Muhlenberg College’s Camp Imagine Performing Arts Camp For Middle Schoolers Nurtures A Passion For The Arts

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, PA — This summer, Muhlenberg College’s Camp Imagine program celebrates its 16th year of educating and enriching the lives of the Lehigh Valley’s middle school students. Founded in 1999 the program provides young people in grades 6-8 with a month-long performing arts experience, which is free for students of the Allentown School District.

The program runs June 30 through July 25, Monday through Friday, 9:30 a.m. to 12:30 p.m.

“Camp Imagine provides invaluable opportunities to nurture a passion for the performing arts,” says the program’s education manager, Lindsay Quinn. “It also builds real-life interpersonal and expressive skills, which help students in all areas of their lives.”

Participants in 2013 said that the program helped them “to take risks and ask questions,” “to be confident and be loud,” and “to not be afraid to show my art.”

Camp Imagine will culminate in a free showcase performance for family and friends at the conclusion of the four weeks, on Saturday, July 26. Participants will be guided through creative arts experiences in the performing arts by talented teams of Muhlenberg College students and alumni. These teaching artists are experienced, professionally trained and supervised.

Camp Imagine students will explore their talents in acting, music, and dance in a safe and open environment, rotating through classes in drama, movement, and vocal expression. They will also get to work with Muhlenberg alumni and students to create a dynamic ensemble environment with their peers.

Camp Imagine meets 9:30 to 12:30 a.m, Monday through Friday, June 30 through July 25. There is no session on Friday, July 4. A lunch is provided for free to all participants, and free bus transportation is provided from all four Allentown School District middle schools. The camp is free for all students who attended Allentown School District middle schools in the 2013-2014 school year. For non-ASD students, tuition is $395; however, partial and full need-based scholarships are available.

Students must register to participate. Applications are available online at www.muhlenberg.edu/camp, and by request at camp@muhlenberg.edu or 484-664-3693. Students should enroll by June 1 to ensure availability.

The programs are made possible by underwriting support from Embassy Bank, Enterprise Car Rentals, Highmark Blue Cross, Lehigh Valley Educators Credit Union, The Foundation for Allentown City Schools, and individual donors.

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Pow Wow On Mantawny Creek Celebrates Pottstown’s Native American Heritage

Pottstown, PA - In 1859, workers clearing a mound in an area on the south side of the borough unearthed skeletal remains and artifacts of an ancestor of the Lenni-Lenape people.  Over the next twelve years many more remains and artifacts were unearthed in this area.  Many of the remains and items were initially exhibited locally, but over time they have been lost.

memorial

memorial.jpg an image of the memorial on Industrial Highway

In 2000, then mayor Anne Jones headed up a campaign that resulted in the Memorial currently located at the intersection of South Franklin Street and Industrial Highway. The site sits on land generously donated by the family of Mr. Tim O’Conner, owner of Humphrey Flag Company.

The memorial, which was originally dedicated on May 5, 2000, is an acknowledgement and a recognition of the people whose spirits inhabit those grounds.  Unfortunately, in recent years, the memorial has been neglected. In an effort to bring new life and attention to this memorial, Ron Williams and Clanmother Star Harbach have organized a re-dedication of the memorial on May 3 and a pow wow on May 3 and 4. Williams says: “The Memorial is my primary objective.  The Pow Wow is a way of creating interest. I am hopeful that in time we can do more to make this memorial a local landmark that we can be proud of. It should be a place of cultural awareness.  Future plans will include warm weather monthly story-telling circles, new plants representing the indigenous  features of the pre-colonial period, a medicine wheel, lighting and a sculpture representing the culture of the Native Americans, for starters.”

The rededication ceremony will begin at 9am on Saturday, May 3 at the site, which is at the corner of Franklin St. and Industrial Highway near the river. Frankie and Johnnie’s has generously offered the use of their parking lot for those who want to attend. Afterwards the festivities will switch to Memorial Park.

The pow wow will take place from 10am-6pm on Saturday and from 10am-5pm on Sunday at the Veteran’s Memorial in Memorial Park. Visitors will be treated to dances from many different tribes. In between the dances, a storyteller will entertain and educate with traditional tales. Guests will be able to shop at different Native American vendors, who will be selling leather crafts, jewelry, beadwork, instruments, wood sculptures, herbal teas and more. Author Gretchen Hardy will be selling signed copies of her book. Buttons & Beads: Lenape Princess Wynonah and the Future President, an historical fiction book illustrated by Zoungy Kligge, takes what is known of these intrepid ancestors and weaves them into one Lenape woman, Wynonah, who becomes their collective voiceA portion of the sales of her book will be donated to the Memorial fundraiser.  There will also be an interactive education tent run by Laura and Ron Buckwalter where visitors can learn more about the Lenape people. Outside of the main pow wow site, other local groups including ArtFusion 19464 will be set up.

SpritWing.jpg the group giving a free concert at the pow wow on Saturday night

SpritWing.jpg the group giving a free concert at the pow wow on Saturday night

The event will begin with a Grand Entrance and opening ceremony at 12pm on Saturday. Following the opening ceremony, there will be a Veteran’s Dance, where military veterans and those currently serving are invited to participate to honor their service. The dancing will continue until 6pm. At 7pm, group Spirit Wing entertain the community with a free concert open to the public. The pow wow on Sunday will also begin with a Grand Entrance at 12pm. The events that day will end at 5pm.

Clanmother Star will MC the event and Joe Camaho will be whip man for the event, a ceremonial position responsible for lining up the dancers for the Grand Entrance. Medicine Horse Singers will drum for the dancers.

The entrance fee for the pow wow is $5, cash only. Children 6 and under are free. Visitors can park in the Memorial Park lot and at the lot by the Carousel building on King Street. There will be a free trolley running from the Carousel parking lot up to Pottsgrove Manor, where the annual May Day festivities will also be taking place on Saturday.

Please note that the back gate at the Veteran’s Memorial in the park will be closed to the public. All events will run rain or shine.

The organizers and dancers ask that visitors only take pictures when they are told it is allowed, as a matter of respect. Those who do not follow these rules will be escorted from the event. This is a pet friendly event. Well-behaved pets on a leash are welcome, and owners are asked to be courteous and clean up after their pets.

All funds raised during this weekend will go toward establishing an annual celebration and the maintenance and improvement of the monument. The site will be updated to make it a place of learning, with a regular schedule of storytelling and other events that will take place on site. The pow wow will be an annual event, in an effort to continue the recognition of what was lost.

In conjunction with this effort to create the awareness of the Native American contribution to the history of this nation, Representative Mark Painter will also be presenting a resolution in the Pennsylvania House of Representatives on June 2, to recognize this year as the 90th anniversary since Native Americans were granted full United States citizenship.  Until 1924, Native Americans were not citizens of the United States, but on June 2, 1924 Congress granted citizenship to all Native Americans born in the U.S. under the Indian Citizenship Act.

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“Come To The Fair!” – Annual Colonial May Fair At Pottsgrove Manor

2013 map polePottstown, PA – Celebrate spring at the Annual Colonial May Fair held at historic Pottsgrove Manor on Saturday, May 3, 2014 from 11:00am to 5:00pm.

This yearly event is a fun-filled day with activities for all ages including games, music, dancing, and crafts. Tucker’s Tales Puppet Theatre will present interactive puppet shows and will also provide festive historic music around the grounds during the event. Signora Bella will delight audiences with her acrobatic feats. Colonial conjurer Levram the Great will perform historically-themed magic shows and entertain visitors with pocket magic tricks throughout the day. Members of the Tapestry Historic Dance Ensemble will demonstrate authentic English country dances and will lead visitors in dances around the maypole to open and close the fair.

In addition to the entertainment, a variety of early American crafters and demonstrators will be on hand to display historic skills and trades and sell their wares. Young visitors can compete in hoop races, play with colonial toys and games, help churn butter, and more! The first floor of colonial ironmaster John Potts’ 1752 manor house will be open for self-guided tours during the fair. Open-hearth cooking will be demonstrated in the Pottsgrove Manor kitchen. While visitors can’t try the food cooked in the colonial kitchen, they will be able to purchase food during the event. MMG Concessions will offer burgers, cheesesteaks, hot dogs, sausage, sandwiches, fries, hand-rolled pretzels, fresh-squeezed lemonade, and more. Visitors can also shop at the manor’s museum shop for colonial games, books, and unique gifts.

This year’s fair coincides with the first-ever “Pow-Wow on Manatawny Creek,” celebrating the culture and traditions of the Lenni-Lenape Indians. The pow-wow will be taking place during the hours of May Fair and will be held at Memorial Park, less than a block from the Manor. The public is encouraged to visit both events for an experience that spans time periods and cultures!

For a schedule of the day’s activities and a list of vendors and craftspeople who will be at the fair, please visit http://www.montcopa.org/index.aspx?NID=1421.

A donation of $2.00 per person is suggested for this event. Visitors are asked to park at the Carousel at Pottstown building, 30 West King Street. There is no charge for parking, and Pottstown’s restored trolley will be giving free rides during the fair between the carousel parking lot, Memorial Park, and Pottsgrove Manor. Handicapped parking is available in the museum’s parking lot.

Pottsgrove Manor is located at 100 West King Street near the intersection of King Street and Route 100, just off Route 422, in Pottstown, Pennsylvania. Pottsgrove Manor is operated by Montgomery County under the direction of the Parks, Trails, and Historic Sites Division of the Assets and Infrastructure Department. For more information, please call 610-326-4014, or visit the website at www.montcopa.org/pottsgrovemanor.

Like Pottsgrove Manor on Facebook at http://www.facebook.com/pottsgrovemanor.

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Muhlenberg College To Present Premiere Circus Workshop

Allentown, PA – The circus is coming to town! A group of Muhlenberg College dancers, actors, gymnasts and aerial acrobats — 30 students in all — have pooled their talents to produce Muhlenberg’s first Circus Workshop. Their work will culminate in two performances on April 25.

Noah Dach ’16, a dance and business double-major, launched the project. Henry Evans ’16 serves as an assistant director and performs. Paige Klibanoff ’15 and MJ Hodge ’16 helped to develop the script and will be performing as well.

“I’ve always wanted to form a dance company,” Dach said. “I had experience in aerial before I came to Muhlenberg, and thought it would be interesting to combine that with the skills that students have been working on here. I approached Karen Dearborn, the head of Muhlenberg’s dance program, with the idea, and she helped me get it on its feet.”

The project builds on the aerial acrobatics classes that the Muhlenberg dance program began offering in spring of 2012, under the instruction of experienced aerialist and Muhlenberg alumna Madeleine Hoak.

Aerialists who had taken Hoak’s class auditioned for the Circus Workshop in January. Other auditioners performed dance combinations or gymnastics skills or recited song lyrics as dramatic monologues. From those who auditioned, Dach assembled an ensemble of diverse performers and began weekly rehearsals.

“What is most fulfilling about directing this project is how my ensemble members are always surprising me with new things,” Dach said. “I could never imagine this project being where it is now after setting this idea in motion last semester.”

The 30-minute performance tells the story, through motion, music and circus art, of a young woman looking back on her life. The other performers represent different aspects of her life, including Joy, Love, and Temptation.

“I’ve always wanted to create something modern that could tell everyday stories through art,” Dach said. “With this project, we have focused on creating something very true and human that cannot be captured in a grand, enormous circus setting. I think that we have found an intimate balance between the abstract and the reality.”

Response on campus has been enthusiastic. Of the 70 seats available for each performance, all sold out in less than two weeks. Dach said he would hopes the project will grow from here.

“Going forward, I would love to see this project expanded and incorporated into more of Muhlenberg’s productions, or even to use the members of this workshop to start forming a performance company after graduation,” Dach said. “This has been a great beginning, and it would be wonderful to see the project move into a larger theater so that more audience members could see it and support it around campus.”

Muhlenberg College is a liberal arts college of 2,200 students in Allentown, Pa. The college offers Bachelor of Arts degrees in theatre and dance. The Princeton Review consistently ranks Muhlenberg’s production program in the top ten in the nation, and the Fiske Guide to Colleges lists both the theatre and dance programs among the top small college programs in the United States.

For more information about the Department of Theatre and Dance, visit http://www.muhlenberg.edu/theatre.

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Thousands Share In American Indian Culture At Final Powwow

Counties constituting the Happy Valley Region ...

Counties constituting the Happy Valley Region of Pennsylvania (Photo credit: Wikipedia)

 — To his knowledge, John Sanchez is the only American Indian faculty member at Penn State and when his kids were in the elementary and high school system, they were the only American Indian students.

Though he loves his job, Sanchez uses the annual traditional American Indian powwow as a way to recharge his batteries and interact with other Indians.

After this year, he will have to have to find another way to do that.

The 11th annual event took place at Mount Nittany Middle School on Saturday and Sunday, but Sanchez, the event coordinator, said it will be the last. Moving closer to retirement, Sanchez said the event planning takes too much time on top of his job teaching media ethics in the College of Communications and his distinguished professorship with the Schreyer Honors College.

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Upcoming Lehigh Valley Arts Box Office Performances

lehigh-valley-arts-council-box-office.jpgBach & Handel Chorale:

April 26th: 30th Anniversary Concert Gala

Chamber Music Society of Bethlehem

April 11th: Daedalus Quartet

April 25th: Gryphon Trio

May 16th: Walden Chamber Players

Moravian College Music Institute

April 4th: Moravian College Wind Ensemble

April 6th: Moravian College Community Orchestra

April 12th: Jazz @ Moravian

Moravian College Theatre Company

April 25th & 26th: Jesus Christ Superstar

PA Sinfonia Orchestra

April 12: Chamber Orchestra – All Nature Sings

Click here for more information and tickets: http://lvartsboxoffice.org/

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ArtsQuest Plans Yearlong Effort Of Events To Support Bethlehem South Side

Map of Pennsylvania highlighting Northampton C...

Map of Pennsylvania highlighting Northampton County (Photo credit: Wikipedia)

ArtsQuest is organizing a yearlong effort to bring multiple art events to Bethlehem’s South Side business district.

The effort, called Artists Among Us, would include an Urban Arts Festival on the South Bethlehem Greenway, artists-in-residence working with city youth and a cast-iron block installation on the greenway highlighting the neighborhood’s many ethnic groups.

ArtsQuest is hoping to get a $300,000 grant from ArtPlace America, a nationwide arts foundation, to help fund the $500,000 initiative, ArtsQuest President Jeff Parks said today. ArtsQuest is one of 97 finalists for $20 million in available funding, Parks said.

ArtsPlace America officials encouraged ArtsQuest to publicize its grant application and will visit the city next week, so local officials are hopeful that they’ll receive money from the organization, said Patrick Brogan, ArtsQuest’s senior vice president of programming. ArtsQuest would still put on the Artists Among Us effort without the grant but it would include far fewer events, he said.

Read more: http://www.lehighvalleylive.com/bethlehem/index.ssf/2014/03/artsquest_planning_yearlong_ef.html#incart_river

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Muhlenberg’s Production Of “Mad Forest” Offers Innovative Take On Romanian History

Allentown, PA– As history unfolds in the Ukraine, Muhlenberg College Theatre and Dance presents the story of similar events from a quarter century ago. “Mad Forest,” by award-winning playwright Caryl Churchill, set during the 1989 Romanian Revolution, plays on the Muhlenberg mainstage April 24-26.

Directed by Beth Schachter, “Mad Forest” captures the events of the 1989 Romanian Revolution through the eyes of many who experienced it. On the eve of the revolution, and under the pressures of a paranoid society with secret police, two families, one poor and one wealthy, struggle to survive the chaos and deprivations of Nicolae Ceaucescu’s megalomaniacal Communist regime. A play of romance and politics, bookended by weddings, “Mad Forest” blends together documentary theatre and magical realism to explore the psychological landscapes of people trying to find freedom.

“‘Mad Forest’ tells the story of what happens when people who were once oppressed have the freedom to speak truthfully,” says Schachter, who serves as chair of the Department of Theatre and Dance at Muhlenberg. “It comments on the fragile nature of families and relationships in a very human way.”

Schachter became familiar with “Mad Forest” when she served as dramaturg for the American premiere of the play in New York City in 1991. She has wanted to revisit the play ever since then.

“Working on that production gave me insight into what is going on underneath the words, and more importantly, underneath the silences,” says Schachter. “This play clarifies what so often goes unsaid between people in difficult situations.”

Shortly after the 1989 revolution, Churchill travelled to Bucharest with director Mark Wing-Davey and a team of students to interview eye-witnesses and experience post-revolution Romania first hand. While there, they lived with Romanian families and collaborated with Romanian drama students. What emerged was “Mad Forest,” which premiered in London in 1990 and opened in New York the following year.

The Romanian Revolution refers to a series of protests and riots that took place in December of 1989 and led to the overthrow of Ceaucescu. Schachter hopes to bring these stories of revolution to a new generation.

“These stories have become particularly relevant in the last few months,” Schachter says. “History is unfolding in the Ukraine, with remarkable parallels to 1989 Romania. It’s not every day that you see world leaders toppled in a matter of weeks.”

British playwright Caryl Churchill has been writing since 1958. She has received Obie Awards for her plays “Top Girls,” “Cloud Nine” and “Serious Money,” as well as the Obie Sustained Achievement Award. Churchill is known for artfully commenting on such controversial themes as gender roles, power struggles, and political conflicts throughout the world.

“Churchill’s writing is fascinating because it is blunt and direct,” Schachter says. “She is able to capture how these characters struggle to find their voices after a shift in power through the revolution.”

“Mad Forest” also features a faculty spotlight performance by Holly Cate, who teaches acting at Muhlenberg. She plays a variety of roles in the show, including an angel, a grandmother, a dog, and a translator, among others. This will be Cate’s sixth mainstage performance at the college in the past seven years.

“I love working on shows here because it is so much fun to play alongside students that I have had in class,” Cate says. “I have always wanted to work on a Churchill play, so this is a great learning opportunity for me as well as for the students involved in the production.”

Muhlenberg College is a liberal arts college of 2,200 students in Allentown, Pa. The college offers Bachelor of Arts degrees in theatre and dance. The Princeton Review consistently ranks Muhlenberg’s production program in the top ten in the nation, and the Fiske Guide to Colleges lists both the theatre and dance programs among the top small college programs in the United States.

Performances of “Mad Forest” are April 24-26: Thursday and Friday at 8 p.m., and Saturday at 2 and 8 p.m. Tickets are $15 for adults and $8 for LVAIC students, faculty, and staff and for patrons 17 and under. The performance is intended for mature audiences.

Performances are in the Baker Theatre, Trexler Pavilion for Theatre and Dance, Muhlenberg College, 2400 Chew St., Allentown. Performance information and tickets are available at 484-664-3333 orwww.muhlenberg.edu/theatre

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‘Dance Emerge’ Dance Concert Showcases Eclectic Work By Emerging Student Choreographers In A Nationally Acclaimed Program

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, PAMuhlenberg College dancers tell their stories through movement, as the Muhlenberg Theatre & Dance Department presents “Dance Emerge,” a showcase for dance works created by emerging choreographers, April 10-13 in the College’s Dance Studio Theatre. Corrie Franz Cowart is the artistic director for the concert.

“Choreographers in this year’s ‘Dance Emerge’ are mining emotional and physical landscapes that celebrate the thrills of life and mourn our human foibles,” Franz Cowart says. “Humor and real-life circumstances are blended with physical skill and choreographic imagination, transforming observations of our world into kinetic and visual journeys for the audience.”

“Dance Emerge” will showcase 12 choreographers and 60 dancers from the department’s dance program, which is among the most highly regarded programs of its kind. The concert features costume and lighting designs by the department’s acclaimed professional staff.

The 12 original dances include contemporary jazz, hip-hop, tap, dance theater, and modern works that investigate such topics as the sensation of getting lost in a book, women’s struggles with power, circus lights, and ritualized behavior. Choreographers drew inspiration from such diverse sources as dance history, travel, personal relationships, and college experiences.

Muhlenberg College’s Theatre & Dance Department offers one of the top-rated college performance programs in the county, according to the Princeton Review rankings.  Muhlenberg is a liberal arts college of more than 2,200 students in Allentown, Pa., offering Bachelor of Arts degrees in theater and dance. It has been named annually among The Fiske Guide to Colleges’ top 20 small college programs in the United States, and the American College Dance Festival Association has consistently recognized dances premiered on the Muhlenberg stage for excellence in choreography and performance.

“Dance Emerge” runs April 10-13 in the Dance Studio Theatre, Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.

Performances are April 10-13: Thursday and Friday at 8 p.m.; Saturday, April 12, at 2 and 8 p.m. and Sunday, April 13, at 2 and 7 p.m. Tickets are $15 for adults, $8 for patrons 17 and under, and $8 for students, faculty and staff of all LVAIC colleges.  For groups of 15 or more, tickets are $13.

Tickets and information are available at 484-664-3333 or www.muhlenberg.edu/dance.

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Muhlenberg College Dancers To Perform At National Festival

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

ALLENTOWN, PA — “Key,” a dance work performed by Muhlenberg College dance students and choreographed by longtime Muhlenberg guest choreographer Charlotte Boye-Christensen, has been selected for inclusion at the National College Dance Festival, at the Kennedy Center for the Performing Arts, in Washington, D.C.

The work was selected by the American College Dance Festival Association (ACDFA), which presents the National Festival. The five-member cast will perform in the festival June 5-7.

“Key” is one of just 31 dance works to be selected for the festival, from among 506 submissions nationwide. It was one of only three selected from the 45 works performed at the Mid-Atlantic Regional Conference, March 17-20.

ACDFA holds 12 annual regional conferences around the country, and holds the National College Dance Festival every other year. Muhlenberg’s dance program has been included in five of the seven national festivals in the past 14 years.

“The conference gives us national exposure, and enhances the reputation of the program,” says Karen Dearborn, professor and chair of the dance program for Muhlenberg’s Theatre and Dance Department. “Especially because we’re a small liberal arts school, people tend to be absolutely shocked at how accomplished our dancers are. We’re competing against BFA and master’s degree programs and conservatories.”

A native of Copenhagen, Denmark, Boye-Christensen is best known as the former artistic director of the renowned Ryrie-Woodbury Dance Company, a position she held from 2008 until April 2013, when she stepped away from the role in order to form NOW-ID, an interdisciplinary contemporary dance company. Boye-Christensen has been commissioned to create new dance works by prestigious dance companies around the world.

“‘Key’ was inspired by the life and music of Canadian pianist Glenn Gould, an artist who epitomizes strength, originality and vulnerability,” Boye-Christensen says. “To strive for such excellence and profound artistry in one’s work, as he did, is deeply inspiring.”

“Key” features dancers  Allison Berger ’14, Katharine Dougherty ’14, Gwynne Jones ’15, Krysta Parker ’16 and Annabel Williams ’14. It was initially performed as part of Muhlenberg’s “Master Choreographers” concert in February 2014.

“It was an absolute joy for me to re-create ‘Key’ on the dancers at Muhlenberg,” Boye-Christensen says. “They came to the work with a tremendous amount of physicality, attention to detail and, perhaps most importantly, musicality. Congratulations to them, Karen and the rest of the dance faculty.”

The five dancers in the piece hail from five different states: Nevada, Tennessee, Vermont, New Jersey and Pennsylvania. All five are dance majors, and three are double-majors, in biology, anthropology, and English.

Muhlenberg College is a liberal arts college of about 2,200 students in Allentown, Pa. The College offers Bachelor of Arts degrees in theater and dance. Princeton ranks Muhlenberg’s theater program first in the nation, and the Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

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Dance Ensemble Concert – DeSales Labuda Center For The Performing Arts

DeSales Dance Ensemble ConcertDance Ensemble Concert
Saturday, March 15, 2014 at 8:00 PM
RUSH TICKET ONLY $9.00!!!

Each spring, our superbly talented dance faculty and students collaborate with exciting guest artists to present an energizing evening of daring choreographic vision. Always a fun, fresh feast for the eyes, this year’s Dance Ensemble concert demonstrates the versatility of our dancers as they are challenged to perform works of multiple genres including ballet, modern, contemporary, musical theatre, West African, and historical reconstructions. Highlighting this year’s concert will be a reconstruction of a masterwork by pioneer choreographer and dance artist Japanese/American Michio Ito (1893-1961).

Main Stage Theatre of the Labuda Center for the Performing Arts
2755 Station Avenue
Center Valley, PA 18034

NOTE: For admittance, please present ticket to the “will call” table located in the lobby of the Labuda Center.
Seating: Select seating option below under “Section” – Left or Right Orchestra otherwise Best Available seats selected.

Michio ItoMichio Ito was known as the “forgotten pioneer of American modern dance.” Ito was a charismatic dancer, choreographer, and theatre director; He was choreographed the opening and closing ceremonies for the 1964 Tokyo Olympics. His talents were admired by Debussy and Rodin in Paris, by Yeats and Shaw in England, and by thousands in the United States. DeSales University will celebrate the life and influence of this great artist.

Click here to buy tickets :http://www.etix.com/ticket/online/venueSearch.jsp?venue_id=6190&performance_id=1806280&cobrand=lvartsboxoffice&language=en&country=US

Visit: DeSales University Performing Arts website
Call: 610-282-3192

Lehigh Valley Arts Council box office

New Visions Emerging Artists’ Festival At Muhlenberg College

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, PA – Emerging theatrical talents will be on display in Muhlenberg College‘s “New Visions” Emerging Artists’ Festival, featuring plays directed by four senior directing students in the college’s Department of Theatre & Dance.

Presented by the college every other year, the “New Visions” festival features rarely produced, avant-garde works for theater, and offers a rare opportunity for audiences to see the work of the next generation of up-and-coming theater artists. This year’s festival includes three productions, performed in repertory. Benjamin Wald directs Tom Stoppard’s rarely produced “Every Good Boy Deserves Favour.” Alex McKhann directs “Still Life with Iris,” Steven Dietz’s fantastical adventure for young audiences. Matt Dicken will perform the world premiere of his one-man play “butyou’reaman, or The Seven Men I Came Out to in India,” directed by Arthur Strimling.

The festival runs Wednesday through Sunday, March 19-23. “Every Good Boy Deserves Favour” and “butyou’reaman” will be performed together for a single ticket price, March 19, 20 and 22 at 8 p.m. and March 23 at 2 p.m. “Still Life with Iris” will be performed March 21 at 8 p.m. and March 22 at 10 a.m. and 2 p.m.

In “Every Good Boy Deserves Favour,” Soviet dissident Alexander Ivanov has been imprisoned in a mental hospital until he admits that the statements he has made against the government were caused by a mental disorder. He shares a cell with a schizophrenic triangle player who believes he is in command of a symphony orchestra. Stoppard’s politically charged black comedy serves as a powerful fable about truth and dissent and as an absurd fantasia, set to the music inside your head.

An out-since-age-13 American man, playwright and actor Matt Dicken navigates the cultural dangers of staging his recent travels in India as stories for an audience in the USA. Evoking intimate landscapes rich with political and sensual variety, Dicken asks what it means to find love in a yet-to-be-legalized body.

“Still Life with Iris” centers on a little girl’s search for the simplest of things: home. Iris lives with her mom in the land of Nocturno—a magical place in which the workers make, by night, all of the things we see in the world by day. In Nocturno, memories reside not in people’s minds but in their coats. In their desire to have the best of everything, the rulers of Nocturno take Iris away from her home to be their daughter. To ease the pain of this separation, they remove her memory coat, leaving her with no recollection of her home or family. All that remains of her past is a single button. Recommended for ages 8 and up.

Muhlenberg College is a liberal arts college of 2,200 students in Allentown, Pa. The college offers Bachelor of Arts degrees in theater and dance. The Princeton Review consistently ranks Muhlenberg’s production program in the top ten in the nation, and the Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States.

Tickets for either performance (“Still Life with Iris” or the combined “Every Good Boy Deserves Favour” and “butyou’reaman”) are $15 for adults and $8 for LVAIC students, faculty and staff and for patrons 17 and under. Combination tickets, including both performances, are $20 for adults, $12 for students, faculty and staff, and can be used for any two performances.

Performances are in the Studio Theatre, Trexler Pavilion for Theatre and Dance, Muhlenberg College, 2400 Chew St., Allentown. Performance information and tickets are available at 484-664-3333 or http://www.muhlenberg.edu/theatre

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All-Female Cast Brings Feminist Sensibility To Molière’s Comedy ‘The Learned Ladies’

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, PA — In directing Molière’s “The Learned Ladies,” opening Feb. 20 at Muhlenberg College, James Peck had two choices.

He could either let Molière’s 17th century sensibilities take the reins, and produce a play about the absurdity of its female characters’ efforts to educate themselves. Or he could dig a bit deeper, and find the ways in which Molière’s comedy reveals a nobility and bravery in those efforts.

“I can see two versions of this play being produced,” Peck says. “It could certainly be done as a misogynist satire, and some directors really want to steer clear of the play because of that. But I think it more fundamentally — and the version we’re trying to do, certainly — is a play about the ridiculous lengths that men have sometimes gone to in order to keep women from educating themselves.”

In other words, it’s the sexism that’s absurd, rather than the ladies themselves — at least most of the time. In support of this perspective, Peck has cast women in all of the roles, male and female — including his faculty colleague Francine Roussel in the role of Belize.

“I think having an all-female company of women who are themselves ‘learned ladies’ underscores the point,” Peck says. “And to be fair to Molière, often his female characters are the savviest people on the stage. As soon as you start thinking that the women are ridiculous, they do or say something that’s really kind and beautiful and insightful.

“The play is also blindingly funny,” he says. “I mean, these intellectual ideas are important to me, but the humor is as well.”

“The Learned Ladies” runs Feb. 20-23 in the college’s Dorothy Hess Baker Theatre. Broadway lighting designer Rick Fisher, winner of the 2009 Tony Award for his work on “Billy Elliot: The Musical,” is designing the lights for the show as part of a semester-long residency.

For Peck, the project also represented an opportunity to work with Roussel, who returns to the Muhlenberg mainstage for the first time since “Cabaret” in 2005. A native of France, Roussel was among the founders of the Actors Studio in Paris. She has written and performed her own shows, and continues her acting career in France and America. Her numerous film and television credits include “Sex and the City,” “Saturday Night Live,” and Sydney Pollack’s feature film “The Interpreter.” Roussel directs frequently for the Muhlenberg mainstage and teaches acting at Muhlenberg.

“Working with Francine has been an incredible pleasure,” Peck says. “She’s a truly skilled actress. She has really penetrating insight into what’s happening in the scene, as well as tremendous comic timing.”

In his 1672 satire of culture pretentiousness, Molière asks whether a woman can be both a devoted wife and a devoted scholar. Henriette and Clitandre wish to marry. Henriette’s father and uncle are in favor of the match, but the women of her family are obsessed with the allure of salon culture, and wish for her to marry Trissotin, a pompous but mediocre poet. Henriette must decide whether she should live life as a highly educated but unhappy woman, or whether she can continue her education without sacrificing love.

The production features a 1978 translation by acclaimed poet Richard Wilbur, in which “words dance delectably,” according to The New York Times.

The set for the play, designed by Muhlenberg design professor Curtis Dretsch, is a giant armillary sphere — a model of celestial objects consisting of a series of concentric rings that spin around one another. The design concept reflects the characters’ desire literally to map the heavens, and more broadly, to come to a greater understanding of the universe around them.

“The sphere provides unusual playing spaces for the action of the show,” Peck says. “It also serves as the perfect image for the women’s learned enterprises.”

“The Learned Ladies” will be performed Feb. 20-23: Thursday through Saturday at 8 p.m. and Sunday at 2 p.m. Tickets are $15 for adults and $8 for patrons 17 and under. Performances are in the Dorothy Hess Baker Theatre, in the Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown. Information and tickets are available at 484-664-3333 or www.muhlenberg.edu/theatre.

Muhlenberg College’s Theatre & Dance Department offers one of the top-rated college performance programs in the country, according to the Princeton Review rankings. Muhlenebrg is a liberal arts college of more than 2,200 students in Allentown, Pa., offering Bachelor of Arts degrees in theatre and dance. It has been named annually among the Fiske Guide to Colleges’ top 20 small college programs in the United States.

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Upcoming Lehigh Valley Arts Box Office Performances

Moravian College Music Institute
Black diamond (cards)February 9: Lou Lanza, jazz vocalist “Billy Joel Songbook…Jazz Style”
Black diamond (cards)Feburary 15: The Empty Bell-Shakuhachi Music, Faculty Recital with Nora Suggs on shakuhachi flute
Black diamond (cards)February 16: Seasons of the Heart with Suzanne Kompass, soprano
Black diamond (cards)February 21: Moravian College Wind Ensemble
Black diamond (cards)February 23: Community Orchestra with Jesus Morales
Black diamond (cards)March 16: Moravian College Woman’s Chorus

Moravian College Theatre Company
Black diamond (cards)February 13, 14, 15, 16: Hello Herman

PA Sinfonia Orchestra
Black diamond (cards)February 22: Sinfonia Virtuosi

Chamber Music Society of Bethlehem
Black diamond (cards) 
March 14: Cuarteto Quiroga 

Lehigh Valley Arts Council box office

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Muhlenberg Summer Music Theatre Announces Open Audition Dates

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, PA — Muhlenberg Summer Music Theatre will hold open auditions for performers ages 16 and up on Feb. 23 and 24. Performers will be cast for the season’s mainstage productions: the classic Broadway musical “A Chorus Line,” performing June 11-29, and “Monty Python’s ‘Spamalot,’” performing July 9-27.

The following audition details can also be found online, at www.muhlenberg.edu/smt.

Vocal auditions will be held Sunday, Feb. 23, from 3 to 6:30 and 7:30 to 11 p.m., and Monday, Feb. 24, from 7 to 11 p.m. Sunday vocal auditions will be held in the Baker Center for the Arts Band Room. Monday vocal auditions will be held in the Baker Theatre, in the Trexler Pavilion for Theatre & Dance. Vocal audition appointments are three minutes.

Dance auditions will be held Sunday, Feb. 23, from 5 to 9 p.m. and Monday, Feb. 24, from 6 to 9 p.m., in the Empie Theatre, Baker Center for the Arts. Dance auditions will take about half an hour.

All auditioners must register in advance and schedule an audition. All auditioners must sign up for both vocal and dance auditions. Auditioners should send an email to SMTcompany@muhlenberg.edu before Friday, Feb. 21, indicating available dates and times within the scheduled audition, and providing a mobile phone number where the auditioner can be reached with questions.

Those without access to email should call the Muhlenberg Theatre & Dance office at 484-664-3087, during regular office hours before Thursday, Feb. 20. Voice messages should contain all of the above information.

All auditioners will be assigned a time for both a dance audition and a vocal audition. Auditioners must both dance and sing, even if they concentrate in just one area. All performers in both shows will sing and dance.

Auditioners who live too far away from the Allentown area or who are unable to attend auditions may submit a preliminary DVD audition. The DVD should consist of a comedic monologue not more than two minutes in length, one song (see guidelines below), and a 90-second dance solo. DVDs must arrive before the audition date listed to be eligible for consideration.

Auditioners who receive a callback must attend in person to be considered for a role. Callbacks will be held March 9-11, and will include acting auditions, reading from the script.

Auditioners for both shows should prepare a memorized vocal selection of no more than 32 bars of a musical theater song written between 1950 and 1980.

An accompanist will be provided for the vocal audition. Auditioners must bring sheet music in the key in which they would like to sing, with the selection indicated and any cuts clearly noted. Please no accompaniment tapes or a cappella auditions.

For dance auditions, auditioners will be taught a short dance sequence, which they will then perform. No preparation is required. Auditioners who own tap shoes should bring them.

Auditioners should bring two copies of their resumes and headshots.

Non-performing opportunities are available for technicians and costumers. Carpenters, electricians, props technicians, light board and sound board operators, and stage crew are needed for productions. Costumers, first hand, stitchers, and wardrobe running crew are needed in the costume shop.

High school stage management internships are available for those who will be at least 16 years old by the time they begin working for MSMT. Interns work alongside college students and professionals from the College, and guest artists from New York, learning valuable skills that they can take back to their high school programs. Interns receive a $400 stipend for the summer.

The application deadline for technicians, costumers, and administrative personnel is March 1. Applications can be found online at muhlenberg.edu/smt. Completed applications can be sent to boxoffice@muhlenberg.edu.

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Steel River Playhouse’s New Artist Director Can Do It All

Picture 577Actor, director, producer, playwright, teacher — Steel River Playhouse’s new artist director Gene Terruso is comfortable in all those roles. But that was not always the case.

Unlike so many theater people, despite his mother’s unflagging encouragement, he was not dying to get on stage. In fact he studiously avoided it until high school.

Terruso grew up in a West Philadelphia neighborhood and back then, it wasn’t cool to be a theater geek.

Trying out for shows, “was not a manly thing to do,” he said with a bemused smile.

Read more: http://www.pottsmerc.com/lifestyle/20140125/steel-river-playhouses-new-artist-director-can-do-it-all

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Moravian College Music Institute Upcoming Performances 2014

Lehigh Valley Arts Council box office

Moravian College Music Institute
Upcoming Performances 2014
(CLICK FOR TICKETS)

Faculty Recital Featuring: Lou Lanza, jazz vocal “Billy Joel Songbook…Jazz Style” 
Sunday, February 9, 2014 7:00 PM ($15 / $10)

Faculty Recital Featuring: Nora Suggs, shakuhachi flute “The Empty Bell-Shakuhachi Music” 

Saturday, February 15, 2014 7:30 PM ($15 / $10)

Faculty Recital Featuring: Suzanne Kompass, soprano “Seasons of the Heart” 

Sunday, February 16, 2014 4:00 PM ($15 / $10)

The Moravian College Wind Ensemble 

Friday, February 21, 2014 7:30 PM ($10 / $5)

The Moravian College Community Orchestra with special guest artist Jesus Morales 

Sunday, February 23, 2014 7:00 PM ($10 / $5)

The Moravian College Women’s Chorus

Sunday, March 16, 2014 7:00 PM ($10 / $5)

Moravian College Wind Ensemble 

Friday, April 4, 2014 7:30 PM ($10 / $5)

Moravian College Community Orchestra 

Sunday, April 6, 2014 at 7:00 PM ($10 / $5)

Jazz@Moravian featuring The Moravian College BIG Band & Fusion 

Saturday, April 12, 2014 at 7:30 PM ($10 / $5)

The Moravian Choir presents “Jesus Christ Superstar” 

Friday, April 25 & Saturday, April 26, 2014 at 7:30 PM ($15 / $10)

Buy your tickets today from www.LVArtsBoxOffice.org


Lehigh Valley Arts Council
840 Hamilton Street, Suite 201 ◊ Allentown, PA 18101
610.437.5915 ◊ operations@LVArtsCouncil.org
www.LVArtsCouncil.org ◊ www.LVArtsBoxOffice.org

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Muhlenberg College Celebrates Twenty Years Of Dance With ‘Master Choreographers’ Dance Concert, February 6-8

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, PA — The Muhlenberg College dance program celebrates its 20th anniversary with a special edition of its annual “Master Choreographers” dance concert, Feb. 6-8.

The concert will feature a restaging of “D-Man in the Waters (Part 1),” by legendary choreographer Bill T. Jones, as well as seven world-premiere dance pieces, choreographed by acclaimed guest artists and faculty members.

One of the premiere choreographers of his generation, Bill T. Jones was the recipient of the 2010 Kennedy Center Honors (alongside Paul McCartney and Oprah Winfrey). He has won Tony Awards for his choreography in the Broadway shows “Spring Awakening” (2007) and “Fela!” (2010). The Dance Heritage Coalition has called Jones “an irreplaceable dance treasure.” The Bill T. Jones/Arnie Zane Dance Company, founded in 1982, has performed worldwide.

Premiered in 1989, “D-Man in the Waters” won a New York Dance and Performance Award (“Bessie Award”) and has since become one of the company’s signature pieces. Set to Mendelssohn’s Octet for Strings in E-flat Major, Op. 20, the work is one of the finest examples of the post-modern aesthetic and was featured in PBS’s landmark film “Dancing in the Light: Six Dances by African-American Choreographers.”

“‘D-Man’ is the kind of piece that sets audiences cheering,” Anna Kisselgoff wrote in the New York Times in 1989, and acclaimed dance director Charles L. Reinhart called the piece “one of the greatest works ever choreographed… It’s extraordinarily moving emotionally and extraordinarily exciting and interesting choreographically with an incredible message of despair and hope which is what life’s all about.”

“D-Man in the Waters” is supported by the Dexter F. and Dorothy H. Baker Artist-in-Residence program, and presented with the cooperation of the Bill T. Jones/Arnie Zane Dance Company.

The annual “Master Choreographers” concert features a diverse selection of styles and genres, ranging from classical ballet to contemporary jazz, modern dance, and tap accompanied by live jazz music.

“This concert presents a spectacular evening of dance,” says Karen Dearborn, founding director of Muhlenberg’s dance program, and the concert’s artistic director. “We are thrilled to showcase Bill T. Jones’ masterpiece, along with new works by internationally acclaimed guest artists and faculty.”

Dearborn has created a new work for the performance, which will also feature works by: Danish choreographer Charlotte Boye-Christensen, former artistic director of the Ririe-Woodbury Dance Company; Corrie Franz Cowart, co-artistic director of Co-Art Dance; Heidi Cruz-Austin, alumna of the Pennsylvania Ballet; Dorrell Martin, founder of LEON Dance Arts NY; Shelley Oliver, director of Shelley Oliver Tap Dancers; and Jeffrey Peterson, former dancer with Danny Buraczeski’s Jazzdance.

In conjunction with the “Master Choreographers” concert, dance critic, acclaimed author and journalist Elizabeth Zimmer will present a lecture on Friday, Feb. 7, at 5 p.m., in the Baker Center for the Arts Recital Hall. Admission is free.

Other 20th Anniversary activities include a Dance Reunion Weekend, March 21-22, and an Alumni Concert, featuring dance pieces by alumni from throughout the program’s 20 years, March 22.

Performances of “Master Choreographers” will take place Thursday, Feb. 6, at 8 p.m.; Friday, Feb. 7, at 8 p.m.; and Saturday, Feb. 8, at 2 and 8 p.m. Tickets are $15 for adults and $8 for patrons 17 and under. Performances are in the Empie Theatre, in the Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown. Information and tickets are available at 484-664-3333 or muhlenberg.edu/dance.

Muhlenberg College is a liberal arts college of about 2,200 students in Allentown, Pa. The College offers Bachelor of Arts degrees in theater and dance. Princeton ranks Muhlenberg’s theater program first in the nation, and the Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.

Choreographer Bios

BILL T. JONES (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Dance Company; Executive Artistic Director: New York Live Arts) is the recipient of the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed FELA!; a 2007 Tony Award, 2007 Obie Award, and 2006 Stage Directors and Choreographers Foundation CALLAWAY Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; the 2007 USA Eileen Harris Norton Fellowship; the 2006 Lucille Lortel Award for Outstanding Choreography forThe Seven; the 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; the 2005 Harlem Renaissance Award; the 2003 Dorothy and Lillian Gish Prize; and the 1994 MacArthur “Genius” Award. In 2010, Mr. Jones was recognized as Officier dans l’Ordre des Arts et des Lettres by the French government, and in 2000, The Dance Heritage Coalition named Mr. Jones “An Irreplaceable Dance Treasure.”  

Mr. Jones choreographed and performed worldwide with his late partner, Arnie Zane, before forming the Bill T. Jones/Arnie Zane Dance Company in 1982. He has created more than 140 works for his company. In 2011, Mr. Jones was named Executive Artistic Director of New York Lives Arts, an organization that strives to create a robust framework in support of the nation’s dance and movement-based artists through new approaches to producing, presenting and educating.

Germaul Barnes (Restager) is a Bessie Award winner for his dancing in the work of the Bill T. Jones/Arnie Zane Dance Company. He is currently Director and Founder of Germaul Barnes/Viewsic Expressions Dance, a New York based dance company that presents multi-media dance performances and educational residencies around the world. Mr. Barnes is also Co-Director of Burnt Sugar/Danz with Gabri Christa and Greg Tate. He has received many grants and awards for his extensive foreign experience as dancer, teacher, choreographer and anthropologist. He has created dances for The Ailey School, Southern Dance Work, Birmingham Southern College, Skidmore College, Jasmyn Fyffe Dance-Toronto, Ghana National Dance Theater, ChoreoQuest Project, University of Illinois at Urbana-Champaign and Institute of Contemporary Art/Boston, among others. For a complete list of his achievements, visit: www.ViewsicEx.org.

Charlotte Boye-Christensen is the former artistic director of the Ririe-Woodbury Dance Company, located in Salt Lake City. A native of Copenhagen, Denmark, Boye-Christensen received her formal training at London Contemporary Dance School and at the Laban Centre in London and completed her Master of Fine Arts degree at the Tisch School of the Arts, New York University. She has been commissioned to create new works for numerous dance companies and universities around the world. Boye-Christensen is the recipient of a Fulbright Scholarship and grants from the Theatre and Arts Councils in Denmark, Germany, Mexico and Singapore, as well as a recipient of the Choo-San Goh Award for Choreographic Excellence. In 2002 she joined Ririe-Woodbury Dance Company to assist in the artistic direction of the company. She became the artistic director in 2008 and has created and re-staged 26 pieces on the company. In April 2013, she stepped away from that position in order to form NOW-ID, an interdisciplinary contemporary dance company, and to pursue more international commissions.

Heidi Cruz-Austin is an alumna of the Pennsylvania Ballet, and she has danced featured roles in works by choreographers ranging from Alvin Ailey to George Balanchine. In addition to dancing with Pennsylvania Ballet, Cruz-Austin has performed with the Philadelphia-based company Ballet X and as a guest artist throughout the United States and Europe. As a choreographer, Cruz-Austin was a winner for the 2003 Ballet Builders showcase in New York City. She has been commissioned to create works for Franklin and Marshall College, Bryn Mawr College, Repertory Dance Theater, and Ballet D’errico, and she was a recipient of the 2004-2005 New Edge Residency at The Community Education Center of Philadelphia.

Corrie Franz Cowart has performed with the Mary Miller Dance Company, LABCO Dance, Minh Tran and Company, the Dance Theatre of Oregon, and the Pittsburgh Opera. She is also the co-artistic director of Co-Art Dance and has performed both nationally and internationally with Impact Productions’ “Dayuma,” and “The Masterpiece.” Cowart continues to perform and choreograph for her own company Co-Art Dance, a contemporary dance company she co-founded in 1997 with her husband Tim Cowart. Corrie is an assistant professor at Muhlenberg College, where she teaches modern, dance composition, and dance on camera.

Karen Dearborn has choreographed more than 70 works in concert, theater, and musical theater, including national tours of the Tony Award-winning National Theatre of the Deaf and several Equity theatres. She has provided choreography for the Muhlenberg theater productions of “On the Town,” “The Pajama Game,” “Oklahoma!” “Urinetown,” and “West Side Story,” and Muhlenberg Summer Music Theatre productions of “Hairspray,”  “The Sound of Music,” “The Who’s Tommy,” and “Oliver!” to name just a few. Dearborn is the founding director of Muhlenberg’s dance program. Her scholarly research has been published in the Journal of Dance Education, and she contributed an essay to the book “Performing Magic on the Western Stage.” She serves on the executive board of the American College Dance Festival Association.

Dorrell Martin is founder of the jazz and contemporary dance program, LEON Dance Arts NY, which is associated with LEON Contemporary Dance Company/NY, of which Martin is the artistic director. He was also the creator and director of the jazz and contemporary program at The Joffrey Ballet School. He is former artistic director/co-founder of Houston Metropolitan Dance Company in Houston, Texas. Martin was a soloist for the national and international touring company of “A Few Good Men Dancin’,” and has danced in such shows as “Aida,” “West Side Story,” “The Lion King,” and “Swing.” He has also performed with many professional companies, including Arch Dance, Locke Contemporary Dance, Houston Grand Opera, Metropolitan Opera, and Richard Rivera’s PHYSUAL. Martin has also performed with such recording artists as Jennifer Lopez, Pink, Black Eyed Peas, Rihanna and Debra Cox.

Shelley Oliver is a Canadian-born tap dancer, choreographer, and educator. She has appeared internationally with some of the legends of the tap world. She is the artistic director of The Shelley Oliver Tap Dancers currently touring with the David Leonhardt Jazz Group throughout the northeast. Oliver is a founding member of Manhattan Tap and served as a co-artistic director and choreographer with the company. She has toured in concert halls in Europe, China, the Caribbean, Canada, and the United States. She has performed with Savion Glover, Gregory Hines, Jimmy Slide, Buster Brown, Jimmy Slide, and Chuck Green. Oliver’s television appearances include “Tap Dance in America” with Gregory Hines and “Star Search.” On faculty at Muhlenberg College, she directs the Muhlenberg Jazz Tap Ensemble, providing community outreach in the Allentown area. Ms. Oliver has produced a series of “Tap Music For Tap Dancers” CDs that have become a standard pedagogical tool in the tap dance world. She is the recipient of the 2009 Outstanding Dance Educator award for the Lehigh Valley Dance Consortium.

Jeffrey Peterson serves as an assistant professor of dance at Muhlenberg College, where he teaches modern, jazz, and partnering techniques. He holds a Master of Fine Arts degree from New York University’s Tisch School of the Arts. Peterson began his professional dance career in national tours with JAZZDANCE by Danny Buraczeski in 2000. Since then, he has performed in the work of Clare Byrne, Edisa Weeks, and Mathew Janczewski, as well as Stephan Koplowitz’s “Grand Step Project,” and the Minnesota Opera’s production of “The Pearl Fishers” with choreography by John Malashock. His choreographic work for Jeffrey Peterson Dance has appeared at Joe’s Pub, Joyce SOHO, and Dixon Place in New York City, The Minnesota Fringe Festival, Intermedia Arts, and Bryant Lake Bowl in Minneapolis, and in “The Cloth Peddler” at the Dorothy Chandler Pavilion in Los Angeles. Peterson’s choreography has appeared in the concert repertory of numerous university dance programs. His ongoing creative work includes choreographic projects, colorguard and visual consultation for the Govenaires Drum and Bugle Corps, and sound design.

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Muhlenberg Honors Mildred Greene In Costume Retrospective

 

Logo of Muhlenberg College

Logo of Muhlenberg College (Photo credit: Wikipedia)

Allentown, PA – Muhlenberg College Theatre & Dance will remember Mildred Greene, long-time costumer and costume designer, with a special exhibition of her work Feb. 5-27. The exhibition, titled “It Fits, You’ll Wear It & Love It,” will honor Greene’s impact on the department and its productions.


Greene built and designed costumes for the Theatre & Dance Department and Muhlenberg Summer Music Theatre from 1979 until her retirement in 2003. During her 24-year career at Muhlenberg, she designed and produced thousands of costumes for the stage.


The exhibition will feature costumes as well as photographs of Greene’s design repertoire spanning her Muhlenberg career. A free reception for the exhibition will be held Friday, Feb. 7 from 4 to 6 p.m.


Greene’s skill, expertise, and no-nonsense charm endeared her to her colleagues and hundreds of students, according to Curtis Dretsch, professor of design and technical theater.


“Mildred could do more, with less, more quickly than anyone else I’ve ever known,” Dretsch says.


Greene was destined to create costumes for the stage, as her father was an upholsterer and her mother sewed clothing and dance costumes for the family. She worked in New York City during World War II as a pattern maker for McCall’s Pattern Company while also work in alterations shops honing her construction skills.


Reviewers consistently praised Greene’s work throughout her career. “Mildred Greene’s costumes deserve to be kept on display as examples of theater art even after audiences can no longer enjoy the sterling play they frame,” wrote Morning Call theater critic John Flautz in his 1988 review of “The School for Scandal.” “They are nothing short of stunning!”


Muhlenberg College is a liberal arts college of more than 2,200 students in Allentown, Pa. The college offers Bachelor of Arts degrees in theater and dance. The Princeton Review has ranked Muhlenberg’s theater program as in the top twelve in the nation for the past seven years, and Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.


“It Fits, You’ll Wear It & Love It” runs Feb. 5-27. The exhibition will take place in the Galleria Lobby, Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown.

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2014 Pennsylvania Farm Show Starts January 4th In Harrisburg

The Pennsylvania Farm Show runs Jan. 4 through Jan. 11 at the Pennsylvania Complex & Expo Center, North Cameron and Maclay Streets, Harrisburg.

Show hours are 8 a.m. to 9 p.m. Jan. 4 through 11 and 8 a.m. to 5 p.m. Jan. 12

Read more: http://www.timesherald.com/business/20140102/live-from-the-2014-pennsylvania-farm-show