and some songs which I did not know.  My personal favorite album by Pink Floyd is Dark Side of the Moon.

The light show and special effects were awesome!  There was a large object the resembled the Stargate (if you ever watched any of those shows on Syfy or the movie) which was constantly streaming pictures.   Fog, laser and strobe lights abounded.  There were also two huge inflatables.  One was the teacher from Another Brick In The Wall and the second was a giant bouncing kangaroo!  A gigantic disco ball was lowered from the ceiling at the end of the show to add even more sensory overload to the experience.

The musicality was superb.  I don’t think you could get a better Pink Floyd show unless the actual band performed it.  The instrumentalists and singers were all excellent.  No weak links.  Even the backup singers were amazing.  All in all it was worth every penny and then some.

Surprisingly, there were a good number of younger fans in the audience.  It wasn’t by any means made up of mostly 60′s and 70′s era folks.  Lots of 20 somethings in the house which I find pretty cool.  The music of Pink Floyd is evidently timeless if it is still being embraced by young people.

If you like the music of Pink Floyd I highly recommend taking in an Australian Pink Floyd concert in a city near you!

Click here to go to the group’s website:
http://www.aussiefloyd.com/

Click here to read the Reading Eagle’s glowing review of last night performance:


http://readingeagle.com/article.aspx?id=428061

Theaters, Playhouses Fear Financial Problems And Technical Demands Will Lower Their Curtains

At Oyster Mill Playhouse, the aging rooftop heating and air conditioning system is threatening to stage a death scene worthy of “King Lear.”

With audiences — and therefore revenues — down, there’s no money for a replacement, so managers of the not-for-profit community theater in East Pennsboro Twp. are hoping the community will donate about $25,000 to keep Oyster Mill going for another year.

“Like many other theaters, we are having our financial problems,” said Howard Hurwitz, vice president of the 91-seat theater’s board of directors. “This year has been kind of a bad year. We just haven’t been getting the attendance. We used to sell out on opening nights, but now we are lucky if we get the theater half-full.”

Oyster Mill is far from alone.

Read more:


http://www.pennlive.com/midstate/index.ssf/2012/11/oyster_mill_playhouse_theaters.html