Developer J.B. Reilly has been building apartments for 25 years, but he’s never seen demand like he’s seeing now for his high-end apartments in Center City Allentown.
His company, City Center Lehigh Valley, announced Sept. 8 it was accepting deposits for 170 apartments in the under-construction Strata Luxury Flats at Four City Center. Two months later, almost half have deposits on them.
“I’ve been in the apartment development business my whole career and we’ve never experienced this kind of demand – even close to this kind of demand,” Reilly said Friday.
The interest in the apartments is tied to the new attention on Allentown’s downtown, Reilly said. In recent months, new restaurants, office space and a minor league hockey arena have opened, with Reilly leading much of the development.
WILKES-BARRE, PA — The City of Wilkes-Barre has announced plans for this year’s annual Christmas Parade and Tree Lighting Ceremony.
The city will kick off the holiday season on Nov. 22 with a full day of downtown events, concluding with the arrival of Santa in the annual parade, followed by the lighting of the Christmas tree on Public Square.
“The City of Wilkes-Barre’s Christmas Parade and Tree Lighting ceremony is the perfect way to bring the holiday season to life in downtown Wilkes-Barre,” Mayor Thomas M. Leighton said in a news release. “We are thrilled to offer many free family friendly activities for the young and young-at-heart to enjoy throughout the day.”
Festivities will begin at 11:30 a.m. with storytelling by Mrs. Claus at Barnes & Noble on South Main Street.
Allentown, PA— The hardest part of directing a play that’s a couple thousand years old isn’t getting your audience to understand the play, says director Matthew Moore. The hard part is making sure they connect with it — and that means finding a way to cut its mythic characters down to human size.
Moore’s production of Aeschylus’ tragedy “Agamemnon” opens Nov. 19 at the Muhlenberg College Theatre & Dance Department, where he is a faculty member. He says that his first job as director has been to help a modern audience relate to an ancient tragedy, with its ancient characters and their ancient motivations.
“Ted Hughes has given us a beautiful, poetic, modern translation, so the language isn’t a great challenge for the audience,” Moore says. “The challenge comes from creating these larger-than-life characters on the stage, in a way that makes them and their crazy decisions seem not only real but compelling.”
“Agamemnon” runs Nov. 19-23 on the college’s Studio Theatre stage. Tickets and information are available at http://www.muhlenberg.edu/theatre and 484-664-3333.
Moore says his approach to creating an accessible “Agamemnon” has been highly collaborative — and highly improvisational, to an unusual degree for a theater production. The cast spent the entire first month of rehearsals doing improv and movement work, with guidance from movement consultant Susan Creitz, another Muhlenberg faculty member. Their objective was to find the physical reality of their characters before they started learning their lines.
“The first thing Matt ever said at rehearsal was, ‘This text is a spell, and we are going to learn how to cast it,’” says Kate McMoran, who plays Clytemnestra, Agamemnon’s vengeful spouse. “I don’t think I could have even started to the scenes if I hadn’t had the improv movement experience first.”
“Agamemnon” tells a tale of revenge and murder set in the aftermath of the Trojan War. Ten years before, the Greek King Agamemnon sacrificed his daughter Iphigenia to gain the necessary winds to sail to Troy. Now he returns victorious — but his fleet and kingdom have been decimated by the war, and the memory of his sacrifice looms large, particularly for his wife, Clytemnestra.
Feigning thankfulness for his safe return, Clytemnestra lures her husband into the bath, where she murders him to avenge her daughter. But justice proves elusive in this primal tale of revenge.
“I am interested in the practice of theater as a continued collaboration,” Moore says. “It doesn’t mean you come and collaborate with me on my vision. It means let’s actually do the work of figuring out what this is together.”
Part of the collaborative process for “Agamemnon” includes the contributions of senior Sean Skahill, who has composed a dark, edgy original score for the production. Skahill also composed music for last fall’s “The Winter’s Tale,” but in a very different style. For “Agamemnon,” he uses a looping station, an electronic device that loops and layers different sounds and instruments to create an improvisational soundscape.
“Matt keeps saying that the play is about the past repeating itself,” Skahill says. “So the looping device really works nicely on a literary level. We keep hearing the past, layered over itself to create more and more complexity.”
Muhlenberg College is a liberal arts college of 2,200 students in Allentown, Pa. The college offers Bachelor of Arts degrees in theatre and dance. The Princeton Review consistently ranks Muhlenberg’s production program in the top 15 in the nation, and the Fiske Guide to Colleges lists both the theatre and dance programs among the top small college programs in the United States.
Performances of “Agamemnon” are Nov. 19-23: Wednesday through Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 2 p.m. Tickets are $15 for adults and $8 for students and for LVAIC faculty and staff. The performance is intended for mature audiences.
Pottstown, Pa.—Montgomery County Community College’s West End Student Theatre and Theatre Arts program are proud to present “Rabbit Hole,” a Pulitzer Prize-winning drama by David Lindsay-Abaire. Show dates are Thursday-Saturday, November 13, 14 and 15, at 7 p.m. All performances will be held in the College’s South Hall Community Room, 101 College Drive, Pottstown. Tickets are $10 general admission and $5 for students and seniors. To purchase tickets, call 215-641-6518 between 10 a.m. and 7 p.m. or visit http://www.mc3.edu/livelyarts.
“Rabbit Hole,” the 2007 winner for the Pulitzer Prize, is a bittersweet drama about finding hope in the lowest moments of life and the paths taken to return to the light of day. It tells the story of Becca and Howie, two young parents who could be anybody’s neighbors in a typical suburb, until the accidental death of their four-year-old son tests everything about that life… and their marriage.
“There is no manual for mourning. How or when do you restart/redefine your life in the face of loss? Becca and Howie are grieving the death of their son in very different ways. A terrible accident has uprooted their lives and created a wedge between them. Ultimately, this play is a journey home…a defiant, funny yet delicate journey home,” says director Tim Gallagher. This production contains adult themes and language.
Directed by Gallagher, assisted by Rianna Isbell, and stage managed by Desiree Humes, the cast includes Myasia Bynum, Carly Watson, Ron Quay, Sarah Koch, and Andrew Miller. The production is designed, produced and presented by the students of the West End Student Theatre, which includes
Anthony Romano, Alex Hollowell, Nicole Corsey, Jeffrey Chernesky, Sarah Robbins, Freddy Ortiz, Joseph Donley, Lexi Lyon, Allie Johns, Sherry Smith, Edston Detrich, Sarah Robbins, under the guidance of Gallagher.
Allentown, PA — Muhlenberg College dancers tell their stories through movement, as the Muhlenberg Theatre & Dance Department presents “Moving Stories,” a showcase for dance works created by emerging choreographers, Nov. 6-8 in the College’s Baker Theatre.
Artistic director Karen Dearborn says the 10 choreographers selected for the program have created sophisticated and innovative dances, informed by their liberal arts education, and intended to probe and illuminate the human experience.
“‘Moving Stories’ is designed to inspire and challenge audiences,” Dearborn says. “These visually lush dances offer a view of our present and future through contemporary eyes. It is always exciting to be enveloped in these kinetic and symbolic works of art — to be moved by the movement.”
In addition this year, Muhlenberg will present “Dance On: Moving Stories Part II,” a free 40-minute concert, Nov. 8 and 9, also in the Baker Theatre.
“Moving Stories” will showcase over 50 dancers from the department’s dance program, which is among the most highly regarded programs of its kind. The concert features costume and lighting designs by the department’s acclaimed professional staff.
The ten original dances include contemporary jazz, tap, and modern works that investigate female competition, the images in dreams, personal tragedy, architecture, consciousness and fear. Everything from wildlife, interpersonal relationships, a cappella, nightmares, and the interworking of the human mind struck inspiration for the choreographers.
“Moving Stories” features the choreography of Samantha Chu, Allison Conley, Shayna Golub, Tyler Holoboski, Courtney Hunsberger, Emily Lombardo, Zoe Papaeracleous, Krysta Parker, Kelley Romanuski, and Kylie Sickler.
“Dance On” features pieces by Sarah Braviak, Natalie Coy, Noah Dach, Paige Klibanoff, Liz Spilsbury, and Elizabeth Thompson.
Muhlenberg College’s Theatre & Dance Department offers one of the top-rated college performance programs in the county, according to the Princeton Review rankings. Muhlenberg is a liberal arts college of more than 2,200 students in Allentown, Pa., offering Bachelor of Arts degrees in theater and dance. It has been named annually among The Fiske Guide to Colleges’ top 20 small college programs in the United States, and the American College Dance Festival Association has consistently recognized dances premiered on the Muhlenberg stage for excellence in choreography and performance.
“Moving Stories” runs Nov. 6-8: Thursday and Friday at 8 p.m., and Saturday at 2 and 8 p.m. Tickets are $15 for adults, $8 for patrons 17 and under. Tickets and information are available at 484-664-3333 or muhlenberg.edu/dance.
“Dance On” runs Nov. 8-9: Saturday at 5 p.m., and Sunday at 2 p.m. Admission is free, and tickets are not required.
Both concerts will be performed in the Baker Theatre, Trexler Pavilion for Theatre & Dance, Muhlenberg College, 2400 Chew St., Allentown.
Responsible hospitality. The night-time economy. A “sociable city” plan.
They’re buzzwords for a basic concept.
Nightlife, and the neighborhoods in which it happens, are resources that need to be planned and managed, from transportation and parking to permitting and policing. And that involves comprehensive coordination between community business owners, an array of city agencies and institutions like universities.
“Like our transit planning, like how we manage special events, these economies will benefit from planning and management,” said Maya Henry, the city’s new night-time economy manager, a $65,249-a-year position created by Mayor Bill Peduto to coordinate those efforts. “My job is to bring the lens of the night-time economy to all of those places that already exist in city planning.”
POTTSTOWN, PA – Officials are hoping that as the sum of the parts is greater than the whole, a collective effort of the borough’s revitalization efforts will result in greater sums of grant money and tourist dollars.
Steve Bamford, executive director of Pottstown Area Industrial Development, Inc. outlined a plan to borough council Tuesday that would see the many attractions clustered near Pottstown’s western gateway joining together in pursuit of funding and marketing.
The joint undertaking as part of a “tourism and recreation district” includes: Pottsgrove Manor, the Carousel at Pottstown, theColebrookdale Railroad, Manatawny Green miniature golf, Memorial Park with the splash park and Trilogy Park BMX track, Montgomery County Community College’s art gallery, the Schuylkill River Trail,Riverfront Park and the Schuylkill Heritage Area’s River of Revolutions interpretive center.
“There are some in place, some underway and some nearly ready,” Bamford told The Mercury Friday, referring to the state of the various sites.
Allentown, PA – Stephen Sondheim’s rarely produced musical comedy “Anyone Can Whistle” will get a Fiftieth Anniversary production at the Muhlenberg College Theatre & Dance Department, Oct. 24 – Nov. 2. An absurdist satire about insanity, conformity, miracles, and local government, the 1964 musical is also a great love story, according to director Beth Schachter, and has become a cult classic among musical theater fans.
“The music is quite lovely,” says Schachter, a member of the theater faculty at Muhlenberg, and the chair of the Theatre & Dance Department. “The humor is also very enjoyable. The show is witty in a way that many musicals are not.
“Anyone Can Whistle” plays on the stage of the Empie Theatre, Baker Center for the Arts. Tickets and information are available at http://www.muhlenberg.edu/theatre and 484-664-3333.
The show tells the story of a bankrupt town with a corrupt mayoress, in which the only business still thriving is Dr. Detmold’s Sanitarium for the Socially Pressured — known locally as The Cookie Jar. The town needs a miracle — which is precisely what it gets when a local girl licks a rock and water gushes out. Bingo! A modern-day Lourdes, with the tourist trade to boot. (The miracle was staged by the mayor’s cronies, of course.)
Things get even more complicated when the Cookie Jar patients get mixed up with the pilgrims, and no one can tell who’s crazy and who isn’t — not that it was entirely clear to begin with.
The show satirizes issues and attitudes that are still very much germane 50 years later, Schachter says: issues of gender norms and gender equality, questions of individuality and conformity, social protest and civil disobedience.
“The show argues for standing up for change and not waiting for the people in charge to change things for you,” she says. “That’s something that appeals to me, as the people of Hong Kong flood the streets with their umbrellas in support of democracy.”
Schachter says the show offers a particularly sophisticated and compelling depiction of women, with two powerful female characters in Fay, a nurse who works at the Cookie Jar, and Cora, the town’s mayor.
“The show is interested in women, in their desires, ambitions, and wishes,” she says, “which is part of the reason I like it so much.”
Senior Samantha Simon, from Hawthorne, N.J., plays the central role of Cora — a villain of the piece, but a complicated character nevertheless. Simon appeared last fall as Rosa Bud in “The Mystery of Edwin Drood.”
“Samantha is having a terrific time playing this hilarious villainess,” Schachter says. “She is a powerful presence on stage. She really takes over.”
Sondheim wrote “Anyone Can Whistle” very early in his career as a composer. He had contributed lyrics to the hits “West Side Story” and “Gypsy,” but had only written the score for one Broadway show, “A Funny Thing Happened on the Way to the Forum.” The show closed after nine performances, but went on to become a cult favorite among musical theater fans, particularly Sondheim-philes. The show offers a preview of the complex melodies and innovative structures that characterize the composer’s later shows.
“‘Whistle’ marks the beginning of Sondheim’s distinctive voice and style,” Schachter says. “He develops that style much further in his mature work, but it’s fascinating to see this early expression of his talents as a composer.”
Tim Averill designs the scenery, which has “a zany, cartoony, fairy-tale feel to it,” Schachter says. “We were inspired by the set of ‘Laugh-In,’ with its bright colors and crazy angles.” The choreography, by Lynn Wiener, is similarly outlandish, highlighted by a comic ballet in which the ballerinas play deputies in an epic chase scene — on pointe.
“It’s a total hoot,” Schachter says. “But it’s a hoot with something to say, and what it has to say is still interesting and relevant 50 years later. It has been a revelation for me.”
Muhlenberg College is a liberal arts college of more than 2,200 students in Allentown, Pa. The college offers Bachelor of Arts degrees in theater and dance. The Princeton Review ranked Muhlenberg’s theater program in the top twelve in the nation for seven years in a row, and Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.
Performances of “Anyone Can Whistle” are Oct. 24 – Nov. 2. Showtimes are 8 p.m. Thursday through Saturday and 2 p.m. Sunday, with an additional 2 p.m. show on Saturday, Oct. 25. Regular admission tickets are $22. Tickets for youth and LVAIC students and staff are $8. Group and season subscription rates are available.
Tickets can be purchased online at http://www.muhlenberg.edu/theatre or by phone at 484-664-3333. Performances are in the Empie Theatre, Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown.
The Lehigh Valley Arts Council and theLehigh Valley Partnership for a Disability Friendly Community invite you to join our cultural organizations, social agencies, artists with disabilities, and people of all abilities to engage each other with skills, compassion, humor and commitment:
The Lehigh Valley ARTS & ACCESS EXPO | November 10, 2014
Lehigh Valley Health Network, 2100 Mack Boulevard in Allentown
This event heralds the twenty-fifth anniversary of the passage of the Americans with Disabilities Act which occurs on July 26, 2015. The Lehigh Valley Arts Council and the Partnership for a Disability Friendly Community are planning a yearlong celebration to unite the community around creating a more inclusive region and expanding access to the arts for all people.
“Let’s remove barriers and open our doors to persons with disabilities,” says Randall Forte, Lehigh Valley Arts Council Executive Director. “It’s easier than you might think, and this event will give arts groups the help they need.”
Sponsors: Lehigh Valley Health Network | Just Born
|EXPO: Schedule and Details|
Editor’s note: We love it when folks use existing successful business models for a blueprint. Why reinvent the wheel when a tweak will due :)
COLUMBUS, Ohio — About $1 billion in development around an arena primarily for hockey transformed a dreary section of downtown Columbus that used to be an industrial area and home to a run-down prison.
“People didn’t come downtown very often, and they certainly didn’t live here. Things are different now. This is a place to be,” said Sherri Lyle, 44, of suburban Powell, who works in Columbus’ 14-year-old Arena District.
The Pittsburgh Penguins are paying attention. The team is preparing to develop a 28-acre site where the Civic Arena stood, across Centre Avenue from the $321 million Consol Energy Center that opened in 2010.
“We’ve sat down and talked with them several times about what they have done relative to development,” said Penguins Chief Operating Officer Travis Williams, noting the team studied similar projects in Cincinnati, Dallas, Philadelphia, San Jose, Washington and Pittsburgh’s North Shore.
Northampton Community College
3835 Green Pond Rd.
Bethlehem, PA 18020
An olio is a round-robin of storytelling.This year’s Olio will feature some of the best storytellers in and around the area including:
Sasha Cheer (Pennsylvania Youth Storytelling Showcase Winner )
Robin Reichert (Lehigh Valley)
Judy England-McCarthy (New Jersey)
Lynn Ruehlmann (Virginia)
Bernie Libster (New Jersey)
Jennings & Ponder (Featured National Storytellers) (pictured).
StoryFUSION Festival – September 19th – 21st 2014
Headliners: Jennings and Ponder
World folktales, duo narrative performance, interwoven with traditional music. Besides evening performances on Friday and Saturday, there will be workshops, free children’s show and story swaps.
For full schedule go to www.storyfusion.org.
Jennings & Ponder:
In a powerful blend of technique and soul, this Vermont couple presents traditional world folktales as duo narrative performance, interwoven with traditional Celtic music on harp and concertina. By combining their voices, sensibilities, and creative talents, the duo has developed a form of entertainment that is truly magical, with a unique ability to transcend boundaries.
Allentown, PA – Emerging theatrical talents will be on display in Muhlenberg College’s “New Visions” Directors’ Festival, featuring plays directed by four senior directing students in the College’s Department of Theatre & Dance. “New Visions” plays Sept. 27-30 on Muhlenberg’s Studio Theatre stage.
The festival will be presented in two evenings. Evening A features Federico Garcia Lorca’s “The Love of Don Perlimplin for Belisa in the Garden,” directed by Allison Lloyd, and Romulus Linney’s “Hrosvitha,” directed by Julia Schneiderman. Evening B features “Out Loud: Three Short Plays,” directed by Michael Witkes, and Caryl Churchill’s “This is a Chair,” directed by Hayley Cooke.
“The Love of Don Perlimplin for Belisa in the Garden” tells the story of Don Perlimplin, a hopeless bachelor, who is convinced to marry the beautiful but promiscuous Belisa. Four potent scenes illustrate the tale of a man overcome by the spirits of passion and the desire to win the love of the woman to whom he is married.
The title character in “Hrosvitha” was a canoness at Gandersheim Abbey in 10th century Saxony, and is regarded as the first Christian playwright. By imagining the visit of a hostile monk and the conflict that unfolds, Romulus Linney examines the tensions that exist within and around Hrosvitha — a forward-thinking woman with an understanding of the world that didn’t always harmonize with her religious beliefs and deep faith.
“The play contends that we are the authors of our own stories,” Schneiderman says, “and that women, most of all, must struggle to rewrite the world around them.”
“Out Loud” comprises three short plays: “Black Eye” by Carolyn Gage, “Game On” by Gary Garrison and “Baby Steps” by Geoffrey Nauffts. The show explores the importance of overcoming the stigmatization of homosexuality and fighting for one’s sexual identity. One actor plays the lead in all three plays, following a journey from hiding his sexuality, to coming out with hesitation, to finally embracing his sexuality and standing up for himself as a proud gay man.
“This is a Chair” explores the relationship between language and meaning. Eight vignettes, juxtaposed with large title signs, look at the complexities of human relationships and the struggle to connect.
Muhlenberg College is a liberal arts college of more than 2,200 students in Allentown, Pa. The college offers Bachelor of Arts degrees in theater and dance. The Princeton Review has ranked Muhlenberg’s theater program in the top twelve in the nation for seven years in a row, and Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.
Performances of “New Visions” are Sept. 27-30. Evening A will be performed Saturday, Sept. 27, at 2 and 8 p.m and Tuesday, Sept. 30, at 8 p.m. Evening B will be performed Sunday, Sept. 28, at 2 and 8 p.m. and Monday, Sept. 29 at 8 p.m. Tickets are $15 for one evening and $20 for a combination ticket including both nights. Tickets can be purchased online at http://www.muhlenberg.edu/theatreanddance or by phone at 484-664-3333. Performances are in the Studio Theatre, Trexler Pavilion for Theatre and Dance, Muhlenberg College, 2400 Chew St., Allentown. For mature audiences.
POTTSTOWN — “Tourism” might not be the first thing that comes to mind when you say “Pottstown,” but as far as Bill Fitzgerald is concerned, that won’t be true for long.
Fitzgerald is the president of the newly reconstituted Valley Forge Tourism and Convention Board and he was in town last week to talk to Pottstown Borough Council about how his organization can help promote what Pottstown has to offer.
Tourism is on the upswing in Montgomery County, Fitzgerald said, and Pottstown is well-positioned to benefit from that trend, Fitzgerald said.
On November 10, 2014, the Lehigh Valley Arts Council and the Lehigh Valley Partnership for a Disability-Friendly Community will co-host an exposition, Arts & Access: Celebrating Cultural Accessibility, at the Lehigh Valley Health Network, 2100 Mack Boulevard, Allentown, from 3:00 – 6:00 p.m.
The November 10th expo heralds the twenty-fifth anniversary of the passage of the Americans with Disabilities Act which occurs on July 26, 2015. The Lehigh Valley Arts Council and the Partnership for a Disability Friendly Community are planning a yearlong celebration next year to unite the entire community around creating a more inclusive region and expanding access to the arts for all people.
“Let’s remove barriers and open our doors to persons with disabilities,” says Randall Forte, Lehigh Valley Arts Council Executive Director. “It’s easier than you might think, and this event will give arts groups the help they need.”
Additionally, the 2012 U.S. Census data estimates indicate the number of non-institutionalized people with disabilities living in the Lehigh Valley is 81,000, or 12.7%, a figure that represents a significant number of potential new audience members for the cultural community.
Partnership member Jan Schwoyer sums it up best: “From my vantage point, the disability community is made up of people who have to do things differently. The arts community is a group of people who love to do things differently. These two groups were made for each other!”
Sponsored by the Lehigh Valley Health Network and Just Born, Inc., the November expo is free and open to the public. Featured guest, writer Shane Burcaw, will speak about his upcoming memoir, Laughing at My Nightmare, due out this October, and the importance of accessibility in the community. He writes an occasional column about life and disability in the Lehigh Valley in the Morning Call.
Exhibitors from local social service agencies and cultural organizations will be on hand to promote the consumer services and the specialized training they provide, including:
Empathy not Sympathy: Interacting Respectfully with People with Disabilities;
About Hidden Disabilities: Legal, Practical, and Human Considerations;
Audio-Described and Open-Captioned Performances.
Panel presentations will showcase recent collaborations between the cultural and disability communities that have extended access to the vision-impaired and to children with autism. Among the presenters are representatives from:
Center for Vision Loss
Muhlenberg Summer Music Theatre
Arch of the Lehigh Valley
Act One, DeSales University Theatre
Lehigh University Art Galleries and Museum
If you are interested in getting involved, the Arts & Access planning committee meets on the first Monday of the month from 3:30 to 5:00 p.m. Please R.S.V.P. to firstname.lastname@example.org.
What: Arts & Access Expo
When: November 10, 2014 / 3:00 – 6:00 p.m.
Where: Lehigh Valley Health Network, 2100 Mack Boulevard, Allentown
Laugh. Cry. Sing. Dance. Think. And be prepared for the unexpected! From the family classic The Sound of Music, to the gritty drama Court Martial at Fort Devens, to the joyous Shout!, to the whimsy of The 25th Annual Putnam County Spelling Bee, there’s something for every theatergoer to love in our 2014-2015 season!
For tickets, click “Online Tickets” or contact 610.970.1199 or email@example.com. For subscriptions or group sales of 10 or more, including personal or business events and receptions, contact firstname.lastname@example.org.
The Lehigh Valley Arts Council is offering affordable audio description training to the theatre community in order to help them increase attendance to their productions by becoming more disability-friendly.
Theatre practitioners from all walks of life—actors, students, volunteers, educators—are encouraged to enroll in the upcoming audio description training sessions and acquire new performance skills.
Fee: $25. Typically, this workshop costs $590. Thanks to the underwriting support of LVCIL and an anonymous donor, the Arts Council is able to offer it at a very reasonable price. Audio description assists patrons who are blind/low-vision to access the visual elements of stage productions through live narration provided by trained describers. Patrons use headsets to hear the audio description.
This two-day audio-description training for the Performing Arts will be held:
- October 3 & 4, 2014 | 10:00 AM – 5:00 PM
Lehigh Valley Arts Council
840 Hamilton Street
2nd Floor Conference Room (Suite 200)
Allentown, PA 18101
Includes Audio Described performance of “Harvey” at DeSales University (2755 Station Ave., Center Valley, Pa. 18034) on October 2, 2014 at 8:00 PM
LITITZ, PA—This town of 9,400 people in Amish country tells the story of the modern concert industry.
In 1968, when Frankie Valli and his group rolled in for a show, two young brothers who did sound for local dances turned the Four Seasons into one of the first music acts to tour with its own speaker system. The brothers built a reputation on the road, but they never moved out of Lititz. Their company became an anchor for a cluster of businesses that now supply the sound and spectacle for many of the world’s biggest acts.
The effect that lets pop-star Katy Perry soar over her audience while clutching a bunch of balloons. The battalion of speakers blasting Paul McCartney’s voice in stadiums designed for sports, not music. The sliding catwalk that takes a singing, dancing Justin Timberlake from the stage to the rear of an arena. All this gear, currently crisscrossing America in tractor-trailers, was engineered and built in Lititz, along with the apparatus for blockbuster tours of the past by U2, the Rolling Stones, Madonna and Michael Jackson. The place has an air of secrecy: Because entertainers want a surprise when the curtain goes up, much of the work here is done in secret by companies that don’t put their names on their buildings.
Once wired with tinny speakers and harsh lights, the world of live entertainment is now powered by computer systems that control sophisticated video displays on sets worth tens of millions of dollars.
WILKES-BARRE — Thursday seemed like the best possible day to release a report on a downtown survey.
Public Square was filled with people attending the weekly farmers’ market and Mother Nature cooperated by offering a spectacular day of sunshine.
Patty Kopec and her daughter, Frankie, were enjoying some of the food and sunshine. Even with no entertainment on the band shell stage, the Kopecs raved about the city and the downtown and said they wished more events were planned for Public Square.
“It needs this kind of stuff,” Patty Kopec said. “It needs more events that appeal to families.”
Arts Industry Comprises 3.8% of All Businesses and 2.3% Percent of the Employment in the Lehigh Valley region
Lehigh Valley, PA – A new research study published by Americans for the Arts uses statistical data to quantify the scope and economic importance of the arts in the Lehigh Valley region, or Carbon, Lehigh, and Northampton Counties. The Creative Industries are defined as arts businesses that range from nonprofit museums, symphonies, and theaters to for-profit film, architecture, and design companies. Arts businesses and the creative people they employ stimulate innovation, strengthen America’s competitiveness in the global marketplace, and play an important role in building and sustaining economic vibrancy.
The Creative Industries in the Lehigh Valley include 1,405 nonprofit and for-profit businesses, employing 7,714 employees—comprising 3.8% of all businesses and 2.3% of the people they employ, according to the Creative Industries: Business & Employment in the Arts in the Lehigh Valley report. The findings are based on an analysis of Dun & Bradstreet data, the most comprehensive and trusted source for business information in the United States. The study was conducted by Americans for the Arts—the nation’s leading nonprofit organization for advancing the arts and arts education—and includes analyses of 11,000 unique political and geographic regions in the U.S. The data are current as of January 2014.
The analysis demonstrates a larger-than-expected prevalence of arts business establishments, while the mapping analysis shows that these businesses are broadly distributed and thriving throughout the Lehigh Valley and not, as is sometimes believed, strictly in the downtown areas.
“The scope and numbers of the arts businesses represented in the Creative Industries Study reinforce the importance of the arts to our local economy and quality of life.” says Randall Forte, Executive Director of the Lehigh Valley Arts Council. “The arts are about jobs, jobs, and more jobs and deserve a seat at the economic development table.”
Arts Industry Resilient
Nationwide, the Creative Industries reports reveal that arts businesses are formidable: 750,453 businesses involved in the creation or distribution of the arts employ 3.1 million people. This represents 4.2% of all U.S. businesses and 2.1% of all U.S. employees, respectively. One of the remarkable national findings from the research, which dates back to 2004, is that arts businesses and employment have maintained this share of businesses and employment during the nation’s up and down economic cycles—demonstrating that the Creative Industries are as resilient and durable as other sectors of the economy.
“The Creative Industries reports are powerful tools for understanding what a major force arts and culture businesses are for the economy—not only nationally, but also locally, in every community across our country,” says Robert L. Lynch, president and CEO of Americans for the Arts. “These reports should be in every legislator’s office and every city hall, reminding community leaders that the arts are key drivers of the local economy, new employers, jobs, and improvement of the quality of life through their work. The Creative Industries say one thing loud and clear: the arts mean business!”
ABOUT CREATIVE INDUSTRIES REPORTS
The Creative Industries reports are created by Americans for the Arts using Dun & Bradstreet business data. Downloadable reports for the nation’s 435 federal legislative districts, all 50 states and the District of Columbia, 3,144 counties, and 7,400 state legislative districts, along with national comparative reports, can be freely downloaded at http://www.AmericansForTheArts.org/CreativeIndustries.
About the Lehigh Valley Arts Council
The Lehigh Valley Arts Council is a nonprofit 501(c)3, membership-supported organization that serves as a regional advocate and ambassador for the Lehigh Valley arts community. Its mission is to promote the arts; to encourage and support artists and their development; to assist arts organizations; and to facilitate communication and cooperation among artists, arts organizations and the community. Through collaborative partnerships, it continues to provide access to the local arts community through education, research, professional development seminars and cooperative marketing initiatives.